Azra Ghandeharion
Biographic Data
| ID | 4153597 |
|---|---|
| NAME | Azra Ghandeharion |
| GIVEN NAMES | Azra |
| FAMILY NAME | Ghandeharion |
| SIGNATURE | GHANDEHARION A |
| AFFILIATIONS | Ferdowsi University of Mashhad |
| ORCID | 0000-0002-2147-1827 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Development Policies and Discursive Conflicts in Contemporary Iranian Sexuality
Hollywood Dubliners become personal
Literary adaptation has been both intriguing and challenging for directors especially when it comes to complicated modernist writers like James Joyce (1882–1941) who is commonly considered unadaptable. First approached by John Huston (1906–1987), Joyce’s famous short story, “The Dead” (1914) came to Hollywood (1987). Unitizing the views of different scholars in the realm of adaptation studies, this paper reveals why the director has changed the e…
To Judge a Book by its Cover
The present study examines two book covers to discover how their telling images and condensed tales of war are related to the books’ interior content. We scrutinize A’zam Hosseini’s Da (2008) and its English translation by Paul Sprachman, One Woman’s War: Da (Mother) (2014). Since Da has been standing in Iranian best sellers list for a decade, it is considered as a paragon of popular national literature. Given the proclivity of books’ designers t…
How detergent advertisements can bleach national identity
This explanatory, descriptive non-experimental research investigates Iranian State TV advertisements during 2011–2016 in terms of using western or western-like signs in detergents. Since the method is content analysis based on postcolonial classification scheme, the aim is to examine the myth of western superiority in the most recent detergent advertisements aired during five years on the anti-colonial, state-governed TV in the Islamic Republic o…
Gendered Narrative in Female War Literature
US novelist and journalist Helen Benedict’s 2011 fictional work Sand Queen , the first novel about the Iraq War (2003–11) written by a woman, has great potential for feminist approaches, especially regarding its use of gender-identity models. Through her positioning of the narrators, her multiple narratives, and the linguistic elements in this work, Benedict has created a unique artistic structure that has broad implications for the study of narr…
Women Entrapment and Flight in Gilman’s “The Yellow Wallpaper”
This paper attempts to yield a critical reading of “The Yellow Wallpaper” (1892), which is one of the pioneering feminist works of American literature. Attempts have been made at finding affinities between the specific characterization of the story and the stereotypical male and female figures as defined by patriarchy and in terms of traditional gender roles. The paper tries to draw on Lacan’s conceptions of language, Cixous’ ideas about écriture…
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Women Entrapment and Flight in Gilman’s “The Yellow Wallpaper”
This paper attempts to yield a critical reading of “The Yellow Wallpaper” (1892), which is one of the pioneering feminist works of American literature. Attempts have been made at finding affinities between the specific characterization of the story and the stereotypical male and female figures as defined by patriarchy and in terms of traditional gender roles. The paper tries to draw on Lacan’s conceptions of language, Cixous’ ideas about écriture…
How detergent advertisements can bleach national identity
This explanatory, descriptive non-experimental research investigates Iranian State TV advertisements during 2011–2016 in terms of using western or western-like signs in detergents. Since the method is content analysis based on postcolonial classification scheme, the aim is to examine the myth of western superiority in the most recent detergent advertisements aired during five years on the anti-colonial, state-governed TV in the Islamic Republic o…
Gendered Narrative in Female War Literature
US novelist and journalist Helen Benedict’s 2011 fictional work Sand Queen , the first novel about the Iraq War (2003–11) written by a woman, has great potential for feminist approaches, especially regarding its use of gender-identity models. Through her positioning of the narrators, her multiple narratives, and the linguistic elements in this work, Benedict has created a unique artistic structure that has broad implications for the study of narr…
Hollywood Dubliners become personal
Literary adaptation has been both intriguing and challenging for directors especially when it comes to complicated modernist writers like James Joyce (1882–1941) who is commonly considered unadaptable. First approached by John Huston (1906–1987), Joyce’s famous short story, “The Dead” (1914) came to Hollywood (1987). Unitizing the views of different scholars in the realm of adaptation studies, this paper reveals why the director has changed the e…
To Judge a Book by its Cover
The present study examines two book covers to discover how their telling images and condensed tales of war are related to the books’ interior content. We scrutinize A’zam Hosseini’s Da (2008) and its English translation by Paul Sprachman, One Woman’s War: Da (Mother) (2014). Since Da has been standing in Iranian best sellers list for a decade, it is considered as a paragon of popular national literature. Given the proclivity of books’ designers t…
Development Policies and Discursive Conflicts in Contemporary Iranian Sexuality
Art (5 works) · Sociology (5 works) · History (4 works) · Literature (4 works) · Political science (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · Law (3 works) · Computer Science (2 works)