Gregory Dart
Biographic Data
| ID | 4212869 |
|---|---|
| NAME | Gregory Dart |
| GIVEN NAMES | Gregory |
| FAMILY NAME | Dart |
| SIGNATURE | DART G |
| AFFILIATIONS | University of York |
| ORCID | 0000-0003-2150-5393 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 0 |
Flash Style
In the paper I have set myself the task of trying to explain how it was that Pierce Egan's Life in London should have enjoyed such a widespread and lasting appeal during the middle years of the nineteenth century. Life in London, I want to argue, positively rejoices in the role-playing nature of modern urban existence: unlike many of the ‘bourgeois’ classics of the High Victorian period, it is more interested in viewing class society as a reperto…
Rousseau, Robespierre and English Romanticism
This book re-opens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of the French Jacobin statesman Maximilien Robespierre, we can gain a clearer and more concrete sense of the legacy he left to Englis…
The Reworking of Work
F OR THE EXHIBITION of his collected works at the Burleigh Gallery in London during the spring of 1865, Ford Madox Brown supplied a lengthy descriptive catalogue which gave highly detailed accounts of many of the paintings on display. Rarely before had a painter offered such an insight into his artistic methods and intentions, and the reviewers of the day were suitably impressed; the Pre-Raphaelite critic William Michael Rossetti even went so far…
No prominent works on this page.
Rousseau, Robespierre and English Romanticism
This book re-opens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of the French Jacobin statesman Maximilien Robespierre, we can gain a clearer and more concrete sense of the legacy he left to Englis…
The Reworking of Work
F OR THE EXHIBITION of his collected works at the Burleigh Gallery in London during the spring of 1865, Ford Madox Brown supplied a lengthy descriptive catalogue which gave highly detailed accounts of many of the paintings on display. Rarely before had a painter offered such an insight into his artistic methods and intentions, and the reviewers of the day were suitably impressed; the Pre-Raphaelite critic William Michael Rossetti even went so far…
Flash Style
In the paper I have set myself the task of trying to explain how it was that Pierce Egan's Life in London should have enjoyed such a widespread and lasting appeal during the middle years of the nineteenth century. Life in London, I want to argue, positively rejoices in the role-playing nature of modern urban existence: unlike many of the ‘bourgeois’ classics of the High Victorian period, it is more interested in viewing class society as a reperto…
Art (3 works) · Philosophy (3 works) · Art history (2 works) · Law (2 works) · Literature (2 works) · 1789-1799 (1 work) · 18th century (1 work) · 19th century (1 work) · Aesthetics (1 work) · Bourgeoisie (1 work)