Klara Stephanie Szlezák
Biographic Data
| ID | 4206530 |
|---|---|
| NAME | Klara Stephanie Szlezák |
| GIVEN NAMES | Klara Stephanie |
| FAMILY NAME | Szlezák |
| SIGNATURE | SZLEZÁK K S |
| AFFILIATIONS | University of Passau |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
New York May Day Parades and the Photographic Rhetoric of Early 20th-Century Labor Rights Activism
This article investigates American visual culture in the form of news photographs and its engagement with social (in)justice and labor legislation during the first two decades of the 20th century. Press photographs of the annual May Day parades in New York City, taken for and distributed by Bain News Service, depict immigrant workers as they march through Manhattan both to celebrate their labor and demand more rights. In contrast to many contempo…
Old Masters’ Madonnas in “New World” Photographs
This article proposes to investigate the degree and manner in which American photographer Lewis W. Hine in his works of the early twentieth century drew on previous artworks originating outside the United States. Many of Lewis Hine’s photographs, as the analysis of three selected case studies shows, make clear implicit and/or explicit interpictorial references. More specifically, the article focuses on the usage of the Madonna motif in selected R…
No prominent works on this page.
Old Masters’ Madonnas in “New World” Photographs
This article proposes to investigate the degree and manner in which American photographer Lewis W. Hine in his works of the early twentieth century drew on previous artworks originating outside the United States. Many of Lewis Hine’s photographs, as the analysis of three selected case studies shows, make clear implicit and/or explicit interpictorial references. More specifically, the article focuses on the usage of the Madonna motif in selected R…
New York May Day Parades and the Photographic Rhetoric of Early 20th-Century Labor Rights Activism
This article investigates American visual culture in the form of news photographs and its engagement with social (in)justice and labor legislation during the first two decades of the 20th century. Press photographs of the annual May Day parades in New York City, taken for and distributed by Bain News Service, depict immigrant workers as they march through Manhattan both to celebrate their labor and demand more rights. In contrast to many contempo…
Photography and Visual Culture (2 works) · Aesthetics (1 work) · Appeal (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Bourgeoisie (1 work) · Context (archaeology (1 work) · Economic Justice (1 work) · History (1 work)