Laurent Châtel
Biographic Data
| ID | 4181729 |
|---|---|
| NAME | Laurent Châtel |
| GIVEN NAMES | Laurent |
| FAMILY NAME | Châtel |
| SIGNATURE | CHÂTEL L |
| AFFILIATIONS | Université de Lille |
| ORCID | 0000-0002-3582-5278 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
(Non-) Beauty and the Beast--The 2022 Francis Bacon Exhibition at The Royal Academy
In Spring 2022, the Royal Academy showcased works from the entirety of Francis Bacon’s fifty-year career, commencing with his first successful painting – the Crucifixion (1933) (https://www.mbartfoundation.com/francis-bacon-the-artist/biography/crucifixion/) - and ending with his final work, Study of a Bull (1991) (https://www.francis-bacon.com/artworks/paintings/study-bull). Aptly entitled ‘Bacon- Man and Beast’, it had something beastly about i…
La « main invisible » ? Esthétique et attention environnementales dans les jardins en Grande-Bretagne au 18 e siècle
Les Britanniques au 18 e siècle témoignent dans leur pratique et leur discours des jardins d’une virulence contre certains usages et mésusages horticoles et d’une volonté d’agir avec la nature en valorisant les idées de diversité, de surprise, de respect, et d’autogestion, qui résonnent dans les préoccupations contemporaines. Dans l’historiographie récente des jardins « anglais », la place centrale accordée à la nature, ainsi qu’au soin pour l’en…
Hélène Ibata. The Challenge of the Sublime. From Burke’s Philosophical Enquiry to British Romantic Art
Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757) is of one of the most well-known texts of eighteenth-century British art and aesthetics alongside with Hogarth’s Analysis of Beauty (1753) and Reynolds’s Discourses at the Royal Academy (1769 – 1790). But The Challenge of the Sublime by Hélène Ibata sheds new and fresh light on the Enquiry as it tackles Burke’s reception and legacy among nineteen…
Modern Moral Gardens”
the beautiful Wildness of Nature, (Addison 4.190-91) for Water is of as much Use in Landscape, as Blood is in a Body.(Bickham 132) “Sight is at the core of Addison’s aesthetics and the garden metaphor his usual rhetorical tool to account for the Pleasures of the Imagination”, so wrote Alain Bony in 1999 (Joseph Addison 276). This is what encited me to engage further with the Addisonian scopic regime, and furthermore to look again at the reasons f…
No prominent works on this page.
Modern Moral Gardens”
the beautiful Wildness of Nature, (Addison 4.190-91) for Water is of as much Use in Landscape, as Blood is in a Body.(Bickham 132) “Sight is at the core of Addison’s aesthetics and the garden metaphor his usual rhetorical tool to account for the Pleasures of the Imagination”, so wrote Alain Bony in 1999 (Joseph Addison 276). This is what encited me to engage further with the Addisonian scopic regime, and furthermore to look again at the reasons f…
Hélène Ibata. The Challenge of the Sublime. From Burke’s Philosophical Enquiry to British Romantic Art
Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757) is of one of the most well-known texts of eighteenth-century British art and aesthetics alongside with Hogarth’s Analysis of Beauty (1753) and Reynolds’s Discourses at the Royal Academy (1769 – 1790). But The Challenge of the Sublime by Hélène Ibata sheds new and fresh light on the Enquiry as it tackles Burke’s reception and legacy among nineteen…
(Non-) Beauty and the Beast--The 2022 Francis Bacon Exhibition at The Royal Academy
In Spring 2022, the Royal Academy showcased works from the entirety of Francis Bacon’s fifty-year career, commencing with his first successful painting – the Crucifixion (1933) (https://www.mbartfoundation.com/francis-bacon-the-artist/biography/crucifixion/) - and ending with his final work, Study of a Bull (1991) (https://www.francis-bacon.com/artworks/paintings/study-bull). Aptly entitled ‘Bacon- Man and Beast’, it had something beastly about i…
La « main invisible » ? Esthétique et attention environnementales dans les jardins en Grande-Bretagne au 18 e siècle
Les Britanniques au 18 e siècle témoignent dans leur pratique et leur discours des jardins d’une virulence contre certains usages et mésusages horticoles et d’une volonté d’agir avec la nature en valorisant les idées de diversité, de surprise, de respect, et d’autogestion, qui résonnent dans les préoccupations contemporaines. Dans l’historiographie récente des jardins « anglais », la place centrale accordée à la nature, ainsi qu’au soin pour l’en…
Aesthetics (3 works) · Art (3 works) · Historical Art and Culture Studies (3 works) · Art history (2 works) · Literature (2 works) · Philosophy (2 works) · Beauty (1 work) · Biology (1 work) · Centrality (1 work) · Chemistry (1 work)