Pierre Fresnault‐deruelle
Biographic Data
| ID | 4221525 |
|---|---|
| NAME | Pierre Fresnault‐deruelle |
| GIVEN NAMES | Pierre |
| FAMILY NAME | Fresnault‐deruelle |
| SIGNATURE | DERUELLE P F |
| AFFILIATIONS | Université Paris 1 Panthéon-Sorbonne |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 1 |
L'image-carrefour
The Figure at the Crossroads Ut pictoria poesis relies on narrating dispositio into discursus, with stairs, bridges, or hidden observers as pictorial aids for the passing-while they mark a frontier. Thus characters are also forms in respect to a visual poeisis which has its own logic, and figuration reveals the processes of utterance proper to discourse. (383
L'inquietante étrangeté d'une publicité
Défigurations
Taking his stand on McLuhan's now familiar idea that « the medium is the message », the author, a plastic arts researcher, argues that taking the medium or support into account is indeed essential when one ponders over the meaning effects produced by this kind of message (which one might describe as « displaced »). For instance : what actually becomes of the national flag (here the Star-Spangled Banner) when, lowered to the status of a poster, it…
Le reflet opaque
Les Américains de Robert Frank
Robert Frank's famous collection, The Americans, sounds like a piece of photojournalism, the kind of exhaustive inventory which has been familiar to us since the nineteenth century. But what we have in fact are mere fragments of an iconography. The Americans is the deceptive work of an anti-encyclopedist : not a catalogue, but a series of violently subjective, « badly framed » inserts. But the end result demonstrates that a country is not meant t…
Des personnages qui sonnent faux
Métaphores/métamorphoses/figurabilité
Fresnault-Deruelle Pierre. Métaphores/métamorphoses/figurabilité. In: Langages, 19e année, n°75, 1984. Lettres et icônes, sous la direction de Pierre Fresnault-Deruelle et Jean-Didier Urbain. pp. 55-64
Du linéaire au tabulaire
Fresnault-Deruelle Pierre. Du linéaire au tabulaire. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 7-23
Le verbal dans les bandes dessinées
Fresnault-Deruelle Pierre. Le verbal dans les bandes dessinées. In: Communications, 15, 1970. L'analyse des images. pp. 145-161
Du linéaire au tabulaire
Fresnault-Deruelle Pierre. Du linéaire au tabulaire. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 7-23
Défigurations
Taking his stand on McLuhan's now familiar idea that « the medium is the message », the author, a plastic arts researcher, argues that taking the medium or support into account is indeed essential when one ponders over the meaning effects produced by this kind of message (which one might describe as « displaced »). For instance : what actually becomes of the national flag (here the Star-Spangled Banner) when, lowered to the status of a poster, it…
Le reflet opaque
Le verbal dans les bandes dessinées
Fresnault-Deruelle Pierre. Le verbal dans les bandes dessinées. In: Communications, 15, 1970. L'analyse des images. pp. 145-161
Du linéaire au tabulaire
Fresnault-Deruelle Pierre. Du linéaire au tabulaire. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 7-23
Métaphores/métamorphoses/figurabilité
Fresnault-Deruelle Pierre. Métaphores/métamorphoses/figurabilité. In: Langages, 19e année, n°75, 1984. Lettres et icônes, sous la direction de Pierre Fresnault-Deruelle et Jean-Didier Urbain. pp. 55-64
Des personnages qui sonnent faux
Les Américains de Robert Frank
Robert Frank's famous collection, The Americans, sounds like a piece of photojournalism, the kind of exhaustive inventory which has been familiar to us since the nineteenth century. But what we have in fact are mere fragments of an iconography. The Americans is the deceptive work of an anti-encyclopedist : not a catalogue, but a series of violently subjective, « badly framed » inserts. But the end result demonstrates that a country is not meant t…
Le reflet opaque
Défigurations
Taking his stand on McLuhan's now familiar idea that « the medium is the message », the author, a plastic arts researcher, argues that taking the medium or support into account is indeed essential when one ponders over the meaning effects produced by this kind of message (which one might describe as « displaced »). For instance : what actually becomes of the national flag (here the Star-Spangled Banner) when, lowered to the status of a poster, it…
L'inquietante étrangeté d'une publicité
L'image-carrefour
The Figure at the Crossroads Ut pictoria poesis relies on narrating dispositio into discursus, with stairs, bridges, or hidden observers as pictorial aids for the passing-while they mark a frontier. Thus characters are also forms in respect to a visual poeisis which has its own logic, and figuration reveals the processes of utterance proper to discourse. (383
Art (7 works) · Philosophy (4 works) · Cultural Insights and Digital Impacts (3 works) · Diverse Cultural and Historical Studies (3 works) · French Urban and Social Studies (3 works) · History (3 works) · History (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Death, Funerary Practices, and Mourning (2 works)