T J Behrisch
Biographic Data
| ID | 41694 |
|---|---|
| NAME | T J Behrisch |
| GIVEN NAMES | T J |
| FAMILY NAME | Behrisch |
| SIGNATURE | BEHRISCH T J |
| AFFILIATIONS | Simon Fraser University |
| ORCID | 0000-0002-9179-8139 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Art of Coming Upon Something
This paper explores the nature and experience of artistic mastery, that is, the experience of being long-practiced in an art such as writing, oil painting and teaching. Following the hermeneutic tradition and drawing on H.-G. Gadamer’s Truth and Method and other hermeneutic sources, the authors engage in a dialogue about their respective experiences of what it means to become experienced in an art form. The origin of their dialogue springs from o…
Painting Deep Time
The practice of oil painting landforms, rocks and sea water in Jervis Inlet, British Columbia (BC) puts me in dialogue with land’s resistant alterity. By closely attuning to landforms, and by stepping back and blurring my focus at regular intervals while practicing oil painting of landforms, I experience phusis of land and of my painting. Through self-concealment and emergence, land alternates between revealing and enfolding its character, resist…
Cooking a Pot of Beef Stew
The Slow Movement offers feminist scholars permission to inhabit multiple identities and recognizes the inherent value of care work as work. Against an intimate living backdrop of pancreatic cancer, COVID-19, and overwork, I practice Slow scholarship by embodied caring for three elders while experiencing powerful anxiety. Identifying as a daughter, mother, carer, student, friend, leader, and scholar, I look to a variety of wisdom sources outside …
Shapeless Listening to the More-Than-Human World
Through direct encounters with the more-than-human world (MTHW) I encounter otherness. Practices of oil painting, slowing down, shapeless listening, and gazing afford distinct ways of seeing that resist comprehension, naming, or control. This research affirms that much of the planet remains mysterious and likely indifferent to me. Respecting enduring mystery runs counter to empirical research doctrine, which through seeking to understand, quantif…
Shapeless Listening to the More-Than-Human World
Through direct encounters with the more-than-human world (MTHW) I encounter otherness. Practices of oil painting, slowing down, shapeless listening, and gazing afford distinct ways of seeing that resist comprehension, naming, or control. This research affirms that much of the planet remains mysterious and likely indifferent to me. Respecting enduring mystery runs counter to empirical research doctrine, which through seeking to understand, quantif…
Painting Deep Time
The practice of oil painting landforms, rocks and sea water in Jervis Inlet, British Columbia (BC) puts me in dialogue with land’s resistant alterity. By closely attuning to landforms, and by stepping back and blurring my focus at regular intervals while practicing oil painting of landforms, I experience phusis of land and of my painting. Through self-concealment and emergence, land alternates between revealing and enfolding its character, resist…
Cooking a Pot of Beef Stew
The Slow Movement offers feminist scholars permission to inhabit multiple identities and recognizes the inherent value of care work as work. Against an intimate living backdrop of pancreatic cancer, COVID-19, and overwork, I practice Slow scholarship by embodied caring for three elders while experiencing powerful anxiety. Identifying as a daughter, mother, carer, student, friend, leader, and scholar, I look to a variety of wisdom sources outside …
Shapeless Listening to the More-Than-Human World
Through direct encounters with the more-than-human world (MTHW) I encounter otherness. Practices of oil painting, slowing down, shapeless listening, and gazing afford distinct ways of seeing that resist comprehension, naming, or control. This research affirms that much of the planet remains mysterious and likely indifferent to me. Respecting enduring mystery runs counter to empirical research doctrine, which through seeking to understand, quantif…
Art of Coming Upon Something
This paper explores the nature and experience of artistic mastery, that is, the experience of being long-practiced in an art such as writing, oil painting and teaching. Following the hermeneutic tradition and drawing on H.-G. Gadamer’s Truth and Method and other hermeneutic sources, the authors engage in a dialogue about their respective experiences of what it means to become experienced in an art form. The origin of their dialogue springs from o…
Aesthetics (4 works) · Art (3 works) · Epistemology (3 works) · Philosophy (3 works) · Phenomenology and Existential Philosophy (2 works) · Psychology (2 works) · Active listening (1 work) · Aesthetic Perception and Analysis (1 work) · Alterity (1 work) · Coherence (philosophical gambling strategy (1 work)