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Louise Deglin

Biographic Data

ID4223129
NAMELouise Deglin
GIVEN NAMESLouise
FAMILY NAMEDeglin
SIGNATUREDEGLIN L
AFFILIATIONSUniversity of California, Los Angeles
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Matriarchs and Metopism

    Open Access•Louise Deglin•ARTICLE•Humans•2026

    While skeletal imagery appears across various ancient Andean traditions, the Wari Empire (c. 600–1000 CE) developed a uniquely standardized and widespread skull motif—the uma tullu—distributed throughout its former territory. Through an analysis of 63 artifacts spanning ceramic, textile, and metal, this study identifies key diagnostic markers of the motif: the representation of the metopic suture and the application of red pigment. By cross-refer…

  • Wari Imperial Motives

    Louise Deglin, Donna J Nash et al.•ARTICLE•Ñawpa Pacha•2023•Cited by: 1•References: 27

    Cerro Baúl, a site perched on a mountain in the Moquegua Valley (Peru), was once the southernmost outpost of the Wari Empire (600-1000 C.E.). Over the last three decades, the Proyecto Arqueológico Cerro Baúl (PACB) has excavated 62 nearly complete decorated ceramics in the central sectors of the site, ranging from tumblers to figurines. This limited but diverse assemblage demonstrates the forms and motifs employed by elite agents during ritual pr…

  • Could the Mexica toztli have been a sun parakeet? Connecting Mexica featherwork to South America

    Open Access•Louise Deglin•ARTICLE•Journal de la Société des…•2019•References: 8

    Colorful feathers were an important part of the regalia and martial attributes of the Mexicas, who used them on headdresses, shields, capes, but also on the images of their gods. Despite the early interest of Europeans in the American featherwork, some bird species used by the amanteca remain undetermined to this day. The thorough study of two manuscripts written under the direction of Fray Bernardino de Sahagún, the Primeros Memoriales and the F…

  • Wari Imperial Motives

    Louise Deglin, Donna J Nash et al.•ARTICLE•Ñawpa Pacha•2023•Cited by: 1•References: 27

    Cerro Baúl, a site perched on a mountain in the Moquegua Valley (Peru), was once the southernmost outpost of the Wari Empire (600-1000 C.E.). Over the last three decades, the Proyecto Arqueológico Cerro Baúl (PACB) has excavated 62 nearly complete decorated ceramics in the central sectors of the site, ranging from tumblers to figurines. This limited but diverse assemblage demonstrates the forms and motifs employed by elite agents during ritual pr…

  • Could the Mexica toztli have been a sun parakeet? Connecting Mexica featherwork to South America

    Open Access•Louise Deglin•ARTICLE•Journal de la Société des…•2019•References: 8

    Colorful feathers were an important part of the regalia and martial attributes of the Mexicas, who used them on headdresses, shields, capes, but also on the images of their gods. Despite the early interest of Europeans in the American featherwork, some bird species used by the amanteca remain undetermined to this day. The thorough study of two manuscripts written under the direction of Fray Bernardino de Sahagún, the Primeros Memoriales and the F…

  • Wari Imperial Motives

    Louise Deglin, Donna J Nash et al.•ARTICLE•Ñawpa Pacha•2023•Cited by: 1•References: 27

    Cerro Baúl, a site perched on a mountain in the Moquegua Valley (Peru), was once the southernmost outpost of the Wari Empire (600-1000 C.E.). Over the last three decades, the Proyecto Arqueológico Cerro Baúl (PACB) has excavated 62 nearly complete decorated ceramics in the central sectors of the site, ranging from tumblers to figurines. This limited but diverse assemblage demonstrates the forms and motifs employed by elite agents during ritual pr…

  • Matriarchs and Metopism

    Open Access•Louise Deglin•ARTICLE•Humans•2026

    While skeletal imagery appears across various ancient Andean traditions, the Wari Empire (c. 600–1000 CE) developed a uniquely standardized and widespread skull motif—the uma tullu—distributed throughout its former territory. Through an analysis of 63 artifacts spanning ceramic, textile, and metal, this study identifies key diagnostic markers of the motif: the representation of the metopic suture and the application of red pigment. By cross-refer…

Archaeology and ancient environmental studies (2 works) · Art (2 works) · Empire (2 works) · Geography (2 works) · Latin American history and culture (2 works) · Amazonian Archaeology and Ethnohistory (1 work) · Ancient history (1 work) · Anthropological Studies and Insights (1 work) · Archaeology (1 work) · Assemblage (archaeology (1 work)

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