Lim Beng Choo
Biographic Data
| ID | 4222791 |
|---|---|
| NAME | Lim Beng Choo |
| GIVEN NAMES | Lim Beng |
| FAMILY NAME | Choo |
| SIGNATURE | CHOO L B |
| AFFILIATIONS | National University of Singapore |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Techno-Tradition
Traditional Japanese theatre is a broad category that usually refers to noh, kyōgen, kabuki and bunraku. These genres formed from the fourteenth through seventeenth centuries, and are still regularly performed. Despite the many significant roles of technologies in these genres today, their increasing presence in the genres and myriad manifestations are seldom discussed. This article is an initial examination of the presence and significance of ne…
Leo Shingchi Yip, China Reinterpreted
10.1080/10371397.2017.1297180
Like Clouds or Mists
This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays
Gendering modern Japanese history
They came to party
The Japanese noh theatre started out as a popular art form which originated among the lower classes of society. The noh master Zeami Motokiyo (1363–1443?) refined it so that it conformed with the aesthetic preferences of the élite members of the audience. Within a century of Zeami’s death, many members of the audience had crossed the boundary between spectator and performer, and had begun ardently to learn to perform noh. By this time, the perfor…
They came to party
The Japanese noh theatre started out as a popular art form which originated among the lower classes of society. The noh master Zeami Motokiyo (1363–1443?) refined it so that it conformed with the aesthetic preferences of the élite members of the audience. Within a century of Zeami’s death, many members of the audience had crossed the boundary between spectator and performer, and had begun ardently to learn to perform noh. By this time, the perfor…
They came to party
The Japanese noh theatre started out as a popular art form which originated among the lower classes of society. The noh master Zeami Motokiyo (1363–1443?) refined it so that it conformed with the aesthetic preferences of the élite members of the audience. Within a century of Zeami’s death, many members of the audience had crossed the boundary between spectator and performer, and had begun ardently to learn to perform noh. By this time, the perfor…
Gendering modern Japanese history
Like Clouds or Mists
This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays
Leo Shingchi Yip, China Reinterpreted
10.1080/10371397.2017.1297180
Techno-Tradition
Traditional Japanese theatre is a broad category that usually refers to noh, kyōgen, kabuki and bunraku. These genres formed from the fourteenth through seventeenth centuries, and are still regularly performed. Despite the many significant roles of technologies in these genres today, their increasing presence in the genres and myriad manifestations are seldom discussed. This article is an initial examination of the presence and significance of ne…
Art (4 works) · Japanese History and Culture (4 works) · Aesthetics (2 works) · Asian Culture and Media Studies (2 works) · History (2 works) · History (2 works) · Archaeology (1 work) · Art history (1 work) · China (1 work) · Chinese history and philosophy (1 work)