Borbála László
Biographic Data
| ID | 4154153 |
|---|---|
| NAME | Borbála László |
| GIVEN NAMES | Borbála |
| FAMILY NAME | László |
| SIGNATURE | LASZLO B |
| AFFILIATIONS | University of Debrecen |
| ORCID | 0000-0002-7718-6419 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Phantosomeikón
This article offers a more hopeful approach to thinking about film animals than the theories stressing the erasure of actual animals in cinema. Relying on corrective arguments to the spectral economy of the (post)modern animal, it uses Elsa Kremser and Levin Peter’s Space Dogs (2019) as an example to argue that recent documentaries not only foreground the concrete, corporeal, and creaturely experiences of urban strays, but also emphasize the myst…
Cynematographic Doubling
The present article contends that cinematic canines do not rupture representation even when they seem to slip out of character; rather, they reveal an immanent phenomenological dimension of fiction films. The main premise is that even such a crystallized representational form as classical narrative cinema, which treats the domestic dog as a sentimental icon, offers at least three layers to account for: 1) a visual layer that constructs the dog as…
No prominent works on this page.
Cynematographic Doubling
The present article contends that cinematic canines do not rupture representation even when they seem to slip out of character; rather, they reveal an immanent phenomenological dimension of fiction films. The main premise is that even such a crystallized representational form as classical narrative cinema, which treats the domestic dog as a sentimental icon, offers at least three layers to account for: 1) a visual layer that constructs the dog as…
Phantosomeikón
This article offers a more hopeful approach to thinking about film animals than the theories stressing the erasure of actual animals in cinema. Relying on corrective arguments to the spectral economy of the (post)modern animal, it uses Elsa Kremser and Levin Peter’s Space Dogs (2019) as an example to argue that recent documentaries not only foreground the concrete, corporeal, and creaturely experiences of urban strays, but also emphasize the myst…
Aesthetics (1 work) · Anthropocentrism (1 work) · Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Creatures (1 work) · Epistemology (1 work) · Gaze (1 work) · Geographies of human-animal interactions (1 work) · German Colonialism and Identity Studies (1 work)