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C Zabus

Biographic Data

ID41593
NAMEC Zabus
GIVEN NAMESC
FAMILY NAMEZabus
SIGNATUREZABUS C
AFFILIATIONSUniversité Sorbonne Paris Nord
ORCID0000-0003-4468-3731
VERIFIEDYes
TOTAL WORKS25
TOTAL CITATIONS39
AUTHOR COUNT25
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2021
H-INDEX3
  • Maran Among the Anthropologists: The Banda Rituals of Circumcision and Excision in Batouala

    Open Access•C Zabus•ARTICLE•Études caribéennes•2021

    After providing the colonial and anthropological context for the Bandas’ Ga’nza rituals of male circumcision and female excision and commenting on the “excision” of such rituals from the first (1922) translation of Batouala (1921), the article analyses Maran’s partial rendition of the rites, while pitting it against two later anthropological texts, published in the same year (1938), i. e. Jomo Kenyatta’s Facing Mount Kenya and A. M. Vergiat’s Les…

  • Hijras, Sangomas, and their Translects: Trans(lat)ing India and South Africa

    Open Access•C Zabus, Samir Das et al.•ARTICLE•Interventions•2021

    This essay focuses on hijras in India and on male women sangomas in Zulu gender-differentiated possession cults in South Africa. We approach these individuals through the travelling concept of “translects”, in the sense in which hijras and sangomas as “transgender individuals” cultivating a culture-specific, gender liminality use words to refer to themselves, their body parts, sexual orientation, societal rituals and practices, usually not in the…

  • Souhir Zekri Masson. Mapping Metabiographical Heartlands in Marina Warner's Fiction

    Open Access•C Zabus•ARTICLE•European Journal of Life Writing•2020

    Souhir Zekri’s book makes up for the relative neglect around British author and public intellectual Marina Warner’s oeuvre, which started receiving critical attention only a decade and a half ago

  • Anthropological Wormholes: From Pederasts to Female Husbands

    C Zabus•CHAPTER•Out in Africa•2013

  • Locating Transnational Ideals

    C Zabus, Walter Goebel et al.•BOOK•Locating Transnational Ideals•2013

    International audience

  • Out in Africa: Same-Sex Desire in Sub-Saharan Literatures & Cultures

    C Zabus•BOOK•Out in Africa•2013

    Homophobia is still rife and it remains dangerous and even life-threatening to be out in Africa, but Chantal Zabus here traces the range of representations of same-sex desire in Africa through historic and contemporary sources. Homosexuality was and still is thought to be quintessentially 'un-African'. Yet in this book Chantal Zabus examines the anthropological, cultural and literary representations of male and female same-sex desire in a pan-Afr…

  • Emerging Traditions: Toward a Postcolonial Stylistics of Black South African Fiction in English

    C Zabus•ARTICLE•Journal of Southern African Studies•2012

  • Out in Africa: Queer Desire in Some Anthropological and Literary Texts

    Open Access•C Zabus•ARTICLE•Comparative Critical Studies•2009•Cited by: 1•References: 4

    International audience

  • Against All Odds: A Documentary (DVD)

    C Zabus•ARTICLE•Research in African Literatures•2008

    Reviewed by: Against All Odds: A Documentary (DVD) Chantal Zabus Against All Odds: A Documentary (DVD) Produced by the Audio Visual Institute of Eritrea (AVIE). African Books Collective/Michigan State UP, 2007. ISBN 1904855865-9781904855866. Eritrea—from the Latin Mare Erythraeum,or the Red Sea—was an Italian colony from 1890 to 1952, when it became part of Ethiopia, to then become fully independent in 1993. From 11 to 17 January 2000, when the “…

  • Of Female Husbands and Boarding School Girls: Gender Bending in Unoma Azuah's Fiction

