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Tina Takemoto

Biographic Data

ID416688
NAMETina Takemoto
GIVEN NAMESTina
FAMILY NAMETakemoto
SIGNATURETAKEMOTO T
AFFILIATIONSCalifornia College of the Arts
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS5
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2020
H-INDEX2
  • For Douglas Crimp

    Tina Takemoto, Marc Siegel et al.•ARTICLE•Art Journal•2020

    Catherine Opie, Douglas Crimp #2, 2001 (photograph © Catherine Opie, provided by Regen Projects, Los Angeles)On July 5, 2019, the critic, activist, curator, and professor Douglas Crimp died of mult

  • Crimp’s Last Dance Film Essay

    Tina Takemoto•ARTICLE•Art Journal•2020

    On March 24, 2019, I visited Douglas Crimp at his sunlit apartment on the top floor of the Bennett Building in lower Manhattan. He requested that I bring butternut squash soup and “the best Portugu

  • “More Than Pictures”

    Tina Takemoto•ARTICLE•Art Journal•2020

    This conversation with Douglas Crimp took place before a live audience on October 25, 2016, at California College of the Arts, San Francisco, as part of the series “Queer Conversations on Culture a

  • Keep Them Sweet

    Open Access•Tina Takemoto•ARTICLE•Journal of Visual Culture•2016

  • Drawing Complaint

    Tina Takemoto•ARTICLE•Asian Diasporic Visual Cultures…•2015

    Matthew Barney’s 2006 solo exhibition at the San Francisco Museum of Modern Art showcased large-scale sculptures, drawings, and photographs relating to his film Drawing Restraint 9 featuring the artist and his partner Björk on a whaling ship in Japan. This essay examines Barney’s neo-Orientalist project in light of cultural appropriation and discusses the author’s participation in Drawing Complaint: Memoirs of Björk-Geisha, a guerrilla art scheme…

  • Skin Matters

    Tina Takemoto•ARTICLE•Afterimage•2014

    Research Article| March 01 2014 Skin Matters: A Conversation with June Yong Lee Tina Takemoto Tina Takemoto TINA TAKEMOTO is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her writing has appeared in Afterimage, Art Journal, Performance Research, Radical Teacher, Theatre Survey, Women and Performance, and the anthology Thinking Through the Skin (2001, edited by Sara Ahmed and Jackie Stacey)…

  • Looking for Jiro Onuma

    Tina Takemoto•ARTICLE•GLQ A Journal of Lesbian and Gay…•2014•Cited by: 2•References: 3

    This essay explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated during World War II. Queer accounts of Japanese American wartime history are rare because of the atypical structure of the incarceration camps, which organized inmates by family units, the prevalence of intergenerational narratives, and dominant themes of loyalty, innocence, and civility. Jiro Onuma, a gay immigrant imprisoned by…

  • Looking For Jiro and Gentleman's Gaman

    Open Access•Tina Takemoto•ARTICLE•The Radical Teacher•2012

    Stryker, S usan. “ Transgender F eminism.” Feminist Frontiers, 8th Edition. Eds. Verta Taylor, L eila R upp, a nd Nancy W hittier. New York: McGraw Hill, 2008. 83-88. Notes 1 For a n e xcellent r eview o f h istorical a nd c ontemporary i ntersections o f women’s s tudies a nd t ransgender s tudies, see Talia Bettcher and Ann Garry’s introductory essay to Hypatia’s special issue on what t hey c all t he “ interaction” b etween feminism a nd t ran…

  • Remembering Jo Spence

    Tina Takemoto•ARTICLE•Afterimage•2009

    Research Article| March 01 2009 Remembering Jo Spence: A Conversation with Terry Dennett Tina Takemoto Tina Takemoto TINA TAKEMOTO is a performance artist and associate professor of Visual Studies at the California College of the Arts in San Francisco. Her current book manuscript addresses illness, collaboration, and grief in performance art. For more information visit www.ttakemoto.com. Search for other works by this author on: This Site PubMed …

  • Love is still possible in this junky world

    Tina Takemoto•BOOK•Women & Performance a journal of…•2009•Cited by: 3

    This article is an edited transcript of a conversation between Tina Takemoto and Sheree Rose, Bob Flanagan's longtime partner. Rose discusses Flanagan's life and work, particularly his performances and writings exploring sadomasochism and cystic fibrosis. She reflects on their relationship, the complexities of desire and intimacy, and the ways Flanagan's art challenged societal norms and offered a unique perspective on living with chronic illness…

  • Love is still possible in this junky world

    Tina Takemoto•BOOK•Women & Performance a journal of…•2009•Cited by: 3

    This article is an edited transcript of a conversation between Tina Takemoto and Sheree Rose, Bob Flanagan's longtime partner. Rose discusses Flanagan's life and work, particularly his performances and writings exploring sadomasochism and cystic fibrosis. She reflects on their relationship, the complexities of desire and intimacy, and the ways Flanagan's art challenged societal norms and offered a unique perspective on living with chronic illness…

