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Safrizal Shahir

Biographic Data

ID4160080
NAMESafrizal Shahir
GIVEN NAMESSafrizal
FAMILY NAMEShahir
SIGNATURESHAHIR S
AFFILIATIONSUniversiti Sains Malaysia
ORCID0000-0001-5776-1159
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Characteristics of Islamic Calligraphy: Nasta‘liq, Persian Calligraphy Influences on Mughal Architecture of 17th Century

    Open Access•Fatima Zahra, FATIMA ZAHRA FATIMA ZAHRA et al.•ARTICLE•Hamdard Islamicus•2023

    The investigation on Islamic calligraphy, particularly Nasta‘liq calligraphy, mainly focuses only on the history of calligraphy, calligraphers’ biographies, and calligraphy’s origins and training. No significant or pervasive research has been done on the identity or characteristics of the calligraphy forms and their traditional principles. Fewer studies have examined the visual character of calligraphy academically or considered it a research sub…

  • Acanthus and Mughal Architecture: Western Influence on Wazir Khan Ornamentation

    Open Access•Fatima Zahra, Safrizal Shahir•ARTICLE•Rupkatha Journal on Interdisciplina…•2023

    The widely recognised historical ornament acanthus was used in South Asia, Southeast Asia, Europe, and other ancient civilisations. Historic civilisations frequently employed symbols and ornaments in their architecture to represent a specific subject matter or the aesthetic value or aspect of the ornamental elements for aesthetic and conceptual purposes. However, this study aims to explore the Western influence of acanthus on the architecture of …

  • Spiritual Aesthetics of Islamic Ornamentation and the Aesthetic Value in Islamic Architecture

    Open Access•Fatima Zahra, Safrizal Shahir•ARTICLE•Journal of Islamic Thought and…•2022•Cited by: 1•References: 2

    Islamic architecture, a form of Islamic art, contributes significantly to portraying God Almighty's supremacy. In Islamic art, there are numerous ways to place emphasis on this architecture; one of which is through high aesthetic value. In Islamic art and architecture, the greatest extent of ornamentation and motifs probably describe aesthetic values. Islamic ornamentation serves as a platform for delivering information about Islam's culture incl…

  • Spiritual Aesthetics of Islamic Ornamentation and the Aesthetic Value in Islamic Architecture

    Open Access•Fatima Zahra, Safrizal Shahir•ARTICLE•Journal of Islamic Thought and…•2022•Cited by: 1•References: 2

    Islamic architecture, a form of Islamic art, contributes significantly to portraying God Almighty's supremacy. In Islamic art, there are numerous ways to place emphasis on this architecture; one of which is through high aesthetic value. In Islamic art and architecture, the greatest extent of ornamentation and motifs probably describe aesthetic values. Islamic ornamentation serves as a platform for delivering information about Islam's culture incl…

  • Spiritual Aesthetics of Islamic Ornamentation and the Aesthetic Value in Islamic Architecture

    Open Access•Fatima Zahra, Safrizal Shahir•ARTICLE•Journal of Islamic Thought and…•2022•Cited by: 1•References: 2

    Islamic architecture, a form of Islamic art, contributes significantly to portraying God Almighty's supremacy. In Islamic art, there are numerous ways to place emphasis on this architecture; one of which is through high aesthetic value. In Islamic art and architecture, the greatest extent of ornamentation and motifs probably describe aesthetic values. Islamic ornamentation serves as a platform for delivering information about Islam's culture incl…

  • Characteristics of Islamic Calligraphy: Nasta‘liq, Persian Calligraphy Influences on Mughal Architecture of 17th Century

    Open Access•Fatima Zahra, FATIMA ZAHRA FATIMA ZAHRA et al.•ARTICLE•Hamdard Islamicus•2023

    The investigation on Islamic calligraphy, particularly Nasta‘liq calligraphy, mainly focuses only on the history of calligraphy, calligraphers’ biographies, and calligraphy’s origins and training. No significant or pervasive research has been done on the identity or characteristics of the calligraphy forms and their traditional principles. Fewer studies have examined the visual character of calligraphy academically or considered it a research sub…

  • Acanthus and Mughal Architecture: Western Influence on Wazir Khan Ornamentation

    Open Access•Fatima Zahra, Safrizal Shahir•ARTICLE•Rupkatha Journal on Interdisciplina…•2023

    The widely recognised historical ornament acanthus was used in South Asia, Southeast Asia, Europe, and other ancient civilisations. Historic civilisations frequently employed symbols and ornaments in their architecture to represent a specific subject matter or the aesthetic value or aspect of the ornamental elements for aesthetic and conceptual purposes. However, this study aims to explore the Western influence of acanthus on the architecture of …

Architecture (3 works) · Architecture and Cultural Influences (3 works) · Art (3 works) · Archaeology (2 works) · Computer Science (2 works) · Historical and Architectural Studies (2 works) · History (2 works) · Islam (2 works) · Philosophy (2 works) · Visual arts (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae