Parvathy N
Biographic Data
| ID | 4207718 |
|---|---|
| NAME | Parvathy N |
| GIVEN NAMES | N |
| FAMILY NAME | Parvathy |
| SIGNATURE | N P |
| AFFILIATIONS | Department of Humanities & Social Sciences, Indian Institute of Technology, Patna, India |
| ORCID | 0000-0002-1781-7370 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Representation of Aged Female Fans in Select Malayalam Films
Additional informationNotes on contributorsParvathy NParvathy N is an Institute Fellow at the Department of Humanities and Social Sciences, Indian Institute of Technology, Patna, India.Priyanka TripathiPriyanka Tripathi is an Associate Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology, Patna, India.Notes1 The 1913 release of Dadasaheb Phalke’s Raja Harishchandra heralded the commencement of the Indian f…
Stardom and media trial
The Indian audience has always been enamored by the silver screen, creating a “cult-like following of actors and actresses” (Dickey, 1993, p. 52) which dates back to the 1930s. The Hindi film indus
Female Fandom and the Anxieties of Agency
Academic research on fandom has sometimes stereotyped female fans, potentially influenced by the gendered dichotomy in fan studies. In the context of Indian fan discourses, there has been insufficient academic engagement with gender which poses a significant gap that requires attention. This article explores the intersection of gender, specifically focusing on women, in Indian fan studies. Through a feminist lens, the article undertakes a textual…
Locating epistemic (dis)privilege of female fans in select Indian narratives
As a relatively new category in academia, discourses on Indian Fan culture, both digital and non-digital, are filled with apprehensive perforations. Rapid globalization and the digitization of media have enabled western fan practices as well as a scholarship to permeate into Indian culture but with a twist of patriarchy fused into it. Despite the involvement of female fans in the first wave of western fan practices, feminist cultural studies rare…
Locating epistemic (dis)privilege of female fans in select Indian narratives
As a relatively new category in academia, discourses on Indian Fan culture, both digital and non-digital, are filled with apprehensive perforations. Rapid globalization and the digitization of media have enabled western fan practices as well as a scholarship to permeate into Indian culture but with a twist of patriarchy fused into it. Despite the involvement of female fans in the first wave of western fan practices, feminist cultural studies rare…
Locating epistemic (dis)privilege of female fans in select Indian narratives
As a relatively new category in academia, discourses on Indian Fan culture, both digital and non-digital, are filled with apprehensive perforations. Rapid globalization and the digitization of media have enabled western fan practices as well as a scholarship to permeate into Indian culture but with a twist of patriarchy fused into it. Despite the involvement of female fans in the first wave of western fan practices, feminist cultural studies rare…
Stardom and media trial
The Indian audience has always been enamored by the silver screen, creating a “cult-like following of actors and actresses” (Dickey, 1993, p. 52) which dates back to the 1930s. The Hindi film indus
Female Fandom and the Anxieties of Agency
Academic research on fandom has sometimes stereotyped female fans, potentially influenced by the gendered dichotomy in fan studies. In the context of Indian fan discourses, there has been insufficient academic engagement with gender which poses a significant gap that requires attention. This article explores the intersection of gender, specifically focusing on women, in Indian fan studies. Through a feminist lens, the article undertakes a textual…
Representation of Aged Female Fans in Select Malayalam Films
Additional informationNotes on contributorsParvathy NParvathy N is an Institute Fellow at the Department of Humanities and Social Sciences, Indian Institute of Technology, Patna, India.Priyanka TripathiPriyanka Tripathi is an Associate Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology, Patna, India.Notes1 The 1913 release of Dadasaheb Phalke’s Raja Harishchandra heralded the commencement of the Indian f…
Cinema and Media Studies (4 works) · Media studies (4 works) · Sociology (4 works) · South Asian Cinema and Culture (4 works) · Gender Studies (3 works) · Law (3 works) · Political science (3 works) · Art (2 works) · Fandom (2 works) · Hindi (2 works)