    C Zabus•ARTICLE•Research in African Literatures•2008•Cited by: 2•References: 11

    While Azuah's novel Sky-High Flames () is firmly grounded in the Igbo sociological context, comprising ancestor worship, the cult of a female goddess, polygamy, and the levirate, the novel taps into the practice of female husbandry documented by cultural anthropologists (e.g., Sylvia Leith-Ross and Ifi Amadiume, whose theories I reassess), previous West African literary attempts at representing lesbian seduction, as well relational nexuses within…

  • Beyond Circumspection’ African, Jewish, and Muslim Autobiographies Around Circumcision

    C Zabus•ARTICLE•Matatu•2008

    International audience

  • The West African Palimpsest: Case-Studies in Relexification

    C Zabus•CHAPTER•African Palimpsest•2007

  • (M)Other Tongue and the Third Code

    C Zabus•CHAPTER•African Palimpsest•2007

  • Towards Othering the Foreign Language

    C Zabus•CHAPTER•African Palimpsest•2007

  • Glottopolitics and Diglossia in West Africa

    C Zabus•CHAPTER•African Palimpsest•2007

  • Tables and Figures

    C Zabus•CHAPTER•African Palimpsest•2007

  • Pidginization and Multilingual Strategies

    C Zabus•CHAPTER•African Palimpsest•2007

  • The Visible Trace and Beyond

    C Zabus•CHAPTER•African Palimpsest•2007

  • The African Palimpsest: Indigenization of Language in the West African Europhone Novel. Second Enlarged Edition

    C Zabus•BOOK•African Palimpsest•2007•Cited by: 12

    Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of ‘indigenization’ whereby West African writers have made their literary English or French distinctively ‘African’. Through the apt metaphor of the palimpsest – a surface that has been written on, written over, partially erased and written over again – the book examines such w…

  • Informed Consent: Ezenwa–Ohaeto between Past and Future Uses of Pidgin

    C Zabus•ARTICLE•Matatu•2006

    The essay shows how Ezenwa–Ohaeto's poetry in pidgin, particularly in his collection (1988), emblematizes a linguistic interface between, on the one hand, the pseudo-pidgin of Onitsha Market pamphleteers of the 1950s and 1960s (including in its gendered guise as in Cyprian Ekwensi) and, on the other, its quasicreolized form in contemporary news and television and radio dramas as well as a potential first language. While locating Nigerian Pidgin o…

  • Writing women's rites

    Open Access•C Zabus•ARTICLE•Women s Studies International Forum•2001•Cited by: 1•References: 4

  • West African Popular Theatre

    C Zabus, K Barber et al.•ARTICLE•African Studies Review•1998•Cited by: 1

  • Francophone African Women Writers: Destroying the Emptiness of Silence

    C Zabus, Irène Assiba D’almeida et al.•ARTICLE•World Literature Today•1995•Cited by: 12

    French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '…

  • The African Palimpsest: Indigenization of Language in the West African Europhone Novel

    Bill Ashcoroft, C Zabus•ARTICLE•The Modern Language Review•1993

  • The African Palimpsest: Indigenization of language in the West African Europhone Novel

    Eric Sellin, C Zabus•ARTICLE•World Literature Today•1992•Cited by: 10

  • The African Palimpsest: Indigenization of Language in the West African Europhone Novel. Second Enlarged Edition

    C Zabus•BOOK•African Palimpsest•2007•Cited by: 12

    Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of ‘indigenization’ whereby West African writers have made their literary English or French distinctively ‘African’. Through the apt metaphor of the palimpsest – a surface that has been written on, written over, partially erased and written over again – the book examines such w…

  • Francophone African Women Writers: Destroying the Emptiness of Silence

    C Zabus, Irène Assiba D’almeida et al.•ARTICLE•World Literature Today•1995•Cited by: 12

    French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '…

  • The African Palimpsest: Indigenization of language in the West African Europhone Novel

    Eric Sellin, C Zabus•ARTICLE•World Literature Today•1992•Cited by: 10

  • Of Female Husbands and Boarding School Girls: Gender Bending in Unoma Azuah's Fiction

