Sue Malvern
Biographic Data
| ID | 4212666 |
|---|---|
| NAME | Sue Malvern |
| GIVEN NAMES | Sue |
| FAMILY NAME | Malvern |
| SIGNATURE | MALVERN S |
| AFFILIATIONS | University of Reading |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 2 |
Terrorist Transgressions
Terrorism has a variety of contexts, histories and forms which have all been the focus of intense scrutiny in recent years, whilst cultural representations of the terrorist have received much less attention, which is odd when we consider that terrorism by its very nature is spectacle. Dissident organisations create images of terrorists as martyrs, heroes or avengers and international counter terrorist agencies visualise them to provide the threat…
Baedecker ruins
Book reviewed in this article: Nicola Lambourne, War Damage in Western Europe: The Destruction of Historic Monuments in the Second World War
Antibodies
First commissioned in 1994 and installed on a rooftop in SoHo, New York City, in 1998, Rachel Whiteread's Water Tower has been described with tropes identifying it as an alien presence on the New York skyline. In effect, Water Tower– and, by extension, the artist herself – has been classed as an immigrant or a foreign body, marked by difference. Water Tower is a tour de force of resin casting from one of New York's unique and ubiquitous wooden wa…
Antibodies
First commissioned in 1994 and installed on a rooftop in SoHo, New York City, in 1998, Rachel Whiteread's Water Tower has been described with tropes identifying it as an alien presence on the New York skyline. In effect, Water Tower – and, by extension, the artist herself – has been classed as an immigrant or a foreign body, marked by difference. Water Tower is a tour de force of resin casting from one of New York's unique and ubiquitous wooden w…
The Spanish Civil War. Dreams + Nightmares
Awesome female muscle
Joanna Frueh, Laurie Fierstein and Judith Stein Picturing the Modern Amazon
War Tourisms
Journal Article War Tourisms: ‘Englishness’, Art, and the First World War Get access Sue Malvern Sue Malvern Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 24, Issue 1, 2001, Pages 45–66, https://doi.org/10.1093/oxartj/24.1.45 Published: 01 March 2001
Memorizing the Great War
The Chapel of All Saints, Burghclere, is decorated with a narrative series of war paintings (eight panels each with a matching predella, two panoramas and an end‐wall Resurrection scene), and was completed by the British artist Stanley Spencer between 1926 and 1932. This article analyses the Chapel within two intersecting frames of reference — as part of a tradition for war memoirs by veterans and as an example of war memorial iconography in Brit…
The End of Innocence
Books reviewed in this article: Jonathan Fineberg The Innocent Eye: Children’s Art and the Modern Artist Jonathan Fineberg Discovering Child Art. Essays on Childhood, Primitivism and Modernism
War, Memory and Museums
1 University of Reading, UK
Virtuous and Vulgar Feminisms
Amelia Jones Sexual Politics. Judy Chicago’s Dinner Party in Feminist Art History M. Catherine de Zegher Inside the Visible: an elliptical traverse of 20th century art. in, of, and from the feminine
Art and War
A Bitter Truth. Avant‐Garde Art and the Great War by Richard Cork , New Haven and London: Yale University Press in association with Barbican Art Gallery, 1994, 336 pp., 411 illus., £45.00 Die letzten Tage der Menschheit. Bilder des Ersten Weltkrieges. Eine Ausstellung des Deutschen Historischen Museums, Berlin, der Barbican Art Gallery, London, und der Staatlichen Musee zu Berlin ‐ Preußischer Kulturbesitz in Verbindung mit dem Imperial War Museu…
Inventing ‘Child Art’
Journal Article INVENTING 'CHILD ART': FRANZ CIZEK AND MODERNISM Get access S. B. Malvern S. B. Malvern Department of History of Art, University of ReadingBlandford Lodge, Whiteknights, PO Box 217, Reading RG6 2AH, England. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 35, Issue 3, July 1995, Pages 262–272, https://doi.org/10.1093/bjaesthetics/35.3.262 Published: 01 July 1995
Recapping on recapitulation or how to primitivise the child
War as It Is’
War, Memory and Museums
1 University of Reading, UK
War Tourisms
Journal Article War Tourisms: ‘Englishness’, Art, and the First World War Get access Sue Malvern Sue Malvern Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 24, Issue 1, 2001, Pages 45–66, https://doi.org/10.1093/oxartj/24.1.45 Published: 01 March 2001
Inventing ‘Child Art’
