Roger Savage

Biographic Data

ID4159058
NAMERoger Savage
GIVEN NAMESRoger
FAMILY NAMESavage
SIGNATURESAVAGE R
AFFILIATIONSUniversity of California, Los Angeles
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS2
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2026
H-INDEX1

  • Does Good Gather Together

    Open AccessRoger SavageARTICLEÉtudes Ricoeuriennes / Ricoeur…2026

    The notion that exemplary deeds and acts provide models that we can follow invites some further consideration of the connection between the good to which they singularly attest and practical reason. By attributing such deeds and acts’ prospective and even prophetic dimension to their fittingness in response to moral and political dilemmas and crises, I relate the way that in reflective judgment the individual case summons its rule to phronesis. T…

  • Vaughan Williams in Context

    Onderdonk Onderdonk, Owen Owen et al.BOOKVaughan Williams in Context2024

  • The Aporetics of Temporality and the Poetics of the Will

    Open AccessRoger W H Savage, Roger SavageARTICLEÉtudes Ricoeuriennes / Ricoeur…2021

    The aporias of time that Paul Ricœur identifies in the conclusion to his three-volume Time and Narrative offer a fecund starting-point from which to consider how the poetics of narrativity figures in a philosophy of the will. By setting the poetics of narrativity against the aporetics of temporality, Ricoeur highlights the narrative art’s operative power in drawing together incidents and events in answer to time’s dispersion across the present, t…

  • Space of Experience, Horizon of Expectation. Spatiotemporal Metaphors, Philosophical Anthropology, and the Flesh

    Open AccessRoger W H Savage, Roger SavageARTICLEÉtudes Ricoeuriennes / Ricoeur…2021

    Paul Ricœur’s recourse to the metahistorical categories, space of experience and horizon of expectation, invites an inquiry into geography’s role as the guarantor of history. The ontology of the flesh provides the first indication of how one’s body is implicated in the sense of one’s place in the world. In turn, narrative inscriptions of events on the landscape transform the physical topography of a place into an array of sites where memories of …

  • Thought and Political Judgment

    Open AccessRoger W H Savage, Roger SavageARTICLEÉtudes Ricoeuriennes / Ricoeur…2021

    Hannah Arendt’s claim that thinking is the last defense against the moral outrages of criminal political regimes sets the problematic of good and evil in relief. Human freedom, Paul Ricœur reminds us, is responsible for evil. The avowal of the evil of violence is thus the condition of our consciousness of the freedom to act anew.Aesthetic experience’s lateral transposition onto the planes of ethics and politics highlights our capacity to respond …

  • Emancipatory Alternatives, Sites of Resistance

    Roger Savage, Zeta BooksARTICLEInternational Journal of Social…2017

  • Is Music Mimetic? Ricoeur and the Limits of Narrative

    Open AccessRoger SavageARTICLEJournal of French and Francophone…2006Cited by: 2References: 1

  • SocialWerktreueand the musical work's independent afterlife

    Roger W H Savage, Roger SavageARTICLEThe European Legacy2004

    New musicology's rejection of formalist precepts eclipses how the subjectivization of aesthetics institutes the schema of music's opposition to reality. Social Werktreue—fidelity to the work and to the faithful reproduction of an original intent—replaces ideals of aesthetic transcendence with analyses of a work's socially constructed meaning. Hence, absolute music's social demystification positions music criticism within a system of oppositions r…

  • Versification

    Tim Carter, G Sadler et al.CHAPTERThe new Grove dictionary of music…2002

  • Production

    Roger Savage, Barry Millington et al.CHAPTERThe new Grove dictionary of music…2002

  • Incidental music

    Roger SavageCHAPTERThe new Grove dictionary of music…2001

  • Opera (i)

    Howard Mayer Brown, Ellen Rosand et al.CHAPTERThe new Grove dictionary of music…2001

  • Opera production to Wagner

    Roger SavageCHAPTERThe new Grove dictionary of music…2001

  • Aesthetic Criticism and the Poetics of Modern Music

    Roger W H Savage, Roger SavageARTICLEThe British Journal of Aesthetics1993

    Journal Article AESTHETIC CRITICISM AND THE POETICS OF MODERN MUSIC Get access Roger W. H. Savage Roger W. H. Savage Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 33, Issue 2, April 1993, Pages 142–151, https://doi.org/10.1093/bjaesthetics/33.2.142 Published: 01 April 1993