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Kenneth Mangiru

Biographic Data

ID4184939
NAMEKenneth Mangiru
GIVEN NAMESKenneth
FAMILY NAMEMangiru
SIGNATUREMANGIRU K
AFFILIATIONSParks Victoria
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS12
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Majumbu (‘Old Harry’) and the Spencer-Cahill bark painting collection

    Open Access•Paul S C Taçon, L Taylor et al.•ARTICLE•Australian Archaeology•2023•Cited by: 2•References: 9

    From 1912, British anthropologist W. Baldwin Spencer and buffalo-shooter Paddy Cahill collected 163 bark paintings made by artists who also painted in rock shelters in western Arnhem Land, Northern Territory. Spencer made detailed notes about the bark paintings, secret/sacred objects, and other material culture he collected and some rock art, as well as genealogies and other details of the Aboriginal people he encountered but did not record the n…

  • Using knowledge to care for country: Indigenous-led evaluations of research to adaptively co-manage Kakadu National Park, Australia

    Open Access•Cathy Robinson, Jennifer Mairi Macdonald et al.•ARTICLE•Sustainability Science•2021•Cited by: 3•References: 13

  • History Disappearing: The Rapid Loss of Australian Contact Period Rock Art

    Paul S C Taçon, Sally K May et al.•ARTICLE•Journal of Field Archaeology•2021•Cited by: 5•References: 25

    In Australia, recent climate change has resulted in prolonged droughts, massive devastating bushfires, extreme flooding, and more frequent and intense cyclones, all of which affect archaeological and historic heritage. In this paper, we report on new research on rock art at a site called Djarrng in western Arnhem Land, Northern Territory, Australia. Djarrng was heavily impacted by Tropical Cyclone Monica in 2006. We have visited the site sporadic…

  • The re-emergence ofnganaparru(water buffalo) into the culture, landscape and rock art of western Arnhem Land

    Open Access•Sally K May, Paul S C Taçon et al.•ARTICLE•Antiquity•2021•Cited by: 2•References: 17

    The introduction of new animals into hunter-gatherer societies produces a variety of cultural responses. This article explores the role of rock art in western Arnhem Land, Australia, in helping to mediate contact-period changes in Indigenous society in the nineteenth century. The authors explore etic and emic perspectives on the 're-emergence' of water buffalo into Aboriginal cultural life. Merging archaeological analysis, rock art and ethnograph…

  • History Disappearing: The Rapid Loss of Australian Contact Period Rock Art

    Paul S C Taçon, Sally K May et al.•ARTICLE•Journal of Field Archaeology•2021•Cited by: 5•References: 25

    In Australia, recent climate change has resulted in prolonged droughts, massive devastating bushfires, extreme flooding, and more frequent and intense cyclones, all of which affect archaeological and historic heritage. In this paper, we report on new research on rock art at a site called Djarrng in western Arnhem Land, Northern Territory, Australia. Djarrng was heavily impacted by Tropical Cyclone Monica in 2006. We have visited the site sporadic…

  • Using knowledge to care for country: Indigenous-led evaluations of research to adaptively co-manage Kakadu National Park, Australia

    Open Access•Cathy Robinson, Jennifer Mairi Macdonald et al.•ARTICLE•Sustainability Science•2021•Cited by: 3•References: 13

  • Majumbu (‘Old Harry’) and the Spencer-Cahill bark painting collection

    Open Access•Paul S C Taçon, L Taylor et al.•ARTICLE•Australian Archaeology•2023•Cited by: 2•References: 9

    From 1912, British anthropologist W. Baldwin Spencer and buffalo-shooter Paddy Cahill collected 163 bark paintings made by artists who also painted in rock shelters in western Arnhem Land, Northern Territory. Spencer made detailed notes about the bark paintings, secret/sacred objects, and other material culture he collected and some rock art, as well as genealogies and other details of the Aboriginal people he encountered but did not record the n…

  • The re-emergence ofnganaparru(water buffalo) into the culture, landscape and rock art of western Arnhem Land

    Open Access•Sally K May, Paul S C Taçon et al.•ARTICLE•Antiquity•2021•Cited by: 2•References: 17

    The introduction of new animals into hunter-gatherer societies produces a variety of cultural responses. This article explores the role of rock art in western Arnhem Land, Australia, in helping to mediate contact-period changes in Indigenous society in the nineteenth century. The authors explore etic and emic perspectives on the 're-emergence' of water buffalo into Aboriginal cultural life. Merging archaeological analysis, rock art and ethnograph…

  • Using knowledge to care for country: Indigenous-led evaluations of research to adaptively co-manage Kakadu National Park, Australia

    Open Access•Cathy Robinson, Jennifer Mairi Macdonald et al.•ARTICLE•Sustainability Science•2021•Cited by: 3•References: 13

  • History Disappearing: The Rapid Loss of Australian Contact Period Rock Art

    Paul S C Taçon, Sally K May et al.•ARTICLE•Journal of Field Archaeology•2021•Cited by: 5•References: 25

    In Australia, recent climate change has resulted in prolonged droughts, massive devastating bushfires, extreme flooding, and more frequent and intense cyclones, all of which affect archaeological and historic heritage. In this paper, we report on new research on rock art at a site called Djarrng in western Arnhem Land, Northern Territory, Australia. Djarrng was heavily impacted by Tropical Cyclone Monica in 2006. We have visited the site sporadic…

  • The re-emergence ofnganaparru(water buffalo) into the culture, landscape and rock art of western Arnhem Land

    Open Access•Sally K May, Paul S C Taçon et al.•ARTICLE•Antiquity•2021•Cited by: 2•References: 17

    The introduction of new animals into hunter-gatherer societies produces a variety of cultural responses. This article explores the role of rock art in western Arnhem Land, Australia, in helping to mediate contact-period changes in Indigenous society in the nineteenth century. The authors explore etic and emic perspectives on the 're-emergence' of water buffalo into Aboriginal cultural life. Merging archaeological analysis, rock art and ethnograph…

  • Majumbu (‘Old Harry’) and the Spencer-Cahill bark painting collection

    Open Access•Paul S C Taçon, L Taylor et al.•ARTICLE•Australian Archaeology•2023•Cited by: 2•References: 9

    From 1912, British anthropologist W. Baldwin Spencer and buffalo-shooter Paddy Cahill collected 163 bark paintings made by artists who also painted in rock shelters in western Arnhem Land, Northern Territory. Spencer made detailed notes about the bark paintings, secret/sacred objects, and other material culture he collected and some rock art, as well as genealogies and other details of the Aboriginal people he encountered but did not record the n…

Geography (4 works) · Archaeology (3 works) · Archaeology and Rock Art Studies (3 works) · Ecology (2 works) · History (2 works) · Indigenous (2 works) · Pleistocene-Era Hominins and Archaeology (2 works) · Rock art (2 works) · Sociology (2 works) · 3D Surveying and Cultural Heritage (1 works)

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