Raphaëlle Moine
Biographic Data
| ID | 4181870 |
|---|---|
| NAME | Raphaëlle Moine |
| GIVEN NAMES | Raphaëlle |
| FAMILY NAME | Moine |
| SIGNATURE | MOINE R |
| AFFILIATIONS | Institut National de l'Audiovisuel |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
La forme music-hall: Spécificités des spectacles et réappropriation des codes
International audience
Is it French? Popular Postnational Screen Fiction from France
An Industry Perspective on Dix pour cent and Ten Percent
This chapter comprises the transcript of an interview with Harold Valentin, producer of Dix pour cent (Mother Production), and Christian Baute, producer of its British remake, Ten Percent (Headline Pictures), that took place on Saturday 11 September 2021 as part of the bilingual online workshop ‘Global Gallicisms II: Circulating Frenchness Through Mainstream Film and Television’ (10–11 September 2021). Topics covered include the reasons for the s…
Saint Laurent on Screen: Fashion Icon, Doomed Artist, or Celebrity
The two recent “competing” French biopics devoted to Yves Saint Laurent—Yves Saint Laurent (Lespert, 2014) and Saint Laurent (Bonello, 2014)—underscore the tensions between biographical discourse and discourse on fashion. On one hand, while the representation of a tortured genius tends to eclipse the creations of the designer, on the other hand, the importance of the relationship between Saint Laurent and Pierre Bergé also attests to a historic m…
Édith Piaf, une « Étoile sans lumière » dans le cinéma français populaire des années 1950
This paper explores the gap between the singing career of Édith Piaf, a national star of international fame in the 1950s, and the thinness of her career in movies. The hypothesis to explain this shift in popular cinema, where links between film and song are many, is that there is no more room in the French cinema of the time for a “chanteuse réaliste,” unlike what can be observed in the 1930s. To test this hypothesis, the paper analyzes the imper…
Le cinéma français face aux genres
Les recherches sur le cinéma français ont très souvent croisé la question des genres, mais elles ne l'ont abordée de front que très rarement. Cet ouvrage a donc pour ambition de combler une lacune et d'ouvrir la voie à un renouvellement de l'approche du cinéma français. Alors que la tradition critique nationale dominante valorise à l'excès l'auteur et le cinéma d'art, l'expression personnelle d'un cinéaste-artiste, il est fondamental, pour déplac…
Représentations et fonctions des repas dans le cinéma européen de fiction des années 30 aux années 80
No prominent works on this page.
Représentations et fonctions des repas dans le cinéma européen de fiction des années 30 aux années 80
Le cinéma français face aux genres
Les recherches sur le cinéma français ont très souvent croisé la question des genres, mais elles ne l'ont abordée de front que très rarement. Cet ouvrage a donc pour ambition de combler une lacune et d'ouvrir la voie à un renouvellement de l'approche du cinéma français. Alors que la tradition critique nationale dominante valorise à l'excès l'auteur et le cinéma d'art, l'expression personnelle d'un cinéaste-artiste, il est fondamental, pour déplac…
Édith Piaf, une « Étoile sans lumière » dans le cinéma français populaire des années 1950
This paper explores the gap between the singing career of Édith Piaf, a national star of international fame in the 1950s, and the thinness of her career in movies. The hypothesis to explain this shift in popular cinema, where links between film and song are many, is that there is no more room in the French cinema of the time for a “chanteuse réaliste,” unlike what can be observed in the 1930s. To test this hypothesis, the paper analyzes the imper…
Saint Laurent on Screen: Fashion Icon, Doomed Artist, or Celebrity
The two recent “competing” French biopics devoted to Yves Saint Laurent—Yves Saint Laurent (Lespert, 2014) and Saint Laurent (Bonello, 2014)—underscore the tensions between biographical discourse and discourse on fashion. On one hand, while the representation of a tortured genius tends to eclipse the creations of the designer, on the other hand, the importance of the relationship between Saint Laurent and Pierre Bergé also attests to a historic m…
Is it French? Popular Postnational Screen Fiction from France
An Industry Perspective on Dix pour cent and Ten Percent
This chapter comprises the transcript of an interview with Harold Valentin, producer of Dix pour cent (Mother Production), and Christian Baute, producer of its British remake, Ten Percent (Headline Pictures), that took place on Saturday 11 September 2021 as part of the bilingual online workshop ‘Global Gallicisms II: Circulating Frenchness Through Mainstream Film and Television’ (10–11 September 2021). Topics covered include the reasons for the s…
La forme music-hall: Spécificités des spectacles et réappropriation des codes
International audience
Art (5 works) · French Historical and Cultural Studies (5 works) · Art history (2 works) · Visual arts (2 works) · African history and culture studies (1 works) · Communism, Protests, Social Movements (1 works) · Computer Science (1 works) · Congresses (1 works) · Cultural Industries and Urban Development (1 works) · Education, sociology, and vocational training (1 works)