    C Zabus•ARTICLE•Research in African Literatures•2008•Cited by: 2•References: 11

    While Azuah's novel Sky-High Flames () is firmly grounded in the Igbo sociological context, comprising ancestor worship, the cult of a female goddess, polygamy, and the levirate, the novel taps into the practice of female husbandry documented by cultural anthropologists (e.g., Sylvia Leith-Ross and Ifi Amadiume, whose theories I reassess), previous West African literary attempts at representing lesbian seduction, as well relational nexuses within…

  • Out in Africa: Queer Desire in Some Anthropological and Literary Texts

    Open Access•C Zabus•ARTICLE•Comparative Critical Studies•2009•Cited by: 1•References: 4

    International audience

  • Writing women's rites

    Open Access•C Zabus•ARTICLE•Women s Studies International Forum•2001•Cited by: 1•References: 4

  • West African Popular Theatre

    C Zabus, K Barber et al.•ARTICLE•African Studies Review•1998•Cited by: 1

  • The African Palimpsest: Indigenization of language in the West African Europhone Novel

    Eric Sellin, C Zabus•ARTICLE•World Literature Today•1992•Cited by: 10

  • The African Palimpsest: Indigenization of Language in the West African Europhone Novel

    Bill Ashcoroft, C Zabus•ARTICLE•The Modern Language Review•1993

  • Francophone African Women Writers: Destroying the Emptiness of Silence

    C Zabus, Irène Assiba D’almeida et al.•ARTICLE•World Literature Today•1995•Cited by: 12

    French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '…

  • West African Popular Theatre

    C Zabus, K Barber et al.•ARTICLE•African Studies Review•1998•Cited by: 1

  • Writing women's rites

    Open Access•C Zabus•ARTICLE•Women s Studies International Forum•2001•Cited by: 1•References: 4

  • Informed Consent: Ezenwa–Ohaeto between Past and Future Uses of Pidgin

    C Zabus•ARTICLE•Matatu•2006

    The essay shows how Ezenwa–Ohaeto's poetry in pidgin, particularly in his collection (1988), emblematizes a linguistic interface between, on the one hand, the pseudo-pidgin of Onitsha Market pamphleteers of the 1950s and 1960s (including in its gendered guise as in Cyprian Ekwensi) and, on the other, its quasicreolized form in contemporary news and television and radio dramas as well as a potential first language. While locating Nigerian Pidgin o…

  • The West African Palimpsest: Case-Studies in Relexification

    C Zabus•CHAPTER•African Palimpsest•2007

  • (M)Other Tongue and the Third Code

    C Zabus•CHAPTER•African Palimpsest•2007

  • Towards Othering the Foreign Language

    C Zabus•CHAPTER•African Palimpsest•2007

  • Glottopolitics and Diglossia in West Africa

    C Zabus•CHAPTER•African Palimpsest•2007

  • Tables and Figures

    C Zabus•CHAPTER•African Palimpsest•2007

  • Pidginization and Multilingual Strategies

    C Zabus•CHAPTER•African Palimpsest•2007

  • The Visible Trace and Beyond

    C Zabus•CHAPTER•African Palimpsest•2007

  • The African Palimpsest: Indigenization of Language in the West African Europhone Novel. Second Enlarged Edition

    C Zabus•BOOK•African Palimpsest•2007•Cited by: 12

    Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of ‘indigenization’ whereby West African writers have made their literary English or French distinctively ‘African’. Through the apt metaphor of the palimpsest – a surface that has been written on, written over, partially erased and written over again – the book examines such w…

  • Against All Odds: A Documentary (DVD)

    C Zabus•ARTICLE•Research in African Literatures•2008

    Reviewed by: Against All Odds: A Documentary (DVD) Chantal Zabus Against All Odds: A Documentary (DVD) Produced by the Audio Visual Institute of Eritrea (AVIE). African Books Collective/Michigan State UP, 2007. ISBN 1904855865-9781904855866. Eritrea—from the Latin Mare Erythraeum,or the Red Sea—was an Italian colony from 1890 to 1952, when it became part of Ethiopia, to then become fully independent in 1993. From 11 to 17 January 2000, when the “…

