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Martha Fleming

Biographic Data

ID4212777
NAMEMartha Fleming
GIVEN NAMESMartha
FAMILY NAMEFleming
SIGNATUREFLEMING M
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Digital Humanities in the Memory Institution

    Open Access•Alexandra Ortolja-Baird, Victoria Pickering et al.•ARTICLE•Open Library of Humanities•2019

    Catalogues are the core documents of museum structure and meaning. Yet no significant computational analysis has been made of how catalogues from the early modern period are constructed or of the way their structure and content relate to the world from which collections are assembled. The Leverhulme-funded ‘Enlightenment Architectures: Sir Hans Sloane’s catalogues of his collections’ (2016–19), a collaboration between the British Museum and Unive…

  • How Books Go Together and How they Come Apart

    Marc Fleming, Martha Fleming•ARTICLE•History Workshop Journal•2003

    Journal Article How Books Go Together and How they Come Apart Get access Martha Fleming Martha Fleming Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 55, Issue 1, SPRING 2003, Pages 213–221, https://doi.org/10.1093/hwj/55.1.213 Published: 01 March 2003

  • A metaphysical subject

    Open Access•Marc Fleming, Martha Fleming•ARTICLE•The British Journal for the…•1998

    A Metaphysical Subject © Martha Fleming

  • The Production of Meaning

    Marc Fleming, Martha Fleming•ARTICLE•Afterimage•1982

    Other| November 01 1982 The Production of Meaning: An Interview with Carole Conde and Karl Beveridge Martha Fleming Martha Fleming Martha Fleming, a critic who lives in Montréal, has written for Artforum, Fuse, and Parachute. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1982) 10 (4): 10–15. https://doi.org/10.1525/aft.1982.10.4.10 Views Icon Views Article contents Figures & tables Video Audio Supplementary…

  • Calculated expression

    Marc Fleming, Martha Fleming•ARTICLE•Afterimage•1982

    Review| January 01 1982 Calculated expression Arnaud Maggs/Downwind Photographs Oct. 13-31, 1981 Mercer Union, Toronto Martha Fleming Martha Fleming Martha Fleming, who lives in Montreal, has written for publications such as Artforum, Fuse, and Parachute. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1982) 9 (6): 16. https://doi.org/10.1525/aft.1982.9.6.16 Views Icon Views Article contents Figures & tables …

No prominent works on this page.

  • The Production of Meaning

    Marc Fleming, Martha Fleming•ARTICLE•Afterimage•1982

    Other| November 01 1982 The Production of Meaning: An Interview with Carole Conde and Karl Beveridge Martha Fleming Martha Fleming Martha Fleming, a critic who lives in Montréal, has written for Artforum, Fuse, and Parachute. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1982) 10 (4): 10–15. https://doi.org/10.1525/aft.1982.10.4.10 Views Icon Views Article contents Figures & tables Video Audio Supplementary…

  • Calculated expression

    Marc Fleming, Martha Fleming•ARTICLE•Afterimage•1982

    Review| January 01 1982 Calculated expression Arnaud Maggs/Downwind Photographs Oct. 13-31, 1981 Mercer Union, Toronto Martha Fleming Martha Fleming Martha Fleming, who lives in Montreal, has written for publications such as Artforum, Fuse, and Parachute. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1982) 9 (6): 16. https://doi.org/10.1525/aft.1982.9.6.16 Views Icon Views Article contents Figures & tables …

  • A metaphysical subject

    Open Access•Marc Fleming, Martha Fleming•ARTICLE•The British Journal for the…•1998

    A Metaphysical Subject © Martha Fleming

  • How Books Go Together and How they Come Apart

    Marc Fleming, Martha Fleming•ARTICLE•History Workshop Journal•2003

    Journal Article How Books Go Together and How they Come Apart Get access Martha Fleming Martha Fleming Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 55, Issue 1, SPRING 2003, Pages 213–221, https://doi.org/10.1093/hwj/55.1.213 Published: 01 March 2003

  • Digital Humanities in the Memory Institution

    Open Access•Alexandra Ortolja-Baird, Victoria Pickering et al.•ARTICLE•Open Library of Humanities•2019

    Catalogues are the core documents of museum structure and meaning. Yet no significant computational analysis has been made of how catalogues from the early modern period are constructed or of the way their structure and content relate to the world from which collections are assembled. The Leverhulme-funded ‘Enlightenment Architectures: Sir Hans Sloane’s catalogues of his collections’ (2016–19), a collaboration between the British Museum and Unive…

Computer Science (5 works) · Art (3 works) · Library science (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Citation (2 works) · Download (2 works) · Icon (2 works) · World Wide Web (2 works) · American Literature and Culture (1 work)

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