Martin Lund
Biographic Data
| ID | 4206468 |
|---|---|
| NAME | Martin Lund |
| GIVEN NAMES | Martin |
| FAMILY NAME | Lund |
| SIGNATURE | LUND M |
| AFFILIATIONS | The Graduate Center, CUNY |
| ORCID | 0000-0001-7680-9402 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Whiteness
The socially constructed phenomenon of whiteness: how it was created, how it changes, and how it protects and privileges people who are perceived as white. This volume in the MIT Press Essential Knowledge series examines the socially constructed phenomenon of whiteness, tracing its creation, its changing formation, and its power to privilege and protect people who are perceived as white. Whiteness, author Martin Lund explains, is not one single i…
We’re all Avengers now’
This article discusses Marvel Comics’ 2011 crossover ‘event’ ‘Fear Itself’. It suggests that the event argues for national unity in a time of crisis by mobilizing America’s self-definition as a multicultural nation as well as civil religion. The article discusses ‘Fear Itself’s’ attempted construction of national myth through looking at the way it represents the media, US multiculturalism (in a generalized form that nominally includes non-white g…
The Mutant Problem
This article suggests that scholarship on comics and identity is vulnerable to strong confirmation bias. Engaging with a few common assumptions presented in writing on X-Men comics(1963–1970, 1975–1991) and identity, it offers alternative interpretations on the series’ engagement with the Cold War, civil rights, individual authenticity, persecution, and the Holocaust. Based on these discussions, the article then offers a few methodological sugges…
No prominent works on this page.
The Mutant Problem
This article suggests that scholarship on comics and identity is vulnerable to strong confirmation bias. Engaging with a few common assumptions presented in writing on X-Men comics(1963–1970, 1975–1991) and identity, it offers alternative interpretations on the series’ engagement with the Cold War, civil rights, individual authenticity, persecution, and the Holocaust. Based on these discussions, the article then offers a few methodological sugges…
We’re all Avengers now’
This article discusses Marvel Comics’ 2011 crossover ‘event’ ‘Fear Itself’. It suggests that the event argues for national unity in a time of crisis by mobilizing America’s self-definition as a multicultural nation as well as civil religion. The article discusses ‘Fear Itself’s’ attempted construction of national myth through looking at the way it represents the media, US multiculturalism (in a generalized form that nominally includes non-white g…
Whiteness
The socially constructed phenomenon of whiteness: how it was created, how it changes, and how it protects and privileges people who are perceived as white. This volume in the MIT Press Essential Knowledge series examines the socially constructed phenomenon of whiteness, tracing its creation, its changing formation, and its power to privilege and protect people who are perceived as white. Whiteness, author Martin Lund explains, is not one single i…
Aesthetics (2 works) · Art (2 works) · Comics (2 works) · Comics and Graphic Narratives (2 works) · Literature (2 works) · Sociology (2 works) · Biology (1 works) · Blancs (1 works) · Digital Games and Media (1 works) · Event (particle physics (1 works)