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William Holtz

Biographic Data

ID4194625
NAMEWilliam Holtz
GIVEN NAMESWilliam
FAMILY NAMEHoltz
SIGNATUREHOLTZ W
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR1989
H-INDEX1
  • Laurence Sterne

    William Holtz, Wolfgang Iser et al.•ARTICLE•Eighteenth-Century Studies•1989

    Part I. Subjectivity revealed through textual fields of reference: 1. Does Tristram Shandy have a beginning? 2. Subjectivity discovered through Locke's philosophy 3. Locke's philosophy as a pattern of communication 4. Manic subjectivity 5. Melancholic subjectivity 6. Decentred subjectivity 7. Wit and judgment 8. The discovery of communication by verbalising subjectivity 9. The body semiotics of subjectivity as discovery of man's natural morality …

  • The Religious Life of Samuel Johnson

    William Holtz, Charles E Pierce•ARTICLE•Eighteenth-Century Studies•1984

    Samuel Johnson was a deeply religious man and he came to depend on his Christian faith as the principal means by which to endure the pain of existence. He sought throughout his life to render himself worthy of salvation, but the difficulties which he ecperienced in trying to maintain a high degree of reigious discipline - as well as his doubts about God's ultimate concern for man and his fears of his own spiritual unworthiness - led him in to per…

  • Laurence Sterne and the Origins of the Musical Novel

    William Holtz, William Freedman•ARTICLE•Eighteenth-Century Studies•1979

  • Spatial Form in Modern Literature

    William Holtz•ARTICLE•Critical Inquiry•1977•Cited by: 1

  • Image and Immortality

    John M Stedmond, John Stedmond et al.•ARTICLE•Eighteenth-Century Studies•1972

  • Pictures for Parson Yorick

    William Holtz•ARTICLE•Eighteenth-Century Studies•1967

    TIHE SCHOLAR familiar with either the literature or the painting of eighteenth-century England is seldom surprised to find his attention deflected from one to the other. For the relations between the sister arts were close and complex, and to study the period in any depth is to discover free and lively interplay-to find, in Pope's words, that Images reflect from Art to Art. Here I attempt to trace some of these relations in major literary work by…

  • Spatial Form in Modern Literature

    William Holtz•ARTICLE•Critical Inquiry•1977•Cited by: 1

  • Pictures for Parson Yorick

    William Holtz•ARTICLE•Eighteenth-Century Studies•1967

    TIHE SCHOLAR familiar with either the literature or the painting of eighteenth-century England is seldom surprised to find his attention deflected from one to the other. For the relations between the sister arts were close and complex, and to study the period in any depth is to discover free and lively interplay-to find, in Pope's words, that Images reflect from Art to Art. Here I attempt to trace some of these relations in major literary work by…

  • Image and Immortality

    John M Stedmond, John Stedmond et al.•ARTICLE•Eighteenth-Century Studies•1972

  • Spatial Form in Modern Literature

    William Holtz•ARTICLE•Critical Inquiry•1977•Cited by: 1

  • Laurence Sterne and the Origins of the Musical Novel

    William Holtz, William Freedman•ARTICLE•Eighteenth-Century Studies•1979

  • The Religious Life of Samuel Johnson

    William Holtz, Charles E Pierce•ARTICLE•Eighteenth-Century Studies•1984

    Samuel Johnson was a deeply religious man and he came to depend on his Christian faith as the principal means by which to endure the pain of existence. He sought throughout his life to render himself worthy of salvation, but the difficulties which he ecperienced in trying to maintain a high degree of reigious discipline - as well as his doubts about God's ultimate concern for man and his fears of his own spiritual unworthiness - led him in to per…

  • Laurence Sterne

    William Holtz, Wolfgang Iser et al.•ARTICLE•Eighteenth-Century Studies•1989

    Part I. Subjectivity revealed through textual fields of reference: 1. Does Tristram Shandy have a beginning? 2. Subjectivity discovered through Locke's philosophy 3. Locke's philosophy as a pattern of communication 4. Manic subjectivity 5. Melancholic subjectivity 6. Decentred subjectivity 7. Wit and judgment 8. The discovery of communication by verbalising subjectivity 9. The body semiotics of subjectivity as discovery of man's natural morality …

Art (6 works) · Philosophy (5 works) · Philosophy (5 works) · History (3 works) · History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Literature (2 works) · Literature: history, themes, analysis (2 works) · Visual arts (2 works)

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