  • Looking for Jiro Onuma

    Tina Takemoto•ARTICLE•GLQ A Journal of Lesbian and Gay…•2014•Cited by: 2•References: 3

    This essay explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated during World War II. Queer accounts of Japanese American wartime history are rare because of the atypical structure of the incarceration camps, which organized inmates by family units, the prevalence of intergenerational narratives, and dominant themes of loyalty, innocence, and civility. Jiro Onuma, a gay immigrant imprisoned by…

  • Remembering Jo Spence

    Tina Takemoto•ARTICLE•Afterimage•2009

    Research Article| March 01 2009 Remembering Jo Spence: A Conversation with Terry Dennett Tina Takemoto Tina Takemoto TINA TAKEMOTO is a performance artist and associate professor of Visual Studies at the California College of the Arts in San Francisco. Her current book manuscript addresses illness, collaboration, and grief in performance art. For more information visit www.ttakemoto.com. Search for other works by this author on: This Site PubMed …

  • Love is still possible in this junky world

    Tina Takemoto•BOOK•Women & Performance a journal of…•2009•Cited by: 3

    This article is an edited transcript of a conversation between Tina Takemoto and Sheree Rose, Bob Flanagan's longtime partner. Rose discusses Flanagan's life and work, particularly his performances and writings exploring sadomasochism and cystic fibrosis. She reflects on their relationship, the complexities of desire and intimacy, and the ways Flanagan's art challenged societal norms and offered a unique perspective on living with chronic illness…

  • Looking For Jiro and Gentleman's Gaman

    Open Access•Tina Takemoto•ARTICLE•The Radical Teacher•2012

    Stryker, S usan. “ Transgender F eminism.” Feminist Frontiers, 8th Edition. Eds. Verta Taylor, L eila R upp, a nd Nancy W hittier. New York: McGraw Hill, 2008. 83-88. Notes 1 For a n e xcellent r eview o f h istorical a nd c ontemporary i ntersections o f women’s s tudies a nd t ransgender s tudies, see Talia Bettcher and Ann Garry’s introductory essay to Hypatia’s special issue on what t hey c all t he “ interaction” b etween feminism a nd t ran…

  • Skin Matters

    Tina Takemoto•ARTICLE•Afterimage•2014

    Research Article| March 01 2014 Skin Matters: A Conversation with June Yong Lee Tina Takemoto Tina Takemoto TINA TAKEMOTO is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her writing has appeared in Afterimage, Art Journal, Performance Research, Radical Teacher, Theatre Survey, Women and Performance, and the anthology Thinking Through the Skin (2001, edited by Sara Ahmed and Jackie Stacey)…

  • Looking for Jiro Onuma

    Tina Takemoto•ARTICLE•GLQ A Journal of Lesbian and Gay…•2014•Cited by: 2•References: 3

    This essay explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated during World War II. Queer accounts of Japanese American wartime history are rare because of the atypical structure of the incarceration camps, which organized inmates by family units, the prevalence of intergenerational narratives, and dominant themes of loyalty, innocence, and civility. Jiro Onuma, a gay immigrant imprisoned by…

  • Drawing Complaint

    Tina Takemoto•ARTICLE•Asian Diasporic Visual Cultures…•2015

    Matthew Barney’s 2006 solo exhibition at the San Francisco Museum of Modern Art showcased large-scale sculptures, drawings, and photographs relating to his film Drawing Restraint 9 featuring the artist and his partner Björk on a whaling ship in Japan. This essay examines Barney’s neo-Orientalist project in light of cultural appropriation and discusses the author’s participation in Drawing Complaint: Memoirs of Björk-Geisha, a guerrilla art scheme…

  • Keep Them Sweet

    Open Access•Tina Takemoto•ARTICLE•Journal of Visual Culture•2016

  • For Douglas Crimp

    Tina Takemoto, Marc Siegel et al.•ARTICLE•Art Journal•2020

    Catherine Opie, Douglas Crimp #2, 2001 (photograph © Catherine Opie, provided by Regen Projects, Los Angeles)On July 5, 2019, the critic, activist, curator, and professor Douglas Crimp died of mult

  • Crimp’s Last Dance Film Essay

    Tina Takemoto•ARTICLE•Art Journal•2020

    On March 24, 2019, I visited Douglas Crimp at his sunlit apartment on the top floor of the Bennett Building in lower Manhattan. He requested that I bring butternut squash soup and “the best Portugu

  • “More Than Pictures”

    Tina Takemoto•ARTICLE•Art Journal•2020

    This conversation with Douglas Crimp took place before a live audience on October 25, 2016, at California College of the Arts, San Francisco, as part of the series “Queer Conversations on Culture a

Art (9 works) · Visual arts (7 works) · Art history (5 works) · Art, Politics, and Modernism (4 works) · Communication (4 works) · Conversation (4 works) · Gender Studies (4 works) · Psychology (4 works) · Sociology (4 works) · Crimp (3 works)

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