Vardan Azatyan
Biographic Data
| ID | 4213673 |
|---|---|
| NAME | Vardan Azatyan |
| GIVEN NAMES | Vardan |
| FAMILY NAME | Azatyan |
| SIGNATURE | AZATYAN V |
| AFFILIATIONS | Department of Art History, Yerevan State Academy of Fine Arts, 0033 Yerevan Armenia |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Art and Scholarship in Moments of Historical Danger
Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even t…
Ernst Gombrich's Politics of Art History: Exile, Cold War and The Story of Art
In 2006, Ernst Gombrich's best-seller The Story of Art, first published in 1950, became available as a pocket edition.1 This may well mark the highest point of popularisation and commercialisation of an art history survey text to date. However, this phenomenon should not be explained only by the demands of the book market, but rather by the ideals of scholarship underlying the book. Clearly, it was Gombrich's intention to write a popular book. In…
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art This article deals with the "afterlife" of a methodological disagreement in the Vienna School of Art History between the positions of Alois Riegl and Julius von Schlosser in Mikhail Alpatov's and Ernst Gombrich's art history survey texts published during the Cold War on different sides of the Iron Curtain. Though these surveys are methodological an…
No prominent works on this page.
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art This article deals with the "afterlife" of a methodological disagreement in the Vienna School of Art History between the positions of Alois Riegl and Julius von Schlosser in Mikhail Alpatov's and Ernst Gombrich's art history survey texts published during the Cold War on different sides of the Iron Curtain. Though these surveys are methodological an…
Ernst Gombrich's Politics of Art History: Exile, Cold War and The Story of Art
In 2006, Ernst Gombrich's best-seller The Story of Art, first published in 1950, became available as a pocket edition.1 This may well mark the highest point of popularisation and commercialisation of an art history survey text to date. However, this phenomenon should not be explained only by the demands of the book market, but rather by the ideals of scholarship underlying the book. Clearly, it was Gombrich's intention to write a popular book. In…
Art and Scholarship in Moments of Historical Danger
Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even t…
Art (3 works) · Art, Politics, and Modernism (3 works) · Law (3 works) · Political science (3 works) · Art history (2 works) · Art, Technology, and Culture (2 works) · Cold war (2 works) · Politics (2 works) · Scholarship (2 works) · The arts (2 works)