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Francesco Ripanti

Biographic Data

ID4158443
NAMEFrancesco Ripanti
GIVEN NAMESFrancesco
FAMILY NAMERipanti
SIGNATURERIPANTI F
AFFILIATIONSUniversity of Pisa
ORCID0000-0001-8196-7720
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS5
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Archaeology, Heritage, and Wellbeing

    Francesco Ripanti•ARTICLE•Public Archaeology•2022

  • Evaluating Participatory Practice In archaeology

    Gemma Tully, Lara Delgado Anés et al.•ARTICLE•Journal of Community Archaeology…•2022•Cited by: 4•References: 10

    In this paper we present a proposal for the creation of a standardized evaluation model for participatory/public/community archaeology and heritage initiatives. The proposal is the result of discussions during a Spring School that the University of Padua and the MAG Museum of Alto Garda, Italy, organized between 9 and 15 April 2018. The Spring School brought together international practitioners to compare experiences and share visions for the sus…

  • Working with communities

    Francesca Benetti, Katharina Möller et al.•ARTICLE•Journal of Community Archaeology…•2021•References: 4

    Opinions and practices in regard to public participation in archaeology vary widely in different countries. While so-called 'community digs' and other forms of participation are very common in the UK and volunteering opportunities can be easily found on the internet, the situation in Germany and Italy is different. Although public participation does exist in the two continental countries, it is not as widespread as in the UK, because of various d…

  • Toward an Intermediate Level

    Francesco Ripanti•ARTICLE•Public Archaeology•2019•References: 8

    Over the last decade public and community archaeology have established themselves as essential parts of the Italian contemporary archaeological debate, as a result of work at a series of venues and a growing commitment to public engagement within fieldwork. However, data and evaluation reports about participation are rarely found in academic literature, limiting the development of a critical attitude to the topic.This paper attempts to outline a …

  • The God of Time is Heritage of Mine”

    Open Access•Francesco Ripanti, Samanta Mariotti•ARTICLE•Advances in Archaeological Practice•2018•Cited by: 1•References: 3

    During the 2014 excavation campaign at Vignale an impressive late antique mosaic depicting Aion, the God of Time, was discovered. This artifact of 100 m 2 became a milestone for outreach activities; fund-raising, theatrical performances, and archaeological trekking sessions were tailored to this finding, in collaboration with local associations. The discovery of the mosaic consolidated the promotional lines followed for this project, on-site and …

  • Excava(c)tion in Vignale. Archaeology on stage, archaeology on the Web

    Open Access•Stéfano Costa, Francesco Ripanti•ARTICLE•AP: Online Journal in Public…•2017

    As an orchestra or a rock star, archaeologists have their audience too. This paper wants to highlight an integrated approach between fieldwork, its account and its dissemination to the public in different ways, including social media. This potential integration has come to life in the 2011 excavation of the Roman mansio of Vignale (Italy) and it has been named “Excava(c)tion”. It doesn’t mean a new way of digging but another way of approaching th…

  • Evaluating Participatory Practice In archaeology

    Gemma Tully, Lara Delgado Anés et al.•ARTICLE•Journal of Community Archaeology…•2022•Cited by: 4•References: 10

    In this paper we present a proposal for the creation of a standardized evaluation model for participatory/public/community archaeology and heritage initiatives. The proposal is the result of discussions during a Spring School that the University of Padua and the MAG Museum of Alto Garda, Italy, organized between 9 and 15 April 2018. The Spring School brought together international practitioners to compare experiences and share visions for the sus…

  • The God of Time is Heritage of Mine”

    Open Access•Francesco Ripanti, Samanta Mariotti•ARTICLE•Advances in Archaeological Practice•2018•Cited by: 1•References: 3

    During the 2014 excavation campaign at Vignale an impressive late antique mosaic depicting Aion, the God of Time, was discovered. This artifact of 100 m 2 became a milestone for outreach activities; fund-raising, theatrical performances, and archaeological trekking sessions were tailored to this finding, in collaboration with local associations. The discovery of the mosaic consolidated the promotional lines followed for this project, on-site and …

  • Excava(c)tion in Vignale. Archaeology on stage, archaeology on the Web

    Open Access•Stéfano Costa, Francesco Ripanti•ARTICLE•AP: Online Journal in Public…•2017

    As an orchestra or a rock star, archaeologists have their audience too. This paper wants to highlight an integrated approach between fieldwork, its account and its dissemination to the public in different ways, including social media. This potential integration has come to life in the 2011 excavation of the Roman mansio of Vignale (Italy) and it has been named “Excava(c)tion”. It doesn’t mean a new way of digging but another way of approaching th…

  • The God of Time is Heritage of Mine”

    Open Access•Francesco Ripanti, Samanta Mariotti•ARTICLE•Advances in Archaeological Practice•2018•Cited by: 1•References: 3

    During the 2014 excavation campaign at Vignale an impressive late antique mosaic depicting Aion, the God of Time, was discovered. This artifact of 100 m 2 became a milestone for outreach activities; fund-raising, theatrical performances, and archaeological trekking sessions were tailored to this finding, in collaboration with local associations. The discovery of the mosaic consolidated the promotional lines followed for this project, on-site and …

  • Toward an Intermediate Level

    Francesco Ripanti•ARTICLE•Public Archaeology•2019•References: 8

    Over the last decade public and community archaeology have established themselves as essential parts of the Italian contemporary archaeological debate, as a result of work at a series of venues and a growing commitment to public engagement within fieldwork. However, data and evaluation reports about participation are rarely found in academic literature, limiting the development of a critical attitude to the topic.This paper attempts to outline a …

  • Working with communities

    Francesca Benetti, Katharina Möller et al.•ARTICLE•Journal of Community Archaeology…•2021•References: 4

    Opinions and practices in regard to public participation in archaeology vary widely in different countries. While so-called 'community digs' and other forms of participation are very common in the UK and volunteering opportunities can be easily found on the internet, the situation in Germany and Italy is different. Although public participation does exist in the two continental countries, it is not as widespread as in the UK, because of various d…

  • Archaeology, Heritage, and Wellbeing

    Francesco Ripanti•ARTICLE•Public Archaeology•2022

  • Evaluating Participatory Practice In archaeology

    Gemma Tully, Lara Delgado Anés et al.•ARTICLE•Journal of Community Archaeology…•2022•Cited by: 4•References: 10

    In this paper we present a proposal for the creation of a standardized evaluation model for participatory/public/community archaeology and heritage initiatives. The proposal is the result of discussions during a Spring School that the University of Padua and the MAG Museum of Alto Garda, Italy, organized between 9 and 15 April 2018. The Spring School brought together international practitioners to compare experiences and share visions for the sus…

Cultural Heritage Management and Preservation (6 works) · Archaeology (5 works) · History (5 works) · Sociology (5 works) · History (4 works) · 3D Surveying and Cultural Heritage (3 works) · Anthropology (3 works) · Museums and Cultural Heritage (3 works) · Political science (3 works) · Conservation Techniques and Studies (2 works)

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