Annemarie Mönch
Biographic Data
| ID | 4206293 |
|---|---|
| NAME | Annemarie Mönch |
| GIVEN NAMES | Annemarie |
| FAMILY NAME | Mönch |
| SIGNATURE | MÖNCH A |
| AFFILIATIONS | University of Erfurt |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
She Loves Nothing but Her Art
At first glance, “A Marble Woman” (1865) seems to offer but a trite marriage plot, assuaging Louisa May Alcott’s contemporary readers while containing the heroine’s scandalous abilities. On a second and read through a new materialist critical lens, it becomes apparent how cunningly the female sculptor Cecil negotiates her creativity with the societal demands on the true woman and the marriage doctrine of her time. The sensational story’s twist re…
No prominent works on this page.
She Loves Nothing but Her Art
At first glance, “A Marble Woman” (1865) seems to offer but a trite marriage plot, assuaging Louisa May Alcott’s contemporary readers while containing the heroine’s scandalous abilities. On a second and read through a new materialist critical lens, it becomes apparent how cunningly the female sculptor Cecil negotiates her creativity with the societal demands on the true woman and the marriage doctrine of her time. The sensational story’s twist re…
Aestheticism (1 work) · Aesthetics (1 work) · Agency (philosophy (1 work) · Art (1 work) · Art history (1 work) · Creativity (1 work) · Doctrine (1 work) · Fashion and Cultural Textiles (1 work) · Guardian (1 work) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (1 work)