Tania Arcimovich
Biographic Data
| ID | 4170605 |
|---|---|
| NAME | Tania Arcimovich |
| GIVEN NAMES | Tania |
| FAMILY NAME | Arcimovich |
| SIGNATURE | ARCIMOVICH T |
| AFFILIATIONS | University of Erfurt |
| ORCID | 0000-0001-6691-3409 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
On the Edge of Failure
The article examines the experiences of displaced female scholars who struggle to maintain their professional identities due to the challenges of forced migration. It draws on the stories of women who have involuntarily emigrated and experienced setbacks in their success, achievements, and overall happiness — whether through a complete loss of professional status or significant changes to their identities. Notably, the paper focuses on female sch…
The Promise of (Un)happiness? Gender, Labour, and Migration
This editorial preface introduces the thematic issue of Topos, inspired by the conference “The Promise of (Un)Happiness? Gender, Labour, and Migration,” held at the European Humanities University in September 2024. The volume explores the multifaceted intersections of gender, labor, and migration, with a particular focus on the experiences of women affected by war, political upheaval, and displacement, especially in Eastern Europe. The collection…
I Wiped My Tears So People Wouldn’t Know I Was Crying
The article explores the gender dimension of memory in Belarusian historiography, highlighting the role of female memoirs in constructing multidimensional historical narratives. It focuses on the representation of the end of World War II and the experience of migration in women’s memoirs, particularly those of Ivonka Survila, Nadzia Zaprudnik, and Tamara Stahanovič-Kolba. The author argues for the inclusion of female experiences as a means of uns…
“The Past Is in Front of Us”, or Approaching One Possible History of Belarusian Theatre
The article navigates both the existing models of the Belarusian theatre history, challenging the narratives constructed by Soviet historiography, and the nationally oriented models that emerged during the post-Soviet era. By focusing on the decolonial methodology and performative theory, particularly the bodily approach, the author suggests a reevaluation of key concepts such as “tradition” and “experiment” as the primary categories for structur…
Trajectories of Displacement
The paper examines some ‘stories’ of female artists who were connected (in different ways) to Belarusian cultural space, mainly in the first half of the twentieth century. Despite women’s prominent and incontestable contribution to art, firstly, as producers, their role and place are still mainly invisible in ‘global’ and ‘local’ art history, whose ‘canon’ is oriented on the male experience. Exploring history and the strategies of displacement, e…
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Trajectories of Displacement
The paper examines some ‘stories’ of female artists who were connected (in different ways) to Belarusian cultural space, mainly in the first half of the twentieth century. Despite women’s prominent and incontestable contribution to art, firstly, as producers, their role and place are still mainly invisible in ‘global’ and ‘local’ art history, whose ‘canon’ is oriented on the male experience. Exploring history and the strategies of displacement, e…
“The Past Is in Front of Us”, or Approaching One Possible History of Belarusian Theatre
The article navigates both the existing models of the Belarusian theatre history, challenging the narratives constructed by Soviet historiography, and the nationally oriented models that emerged during the post-Soviet era. By focusing on the decolonial methodology and performative theory, particularly the bodily approach, the author suggests a reevaluation of key concepts such as “tradition” and “experiment” as the primary categories for structur…
I Wiped My Tears So People Wouldn’t Know I Was Crying
The article explores the gender dimension of memory in Belarusian historiography, highlighting the role of female memoirs in constructing multidimensional historical narratives. It focuses on the representation of the end of World War II and the experience of migration in women’s memoirs, particularly those of Ivonka Survila, Nadzia Zaprudnik, and Tamara Stahanovič-Kolba. The author argues for the inclusion of female experiences as a means of uns…
On the Edge of Failure
The article examines the experiences of displaced female scholars who struggle to maintain their professional identities due to the challenges of forced migration. It draws on the stories of women who have involuntarily emigrated and experienced setbacks in their success, achievements, and overall happiness — whether through a complete loss of professional status or significant changes to their identities. Notably, the paper focuses on female sch…
The Promise of (Un)happiness? Gender, Labour, and Migration
This editorial preface introduces the thematic issue of Topos, inspired by the conference “The Promise of (Un)Happiness? Gender, Labour, and Migration,” held at the European Humanities University in September 2024. The volume explores the multifaceted intersections of gender, labor, and migration, with a particular focus on the experiences of women affected by war, political upheaval, and displacement, especially in Eastern Europe. The collection…
Eastern European Communism and Reforms (4 works) · European Cultural and National Identity (2 works) · Happiness (2 works) · Historical Gender and Feminism Studies (2 works) · History (2 works) · Soviet and Russian History (2 works) · Aeronautics (1 work) · Aesthetics (1 work) · Art (1 work) · Displaced person (1 work)