  • Of Female Husbands and Boarding School Girls: Gender Bending in Unoma Azuah's Fiction

    C Zabus•ARTICLE•Research in African Literatures•2008•Cited by: 2•References: 11

    While Azuah's novel Sky-High Flames () is firmly grounded in the Igbo sociological context, comprising ancestor worship, the cult of a female goddess, polygamy, and the levirate, the novel taps into the practice of female husbandry documented by cultural anthropologists (e.g., Sylvia Leith-Ross and Ifi Amadiume, whose theories I reassess), previous West African literary attempts at representing lesbian seduction, as well relational nexuses within…

  • Beyond Circumspection’ African, Jewish, and Muslim Autobiographies Around Circumcision

    C Zabus•ARTICLE•Matatu•2008

    International audience

  • Out in Africa: Queer Desire in Some Anthropological and Literary Texts

    Open Access•C Zabus•ARTICLE•Comparative Critical Studies•2009•Cited by: 1•References: 4

    International audience

  • Emerging Traditions: Toward a Postcolonial Stylistics of Black South African Fiction in English

    C Zabus•ARTICLE•Journal of Southern African Studies•2012

  • Anthropological Wormholes: From Pederasts to Female Husbands

    C Zabus•CHAPTER•Out in Africa•2013

  • Locating Transnational Ideals

    C Zabus, Walter Goebel et al.•BOOK•Locating Transnational Ideals•2013

    International audience

  • Out in Africa: Same-Sex Desire in Sub-Saharan Literatures & Cultures

    C Zabus•BOOK•Out in Africa•2013

    Homophobia is still rife and it remains dangerous and even life-threatening to be out in Africa, but Chantal Zabus here traces the range of representations of same-sex desire in Africa through historic and contemporary sources. Homosexuality was and still is thought to be quintessentially 'un-African'. Yet in this book Chantal Zabus examines the anthropological, cultural and literary representations of male and female same-sex desire in a pan-Afr…

  • Souhir Zekri Masson. Mapping Metabiographical Heartlands in Marina Warner's Fiction

    Open Access•C Zabus•ARTICLE•European Journal of Life Writing•2020

    Souhir Zekri’s book makes up for the relative neglect around British author and public intellectual Marina Warner’s oeuvre, which started receiving critical attention only a decade and a half ago

  • Maran Among the Anthropologists: The Banda Rituals of Circumcision and Excision in Batouala

    Open Access•C Zabus•ARTICLE•Études caribéennes•2021

    After providing the colonial and anthropological context for the Bandas’ Ga’nza rituals of male circumcision and female excision and commenting on the “excision” of such rituals from the first (1922) translation of Batouala (1921), the article analyses Maran’s partial rendition of the rites, while pitting it against two later anthropological texts, published in the same year (1938), i. e. Jomo Kenyatta’s Facing Mount Kenya and A. M. Vergiat’s Les…

  • Hijras, Sangomas, and their Translects: Trans(lat)ing India and South Africa

    Open Access•C Zabus, Samir Das et al.•ARTICLE•Interventions•2021

    This essay focuses on hijras in India and on male women sangomas in Zulu gender-differentiated possession cults in South Africa. We approach these individuals through the travelling concept of “translects”, in the sense in which hijras and sangomas as “transgender individuals” cultivating a culture-specific, gender liminality use words to refer to themselves, their body parts, sexual orientation, societal rituals and practices, usually not in the…

History (16 works) · Sociology (13 works) · Philosophy (11 works) · African history and culture studies (9 works) · Art (9 works) · Linguistics (9 works) · Political science (9 works) · Archaeology (7 works) · Gender Studies (7 works) · Anthropology (6 works)

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