Journal Article INVENTING 'CHILD ART': FRANZ CIZEK AND MODERNISM Get access S. B. Malvern S. B. Malvern Department of History of Art, University of ReadingBlandford Lodge, Whiteknights, PO Box 217, Reading RG6 2AH, England. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 35, Issue 3, July 1995, Pages 262–272, https://doi.org/10.1093/bjaesthetics/35.3.262 Published: 01 July 1995
War as It Is’
Recapping on recapitulation or how to primitivise the child
Inventing ‘Child Art’
Journal Article INVENTING 'CHILD ART': FRANZ CIZEK AND MODERNISM Get access S. B. Malvern S. B. Malvern Department of History of Art, University of ReadingBlandford Lodge, Whiteknights, PO Box 217, Reading RG6 2AH, England. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 35, Issue 3, July 1995, Pages 262–272, https://doi.org/10.1093/bjaesthetics/35.3.262 Published: 01 July 1995
Art and War
A Bitter Truth. Avant‐Garde Art and the Great War by Richard Cork , New Haven and London: Yale University Press in association with Barbican Art Gallery, 1994, 336 pp., 411 illus., £45.00 Die letzten Tage der Menschheit. Bilder des Ersten Weltkrieges. Eine Ausstellung des Deutschen Historischen Museums, Berlin, der Barbican Art Gallery, London, und der Staatlichen Musee zu Berlin ‐ Preußischer Kulturbesitz in Verbindung mit dem Imperial War Museu…
Virtuous and Vulgar Feminisms
Amelia Jones Sexual Politics. Judy Chicago’s Dinner Party in Feminist Art History M. Catherine de Zegher Inside the Visible: an elliptical traverse of 20th century art. in, of, and from the feminine
Memorizing the Great War
The Chapel of All Saints, Burghclere, is decorated with a narrative series of war paintings (eight panels each with a matching predella, two panoramas and an end‐wall Resurrection scene), and was completed by the British artist Stanley Spencer between 1926 and 1932. This article analyses the Chapel within two intersecting frames of reference — as part of a tradition for war memoirs by veterans and as an example of war memorial iconography in Brit…
The End of Innocence
Books reviewed in this article: Jonathan Fineberg The Innocent Eye: Children’s Art and the Modern Artist Jonathan Fineberg Discovering Child Art. Essays on Childhood, Primitivism and Modernism
War, Memory and Museums
1 University of Reading, UK
War Tourisms
Journal Article War Tourisms: ‘Englishness’, Art, and the First World War Get access Sue Malvern Sue Malvern Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 24, Issue 1, 2001, Pages 45–66, https://doi.org/10.1093/oxartj/24.1.45 Published: 01 March 2001
The Spanish Civil War. Dreams + Nightmares
Awesome female muscle
Joanna Frueh, Laurie Fierstein and Judith Stein Picturing the Modern Amazon
Baedecker ruins
Book reviewed in this article: Nicola Lambourne, War Damage in Western Europe: The Destruction of Historic Monuments in the Second World War
Antibodies
First commissioned in 1994 and installed on a rooftop in SoHo, New York City, in 1998, Rachel Whiteread's Water Tower has been described with tropes identifying it as an alien presence on the New York skyline. In effect, Water Tower– and, by extension, the artist herself – has been classed as an immigrant or a foreign body, marked by difference. Water Tower is a tour de force of resin casting from one of New York's unique and ubiquitous wooden wa…
Antibodies
First commissioned in 1994 and installed on a rooftop in SoHo, New York City, in 1998, Rachel Whiteread's Water Tower has been described with tropes identifying it as an alien presence on the New York skyline. In effect, Water Tower – and, by extension, the artist herself – has been classed as an immigrant or a foreign body, marked by difference. Water Tower is a tour de force of resin casting from one of New York's unique and ubiquitous wooden w…
Terrorist Transgressions
Terrorism has a variety of contexts, histories and forms which have all been the focus of intense scrutiny in recent years, whilst cultural representations of the terrorist have received much less attention, which is odd when we consider that terrorism by its very nature is spectacle. Dissident organisations create images of terrorists as martyrs, heroes or avengers and international counter terrorist agencies visualise them to provide the threat…
Art (12 works) · Art history (11 works) · History (9 works) · Law (7 works) · Political science (5 works) · Visual arts (5 works) · Archaeology (4 works) · Art, Politics, and Modernism (4 works) · Photography and Visual Culture (4 works) · Museums and Cultural Heritage (3 works)