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Zoran Lee Pecic

Biographic Data

ID4207828
NAMEZoran Lee Pecic
GIVEN NAMESZoran Lee
FAMILY NAMEPecic
SIGNATUREPECIC Z L
AFFILIATIONSRoskilde University
ORCID0000-0002-7740-0921
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS9
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Queer cinemas of the Sinosphere: Queer China goes out

    Open Access•Zoran Lee Pecic•ARTICLE•Journal of Chinese Cinemas•2023

    This article looks at Wang Chao’s 2018 feature Looking for Rohmer (aka Seeking McCartney) as a cultural product that employs and breaks with the existing notions of queer Sinophone cinema. Utilizing the image of China’s globalization project of ‘going out’, it argues that the film forms part of new Queer Cinemas of the Sinosphere that imagine China as an active participant in a global queer culture, where tourism, consumption, and free distributi…

  • Boxed within the frame: Tibetan masculinities in transformation in Pema Tseden’s Jinpa

    Open Access•Zoran Lee Pecic•ARTICLE•New Cinemas Journal of…•2022

    The Tibetan auteur Pema Tseden is renowned for using the road movie as a means of interrogating the relationship between his characters and society in the Tibetan areas of the PRC. As his protagonists travel, the natural settings become an integral part of the journey through the Tibetan lands. The amalgamation of movement and landscapes enables the emergence of a Tibetan subject whose complex and heterogenous self-representation defies the duali…

  • Haunting China: Ecopoetics of Zhao Liang’s Behemoth

    Open Access•Zoran Lee Pecic•ARTICLE•Asian Cinema•2020

    Taking a close look at Zhao Liang’s 2015 documentary Behemoth , this article argues that the film employs the aesthetic of slow cinema and combines it with Marxist critique in order to generate an ecological awareness that pushes the boundaries of ecocinema. By suturing the slow aesthetic to the environmental destruction of Inner Mongolia’s landscape and the exploitation of China’s migrant workers, Behemoth reorients the viewing gaze from the spe…

  • Shamans and nativism: Postcolonial trauma in Spirits’ Homecoming (2016) and Manshin: Ten Thousand Spirits (2013)

    Zoran Lee Pecic•ARTICLE•Journal of Japanese and Korean…•2020

    This article examines the figure of the shaman in contemporary South Korean cinema. By taking a close look at Cho Jung-rae (Jo Jeong-rae)’s feature Spirits’ Homecoming (Gwihyang, 2016) and Park Chan-kyong (Park Chan-gyeong)’s documentary Manshin: Ten Thousand Spirits (Mansin, 2013), the article argues that the figure of the shaman is deployed in such a way as to articulate South Korean postcolonial anxiety in two diverging ways. Whilst the former…

  • Queer China: Lesbian and Gay Literature and Visual Culture under Postsocialism

    Open Access•Zoran Lee Pecic•ARTICLE•Feminist Encounters A Journal of…•2020

    Offering in-depth analyses of a wide range of queer cultural texts produced in the People's Republic of China from the postsocialist era to the present, Queer China paints an excellent picture of the vibrant and fast-developing LGBTQ+ cultures that continue to shape and transform the lives of sexual minorities in China. From lesbian painting to gay papercutting, from a transgender documentary to a same-sex wedding in Beijing, the book reveals the…

  • Dette nummers samlede boganmeldelser og ph.d. omtale

    Open Access•Therese Hellberg, Annemette Hejlsted et al.•ARTICLE•Kvinder Køn & Forskning•2018

    BOGANMELDELSER Sam Holmqvist: "Transformationer: 1800-talets svenska translitteratur genom Lasse-Maja, C. J. L. Almquist och Aurora Ljungstedt" (Anmeldt af Therese Hellberg) Sumaya Jirde Ali: "Kvinner som hater menn" (Anmeldt af Annemette Hejlsted) Sara Ahmed: "Killjoy Manifest" (Anmeldt af Nazila Kivi) Lone Bæk Brønsted og Tekla Canger: "Køn. Pædagogiske perspektiver" (Anmeldt af Morten Emmerik Wøldike) Harriet Bjerrum Nielsen: "Feeling Gender" …

  • New Queer Sinophone Cinema: Local Histories, Transnational Connections

    Open Access•Zoran Lee Pecic•BOOK•New Queer Sinophone Cinema•2016•Cited by: 5

    This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Si

  • Queer Narratives of the Caribbean Diaspora: Exploring Tactics

    Open Access•Zoran Pecic, Zoran Lee Pecic•BOOK•Queer Narratives of the Caribbean…•2013

    This book examines the concept of queer theory and combines it with the field of diaspora studies. By looking at the queer diasporic narratives in and from the Caribbean, it conducts an inquiry into t

  • Contemporary Caribbean writing and Deleuze: Literature Between Postcolonialism and Post-Continental Philosophy

    Zoran Pecic, Zoran Lee Pecic•ARTICLE•Journal of Postcolonial Writing•2013•Cited by: 4

    The task of coupling Caribbean writing with post-continental philosophy is a very interesting one. Engaging various Caribbean authors and thinkers such as Derek Walcott and Wilson Harris (chapter 2

  • New Queer Sinophone Cinema: Local Histories, Transnational Connections

    Open Access•Zoran Lee Pecic•BOOK•New Queer Sinophone Cinema•2016•Cited by: 5

    This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Si

  • Contemporary Caribbean writing and Deleuze: Literature Between Postcolonialism and Post-Continental Philosophy

