Brigitte Félix
Biographic Data
| ID | 4167889 |
|---|---|
| NAME | Brigitte Félix |
| GIVEN NAMES | Brigitte |
| FAMILY NAME | Félix |
| SIGNATURE | FELIX B |
| AFFILIATIONS | Université Paris 8 |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
A Postmodern Late Style
Sophie Vallas, Daniel Mendelsohn’s Memoir Writing
There are few scholarly publications on book-length essays such as those written by Daniel Mendelsohn, a major contemporary author whose work brilliantly perpetuates the rich tradition of essay-writing in North American literature. Daniel Mendelsohn’s Memoir Writing: Rings of Memory, a collection of eight articles by French scholars edited and introduced by Sophie Vallas, is a welcome addition to the rather limited amount of academic work on both…
An Interview with Eugene Marten
Of Marten, besides that, we don't know much. He won't be found on social media, he doesn't have a website nor does he blog his opinions on this or that topic. He seems to be the type of writer who would do anything to fly below the radars, especially the scholarly ones: he doesn't appear to spend much time on campuses-he doesn't teach, doesn't lecture, and claims, almost apologetically, that his is pretty much an "unliterary" life
Interview with Andi and Lance Olsen
Carnival: The Narratological Politics of What the Fuck?" 1 Lance Olsen published his first novel in the early 1990s, and his literary oeuvre is characterized by its sustained exploration of experimental writing practices. He is the author of more than thirty novels and short-story collections as well as of works of nonfiction, including the personal memoir [[there.]] which is discussed in the interview. Andi Olsen is a visual artist, using video,…
Paule Lévy, dir. Lectures de Philip Roth
Le présent article s’appuie sur le cours que donna Derrida en 1967-8, « Littérature et vérité : le concept de mimesis », largement inédit mais qui constitue le soubassement de « La Mythologie blanche » (1969) et, de façon plus centrale encore pour le sujet abordé ici, celui de « La Double séance » (1969). Il a également été suscité par la lecture de divers écrits de Philippe Lacoue-Labarthe qui jouent un rôle de premier plan dans l’ouvrage de Ric…
Sacramento Mountains hydrogeology study (Superseded by OFR 543)
Les paysages nécessaires de William Gaddis
The purpose of this paper is to question the significance of the representation of nature in William Gaddis’s fourth novel, A Frolic of His Own, by focusing on the narrative and descriptive sequences that seem to offer a different kind of textual landscape compared with the dialogues and legal documents the narrative is replete with. After studying what kind of nature is actually present in the novel, we will try to show that what is at stake is …
A Frolic of His Own de William Gaddis et le déplacement du récit
The opening pages of A Frolic of His Own resort to a type of narration familiar to the readers of Gaddis 's previous novels, with the dialogues conveying most of the narrative information while the narrator 's interventions are confined to a few descriptive sequences. Yet, the inclusion of other kinds of writings and the proliferation of stories grafted to the main plot dissolve the unity of a presupposed central narrative. This paper tries to ex…
Interrogations sur le seuil (critique) des quatre romans de William Gaddis
As Frank Kermode put it in The Sense of an Ending, « crisis, however facile the conception, is inescapably a central element in our endeavours towards making sense of our world ». Because of the emphasis on the subject of origins and causes in W. Gaddis's work, questioning the notion of critical moment in relation to the opening page of each novel appears as a way to reexamine the complexity of Gaddis's fictional world. From a survey of the vario…
No prominent works on this page.
Interrogations sur le seuil (critique) des quatre romans de William Gaddis
As Frank Kermode put it in The Sense of an Ending, « crisis, however facile the conception, is inescapably a central element in our endeavours towards making sense of our world ». Because of the emphasis on the subject of origins and causes in W. Gaddis's work, questioning the notion of critical moment in relation to the opening page of each novel appears as a way to reexamine the complexity of Gaddis's fictional world. From a survey of the vario…
A Frolic of His Own de William Gaddis et le déplacement du récit
The opening pages of A Frolic of His Own resort to a type of narration familiar to the readers of Gaddis 's previous novels, with the dialogues conveying most of the narrative information while the narrator 's interventions are confined to a few descriptive sequences. Yet, the inclusion of other kinds of writings and the proliferation of stories grafted to the main plot dissolve the unity of a presupposed central narrative. This paper tries to ex…
Les paysages nécessaires de William Gaddis
The purpose of this paper is to question the significance of the representation of nature in William Gaddis’s fourth novel, A Frolic of His Own, by focusing on the narrative and descriptive sequences that seem to offer a different kind of textual landscape compared with the dialogues and legal documents the narrative is replete with. After studying what kind of nature is actually present in the novel, we will try to show that what is at stake is …
Sacramento Mountains hydrogeology study (Superseded by OFR 543)
Paule Lévy, dir. Lectures de Philip Roth
Le présent article s’appuie sur le cours que donna Derrida en 1967-8, « Littérature et vérité : le concept de mimesis », largement inédit mais qui constitue le soubassement de « La Mythologie blanche » (1969) et, de façon plus centrale encore pour le sujet abordé ici, celui de « La Double séance » (1969). Il a également été suscité par la lecture de divers écrits de Philippe Lacoue-Labarthe qui jouent un rôle de premier plan dans l’ouvrage de Ric…
Interview with Andi and Lance Olsen
Carnival: The Narratological Politics of What the Fuck?" 1 Lance Olsen published his first novel in the early 1990s, and his literary oeuvre is characterized by its sustained exploration of experimental writing practices. He is the author of more than thirty novels and short-story collections as well as of works of nonfiction, including the personal memoir [[there.]] which is discussed in the interview. Andi Olsen is a visual artist, using video,…
An Interview with Eugene Marten
Of Marten, besides that, we don't know much. He won't be found on social media, he doesn't have a website nor does he blog his opinions on this or that topic. He seems to be the type of writer who would do anything to fly below the radars, especially the scholarly ones: he doesn't appear to spend much time on campuses-he doesn't teach, doesn't lecture, and claims, almost apologetically, that his is pretty much an "unliterary" life
Sophie Vallas, Daniel Mendelsohn’s Memoir Writing
There are few scholarly publications on book-length essays such as those written by Daniel Mendelsohn, a major contemporary author whose work brilliantly perpetuates the rich tradition of essay-writing in North American literature. Daniel Mendelsohn’s Memoir Writing: Rings of Memory, a collection of eight articles by French scholars edited and introduced by Sophie Vallas, is a welcome addition to the rather limited amount of academic work on both…
A Postmodern Late Style
Art (3 works) · Philosophy (3 works) · Philosophy (3 works) · Contemporary Literature and Criticism (2 works) · Geography (2 works) · Poetry Analysis and Criticism (2 works) · Psychology (2 works) · Sociology (2 works) · Subject (documents (2 works) · African history and culture studies (1 work)