Peleg
Biographic Data
| ID | 4157646 |
|---|---|
| NAME | Peleg |
| FAMILY NAME | Peleg |
| SIGNATURE | PELEG |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Israel on the Screen
Toward a Jewish Religious Realism in Israeli Cinema
The article examines changes in the relationship between film and religion in contemporary Israeli cinema by looking at three films that exemplify these changes, Ushpizin (Gidi Dar, 2004), The Wedding Plan (Rama Burshtein, 2016), and Tikkun (Avishai Sivan, 2015). As a pioneering religious film, Ushpizin introduced two cinematic elements that were developed by subsequent Israeli films dealing with religion or faith. The first element draws its ins…
Class Struggle in the Era of Identity Politics
From the beginning of its history, the Zionist workers’ society in the Land of Israel was plagued with fundamental ide ntity problems. Chief among them was the tension between the socialist vision of Zionist ideologues and their wish to cast that socialism in a national Jewish mold as well. The blurry lines between socialist ideology and national identity became progressively more apparent as the country matured and developed, especially after th…
Israeli Cinema and Politics
Israeli Cinema and Politics Yaron Peleg and Eran Kaplan This issue of Jewish Film & New Media holds the proceedings of the third scholars’ conference on Jewish and Israeli media, which met at Ca’ Foscari University, Venice in the spring of 2017. The conference centered on the political in Israeli cinema and television, or more precisely, the apparent disappearance of political consciousness from Israeli social and cultural life and the advent of …
No prominent works on this page.
Class Struggle in the Era of Identity Politics
From the beginning of its history, the Zionist workers’ society in the Land of Israel was plagued with fundamental ide ntity problems. Chief among them was the tension between the socialist vision of Zionist ideologues and their wish to cast that socialism in a national Jewish mold as well. The blurry lines between socialist ideology and national identity became progressively more apparent as the country matured and developed, especially after th…
Israeli Cinema and Politics
Israeli Cinema and Politics Yaron Peleg and Eran Kaplan This issue of Jewish Film & New Media holds the proceedings of the third scholars’ conference on Jewish and Israeli media, which met at Ca’ Foscari University, Venice in the spring of 2017. The conference centered on the political in Israeli cinema and television, or more precisely, the apparent disappearance of political consciousness from Israeli social and cultural life and the advent of …
Israel on the Screen
Toward a Jewish Religious Realism in Israeli Cinema
The article examines changes in the relationship between film and religion in contemporary Israeli cinema by looking at three films that exemplify these changes, Ushpizin (Gidi Dar, 2004), The Wedding Plan (Rama Burshtein, 2016), and Tikkun (Avishai Sivan, 2015). As a pioneering religious film, Ushpizin introduced two cinematic elements that were developed by subsequent Israeli films dealing with religion or faith. The first element draws its ins…
Jewish and Middle Eastern Studies (3 works) · Law (3 works) · Law (3 works) · Middle East Politics and Society (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Art (2 works) · History (2 works)