    Zoran Pecic, Zoran Lee Pecic•ARTICLE•Journal of Postcolonial Writing•2013•Cited by: 4

    The task of coupling Caribbean writing with post-continental philosophy is a very interesting one. Engaging various Caribbean authors and thinkers such as Derek Walcott and Wilson Harris (chapter 2

  • Queer Narratives of the Caribbean Diaspora: Exploring Tactics

    Open Access•Zoran Pecic, Zoran Lee Pecic•BOOK•Queer Narratives of the Caribbean…•2013

    This book examines the concept of queer theory and combines it with the field of diaspora studies. By looking at the queer diasporic narratives in and from the Caribbean, it conducts an inquiry into t

  • Contemporary Caribbean writing and Deleuze: Literature Between Postcolonialism and Post-Continental Philosophy

    Zoran Pecic, Zoran Lee Pecic•ARTICLE•Journal of Postcolonial Writing•2013•Cited by: 4

    The task of coupling Caribbean writing with post-continental philosophy is a very interesting one. Engaging various Caribbean authors and thinkers such as Derek Walcott and Wilson Harris (chapter 2

  • New Queer Sinophone Cinema: Local Histories, Transnational Connections

    Open Access•Zoran Lee Pecic•BOOK•New Queer Sinophone Cinema•2016•Cited by: 5

    This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Si

  • Dette nummers samlede boganmeldelser og ph.d. omtale

    Open Access•Therese Hellberg, Annemette Hejlsted et al.•ARTICLE•Kvinder Køn & Forskning•2018

    BOGANMELDELSER Sam Holmqvist: "Transformationer: 1800-talets svenska translitteratur genom Lasse-Maja, C. J. L. Almquist och Aurora Ljungstedt" (Anmeldt af Therese Hellberg) Sumaya Jirde Ali: "Kvinner som hater menn" (Anmeldt af Annemette Hejlsted) Sara Ahmed: "Killjoy Manifest" (Anmeldt af Nazila Kivi) Lone Bæk Brønsted og Tekla Canger: "Køn. Pædagogiske perspektiver" (Anmeldt af Morten Emmerik Wøldike) Harriet Bjerrum Nielsen: "Feeling Gender" …

  • Haunting China: Ecopoetics of Zhao Liang’s Behemoth

    Open Access•Zoran Lee Pecic•ARTICLE•Asian Cinema•2020

    Taking a close look at Zhao Liang’s 2015 documentary Behemoth , this article argues that the film employs the aesthetic of slow cinema and combines it with Marxist critique in order to generate an ecological awareness that pushes the boundaries of ecocinema. By suturing the slow aesthetic to the environmental destruction of Inner Mongolia’s landscape and the exploitation of China’s migrant workers, Behemoth reorients the viewing gaze from the spe…

  • Shamans and nativism: Postcolonial trauma in Spirits’ Homecoming (2016) and Manshin: Ten Thousand Spirits (2013)

    Zoran Lee Pecic•ARTICLE•Journal of Japanese and Korean…•2020

    This article examines the figure of the shaman in contemporary South Korean cinema. By taking a close look at Cho Jung-rae (Jo Jeong-rae)’s feature Spirits’ Homecoming (Gwihyang, 2016) and Park Chan-kyong (Park Chan-gyeong)’s documentary Manshin: Ten Thousand Spirits (Mansin, 2013), the article argues that the figure of the shaman is deployed in such a way as to articulate South Korean postcolonial anxiety in two diverging ways. Whilst the former…

  • Queer China: Lesbian and Gay Literature and Visual Culture under Postsocialism

    Open Access•Zoran Lee Pecic•ARTICLE•Feminist Encounters A Journal of…•2020

    Offering in-depth analyses of a wide range of queer cultural texts produced in the People's Republic of China from the postsocialist era to the present, Queer China paints an excellent picture of the vibrant and fast-developing LGBTQ+ cultures that continue to shape and transform the lives of sexual minorities in China. From lesbian painting to gay papercutting, from a transgender documentary to a same-sex wedding in Beijing, the book reveals the…

  • Boxed within the frame: Tibetan masculinities in transformation in Pema Tseden’s Jinpa

    Open Access•Zoran Lee Pecic•ARTICLE•New Cinemas Journal of…•2022

    The Tibetan auteur Pema Tseden is renowned for using the road movie as a means of interrogating the relationship between his characters and society in the Tibetan areas of the PRC. As his protagonists travel, the natural settings become an integral part of the journey through the Tibetan lands. The amalgamation of movement and landscapes enables the emergence of a Tibetan subject whose complex and heterogenous self-representation defies the duali…

  • Queer cinemas of the Sinosphere: Queer China goes out

    Open Access•Zoran Lee Pecic•ARTICLE•Journal of Chinese Cinemas•2023

    This article looks at Wang Chao’s 2018 feature Looking for Rohmer (aka Seeking McCartney) as a cultural product that employs and breaks with the existing notions of queer Sinophone cinema. Utilizing the image of China’s globalization project of ‘going out’, it argues that the film forms part of new Queer Cinemas of the Sinosphere that imagine China as an active participant in a global queer culture, where tourism, consumption, and free distributi…

Art (9 works) · Sociology (6 works) · Gender Studies (5 works) · History (5 works) · Archaeology (4 works) · Philosophy (4 works) · Queer (4 works) · Art history (3 works) · Asian Culture and Media Studies (3 works) · China (3 works)

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