Jason R D’aoust
Biographic Data
| ID | 4206515 |
|---|---|
| NAME | Jason R D’aoust |
| GIVEN NAMES | Jason R |
| FAMILY NAME | D’aoust |
| SIGNATURE | D’AOUST J R |
| AFFILIATIONS | Utrecht University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
The Queer Voices of Xavier Dolan’s Mommy
This article examines the vocal materialities of Xavier Dolan’s film Mommy (2014). It focuses on the film’s swearing, competing diegetic voices, disruptive soundtrack, as well as its scenes of lip synch, play-back, and karaoke, in order to convey queer vocal identifications. The article’s interdisciplinary methodology includes audiovisual theories of the voice-object, post-Lacanian psychoanalysis, and revisions of the voice’s place in queer theor…
Digital scenography and the mimetic aporia of Richard Wagner's Ring Cycle
This article explores the visual friction between the concealment of technology and the need to stage mimetic scenes in Richard Wagner's Der Ring des Nibelungen. The article relies on the critical reception of the Wagnerian Gesamtkunstwerk in musicology, as well as in media, performance, and theatre studies. Drawing on productions and commentaries critical of the iconic Gesamtkunstwerk's attempted retrieval of a lost natural state, the article ex…
Orpheus in New Media
Although musicological work on opera had been focused until recently on the analysis and criticism of music and voice to the detriment of its visual aspects, the meeting of opera with digital media calls for renewed attention to the voice. New media theories advocating meaningful embodiment in mediated experiences make use of implicit analogies rhetorically to attribute the characteristics of sound to our perception of visual objects. Theories of…
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Orpheus in New Media
Although musicological work on opera had been focused until recently on the analysis and criticism of music and voice to the detriment of its visual aspects, the meeting of opera with digital media calls for renewed attention to the voice. New media theories advocating meaningful embodiment in mediated experiences make use of implicit analogies rhetorically to attribute the characteristics of sound to our perception of visual objects. Theories of…
Digital scenography and the mimetic aporia of Richard Wagner's Ring Cycle
This article explores the visual friction between the concealment of technology and the need to stage mimetic scenes in Richard Wagner's Der Ring des Nibelungen. The article relies on the critical reception of the Wagnerian Gesamtkunstwerk in musicology, as well as in media, performance, and theatre studies. Drawing on productions and commentaries critical of the iconic Gesamtkunstwerk's attempted retrieval of a lost natural state, the article ex…
The Queer Voices of Xavier Dolan’s Mommy
This article examines the vocal materialities of Xavier Dolan’s film Mommy (2014). It focuses on the film’s swearing, competing diegetic voices, disruptive soundtrack, as well as its scenes of lip synch, play-back, and karaoke, in order to convey queer vocal identifications. The article’s interdisciplinary methodology includes audiovisual theories of the voice-object, post-Lacanian psychoanalysis, and revisions of the voice’s place in queer theor…
Art (3 works) · Visual arts (3 works) · Musicology and Musical Analysis (2 works) · Opera (2 works) · Aesthetics (1 work) · Art history (1 work) · Biographical and Historical Analysis (1 work) · Cinema and Media Studies (1 work) · Computer graphics (images (1 work) · Computer Science (1 work)