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Victoria Musvik

Biographic Data

ID4206359
NAMEVictoria Musvik
GIVEN NAMESVictoria
FAMILY NAMEMusvik
SIGNATUREMUSVIK V
AFFILIATIONSEuropean Humanities University
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS3
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Boring Photography: American New Topographics, Socialist Boredom, and Post-Soviet Deadpan Photography

    Open Access•Victoria Musvik•ARTICLE•European Journal of American…•2022•Cited by: 3•References: 37

    This article looks at the exhibition New Landscape (2018), which was the first full-scale attempt to reflect on the popularity of “deadpan” photography in Russia in the first two decades of the twenty-first century. The show was partly modeled on the American exhibition New Topographics (1975). I look at the reasons why the American model was adopted and the earlier late Soviet and Russian photographic projects that dealt with boredom, including …

  • Boring Photography: American New Topographics, Socialist Boredom, and Post-Soviet Deadpan Photography

    Open Access•Victoria Musvik•ARTICLE•European Journal of American…•2022•Cited by: 3•References: 37

    This article looks at the exhibition New Landscape (2018), which was the first full-scale attempt to reflect on the popularity of “deadpan” photography in Russia in the first two decades of the twenty-first century. The show was partly modeled on the American exhibition New Topographics (1975). I look at the reasons why the American model was adopted and the earlier late Soviet and Russian photographic projects that dealt with boredom, including …

  • Boring Photography: American New Topographics, Socialist Boredom, and Post-Soviet Deadpan Photography

    Open Access•Victoria Musvik•ARTICLE•European Journal of American…•2022•Cited by: 3•References: 37

    This article looks at the exhibition New Landscape (2018), which was the first full-scale attempt to reflect on the popularity of “deadpan” photography in Russia in the first two decades of the twenty-first century. The show was partly modeled on the American exhibition New Topographics (1975). I look at the reasons why the American model was adopted and the earlier late Soviet and Russian photographic projects that dealt with boredom, including …

Aesthetics (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works) · Boredom (1 works) · Context (archaeology (1 works) · Exhibition (1 works) · Frontier (1 works) · History (1 works) · History (1 works)

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