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Dhana Underwood

Biographic Data

ID4155413
NAMEDhana Underwood
GIVEN NAMESDhana
FAMILY NAMEUnderwood
SIGNATUREUNDERWOOD D
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2003
H-INDEX1
  • La Bayadère: La femme représentée et la femme représentante de l'Inde coloniale au XIXe siècle

    Dhana Underwood•ARTICLE•International Journal of…•2003•Cited by: 1

    Nineteenth-century French artists frequently figure the Indian female dancer, or bayadère , in opera-libretti, travel narratives and adventure and love stories. She occupies a central part in the imaginary vision of the mystic and colonized East and personifies the feminine and the exotic Other. The intention is to analyse how the mainly non-verbal performative structure of Indian dance and the context of European spectators who cannot interpret …

  • Aux délices de Mahé: A selected, critical and annotated bibliography of French-language representations of India 1763-2002

    Serge Granger, Ian H Magedera et al.•ARTICLE•International Journal of…•2003

    This is the first bibliography to list and to comment on representations of India in French literary and historical texts, with a critical and comparative focus on the fact of British Indian Empire. The list will aid the much-needed comparative study of anglo- and francophone epistemologies in colonial and post-colonial India. For anglophone post-colonial scholars, it opens up the hitherto neglected fields of: French-language writing about Britis…

  • Déesse sexualisée et/ou victime? La femme hindoue entre les colonialismes anglais et français en Inde

    Ian H Magedera, Dhana Underwood•ARTICLE•International Journal of…•2002

    Both the British (1608–1947) and the French (1664–1954) states have a long history of involvement in India and both created an equality of oppression, applying the same type of orientalistic interpretation to women as they did to men. However, on occasions, the Hindu woman becomes an important vector in the colonizers' attempts to change cultural practices such as suttee (widow burning). This article uses Francophone sources (drama, novels and le…

  • La Bayadère: La femme représentée et la femme représentante de l'Inde coloniale au XIXe siècle

    Dhana Underwood•ARTICLE•International Journal of…•2003•Cited by: 1

    Nineteenth-century French artists frequently figure the Indian female dancer, or bayadère , in opera-libretti, travel narratives and adventure and love stories. She occupies a central part in the imaginary vision of the mystic and colonized East and personifies the feminine and the exotic Other. The intention is to analyse how the mainly non-verbal performative structure of Indian dance and the context of European spectators who cannot interpret …

  • Déesse sexualisée et/ou victime? La femme hindoue entre les colonialismes anglais et français en Inde

    Ian H Magedera, Dhana Underwood•ARTICLE•International Journal of…•2002

    Both the British (1608–1947) and the French (1664–1954) states have a long history of involvement in India and both created an equality of oppression, applying the same type of orientalistic interpretation to women as they did to men. However, on occasions, the Hindu woman becomes an important vector in the colonizers' attempts to change cultural practices such as suttee (widow burning). This article uses Francophone sources (drama, novels and le…

  • La Bayadère: La femme représentée et la femme représentante de l'Inde coloniale au XIXe siècle

    Dhana Underwood•ARTICLE•International Journal of…•2003•Cited by: 1

    Nineteenth-century French artists frequently figure the Indian female dancer, or bayadère , in opera-libretti, travel narratives and adventure and love stories. She occupies a central part in the imaginary vision of the mystic and colonized East and personifies the feminine and the exotic Other. The intention is to analyse how the mainly non-verbal performative structure of Indian dance and the context of European spectators who cannot interpret …

  • Aux délices de Mahé: A selected, critical and annotated bibliography of French-language representations of India 1763-2002

    Serge Granger, Ian H Magedera et al.•ARTICLE•International Journal of…•2003

    This is the first bibliography to list and to comment on representations of India in French literary and historical texts, with a critical and comparative focus on the fact of British Indian Empire. The list will aid the much-needed comparative study of anglo- and francophone epistemologies in colonial and post-colonial India. For anglophone post-colonial scholars, it opens up the hitherto neglected fields of: French-language writing about Britis…

Art (3 works) · Colonialism (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Colonialism, slavery, and trade (2 works) · Ethnology (2 works) · French (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Humanities (2 works)

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