Libbie Katsev
Biographic Data
| ID | 4170634 |
|---|---|
| NAME | Libbie Katsev |
| GIVEN NAMES | Libbie |
| FAMILY NAME | Katsev |
| SIGNATURE | KATSEV L |
| AFFILIATIONS | PhD Fellow, Department of Language and Culture, Faculty of Humanities, Social Sciences, and Education, UiT The Arctic University of Norway Tromsø Norway |
| ORCID | 0009-0007-8143-5397 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Courtyard Unities
This article discusses the 2020–2021 Belarusian protest movement from the perspective of musicians, focusing on musicians’ activities that were related to the “courtyard” or “yard” concerts in Minsk. I argue that musicians chose what to play based on their musical backgrounds and pre-existing repertoires and on their beliefs about what the movement’s politics should be, both of which varied. Focusing on gender specifically, I show that even a wid…
“What truth are you telling me about?”
This article discusses two Belarusian music videos from 2020, “Shchuchynshchyna” and “Ne Smeshno” (“Not Funny”), both of which were framed by their creators as commentary on the 2020 protests. In “Ne Smeshno,” band Molchat Doma seemingly attempts to wake a city stricken by an epidemic of sleep—and fails, with one exception. The parody video “Shchuchynshchyna” debuted in a satirical web series, where Elena ZheludOk’s performance of state-approved …
No prominent works on this page.
“What truth are you telling me about?”
This article discusses two Belarusian music videos from 2020, “Shchuchynshchyna” and “Ne Smeshno” (“Not Funny”), both of which were framed by their creators as commentary on the 2020 protests. In “Ne Smeshno,” band Molchat Doma seemingly attempts to wake a city stricken by an epidemic of sleep—and fails, with one exception. The parody video “Shchuchynshchyna” debuted in a satirical web series, where Elena ZheludOk’s performance of state-approved …
Courtyard Unities
This article discusses the 2020–2021 Belarusian protest movement from the perspective of musicians, focusing on musicians’ activities that were related to the “courtyard” or “yard” concerts in Minsk. I argue that musicians chose what to play based on their musical backgrounds and pre-existing repertoires and on their beliefs about what the movement’s politics should be, both of which varied. Focusing on gender specifically, I show that even a wid…
Arts, Culture, and Music Studies (1 work) · Diverse Musicological Studies (1 work) · Narrative Theory and Analysis (1 work) · Psychoanalysis (1 work) · Psychology (1 work) · Rhetoric and Communication Studies (1 work) · Truth telling (1 work)