Ken Yoshida
Biographic Data
| ID | 4222619 |
|---|---|
| NAME | Ken Yoshida |
| GIVEN NAMES | Ken |
| FAMILY NAME | Yoshida |
| SIGNATURE | YOSHIDA K |
| AFFILIATIONS | University of Minnesota |
| ORCID | 0000-0002-8083-7825 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Lying as Method
.
Interstitial Movements in the Works of Hanada Kiyoteru
This is a study of Hanada Kiyoteru, a communist literary and art critic whose position in the world of postwar art criticism has gone relatively unexamined in Japanese studies and art history in English. One of the more aggressive critical figures during the immediate postwar era, he helped to foster a community of art critics and artists who carried into practice aspects of his dialectical and surrealist-inflected method of reading. He was in ma…
Contemporary art and unconditionality
This article examines art criticism of the 1980s that sought to address the context and continuity of postwar Japanese avant-garde art. The emphasis is placed on the notion of ‘the genus of art [rui to shite no bijutsu]’, which the art critic Chiba Shigeo discussed in his Gendai bijutsu itsudatsushi (1986). Chiba argued for an autonomous current of postwar Japanese art separate from Western art history but the argument has been largely overshadow…
Postural Sway and the Amplitude of Horizontal Eye Movements
In 2 experiments, we evaluated relations between postural activity and the amplitude of visually guided eye movements. Participants shifted their gaze to follow horizontal oscillation of a visible target. The target moved with amplitude 9° or 24°. In different experiments, the frequency of target oscillation was 0.5 Hz or 1.1 Hz. In both experiments, the variability of head and torso motion was reduced (in the anterior-posterior axis) when partic…
The undulating contours of sōgō geijutsu (total work of art), or Hanada Kiyoteru's thoughts on transmedia in postwar Japan
This article provides an insight into the theorization of sōgō geijutsu or the work of total art during the postwar decades in Japan, primarily through the language of Hanada Kiyoteru, a notable communist critic during the 1950s, as a way to present a discursive precursor to what would be explored as intermedia in the 1960s. It is an attempt to trace the debates that were seen in journal Sōgō Bunka, which was established immediately after the war…
Stance Width Influences Postural Stability and Motion Sickness
We examined the influence of stance width (the distance between the feet) on postural sway and visually induced motion sickness. Stance width influences the magnitude of body sway, and changes in sway precede the subjective symptoms of motion sickness. Thus, manipulation of stance width may influence motion sickness incidence. Participants (healthy young adults) were exposed to complex, low-frequency oscillation of a moving room. Participants sto…
The undulating contours of sōgō geijutsu (total work of art), or Hanada Kiyoteru's thoughts on transmedia in postwar Japan
This article provides an insight into the theorization of sōgō geijutsu or the work of total art during the postwar decades in Japan, primarily through the language of Hanada Kiyoteru, a notable communist critic during the 1950s, as a way to present a discursive precursor to what would be explored as intermedia in the 1960s. It is an attempt to trace the debates that were seen in journal Sōgō Bunka, which was established immediately after the war…
Stance Width Influences Postural Stability and Motion Sickness
We examined the influence of stance width (the distance between the feet) on postural sway and visually induced motion sickness. Stance width influences the magnitude of body sway, and changes in sway precede the subjective symptoms of motion sickness. Thus, manipulation of stance width may influence motion sickness incidence. Participants (healthy young adults) were exposed to complex, low-frequency oscillation of a moving room. Participants sto…
Postural Sway and the Amplitude of Horizontal Eye Movements
In 2 experiments, we evaluated relations between postural activity and the amplitude of visually guided eye movements. Participants shifted their gaze to follow horizontal oscillation of a visible target. The target moved with amplitude 9° or 24°. In different experiments, the frequency of target oscillation was 0.5 Hz or 1.1 Hz. In both experiments, the variability of head and torso motion was reduced (in the anterior-posterior axis) when partic…
The undulating contours of sōgō geijutsu (total work of art), or Hanada Kiyoteru's thoughts on transmedia in postwar Japan
This article provides an insight into the theorization of sōgō geijutsu or the work of total art during the postwar decades in Japan, primarily through the language of Hanada Kiyoteru, a notable communist critic during the 1950s, as a way to present a discursive precursor to what would be explored as intermedia in the 1960s. It is an attempt to trace the debates that were seen in journal Sōgō Bunka, which was established immediately after the war…
Interstitial Movements in the Works of Hanada Kiyoteru
This is a study of Hanada Kiyoteru, a communist literary and art critic whose position in the world of postwar art criticism has gone relatively unexamined in Japanese studies and art history in English. One of the more aggressive critical figures during the immediate postwar era, he helped to foster a community of art critics and artists who carried into practice aspects of his dialectical and surrealist-inflected method of reading. He was in ma…
Contemporary art and unconditionality
This article examines art criticism of the 1980s that sought to address the context and continuity of postwar Japanese avant-garde art. The emphasis is placed on the notion of ‘the genus of art [rui to shite no bijutsu]’, which the art critic Chiba Shigeo discussed in his Gendai bijutsu itsudatsushi (1986). Chiba argued for an autonomous current of postwar Japanese art separate from Western art history but the argument has been largely overshadow…
Lying as Method
.
Aesthetics (3 works) · Art (3 works) · Art, Politics, and Modernism (3 works) · History (3 works) · Literature (3 works) · Medicine (3 works) · Psychology (3 works) · Sociology (3 works) · Anatomy (2 works) · Balance (ability (2 works)