Craig J Peariso
Biographic Data
| ID | 4225299 |
|---|---|
| NAME | Craig J Peariso |
| GIVEN NAMES | Craig J |
| FAMILY NAME | Peariso |
| SIGNATURE | PEARISO C J |
| AFFILIATIONS | Boise State University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Black Arts Movement and the Black Panther Party in American Visual Culture
Black Performance on the Outskirts of the Left
In Black Performance on the Outskirts of the Left the theater historian Malik Gaines argues that, when set against the more famous examples of 1960s political activism, the specific performances of blackness by several key figures embodied a type of “radical ambivalence,” a politics that resisted formulation in the “illusory” terms of racial or class revolution (p. 95). In the theatrical excesses of Nina Simone's live shows, in the works of the G…
The Democratic Surround
In his latest book, The Democratic Surround, the media historian Fred Turner asks not what Democracy might mean, as several political theorists have done in recent years, but just who the democratic citizen Americans envision might be and how their conception of that individual was formulated. Beginning in the late 1930s with a brief, fascinating account of Americans' distrust of the technologies of mass communication—a distrust sparked, in many …
Media and Revolt
Radical Theatrics
From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Rad…
Formlessness as Figure Guerrilla Theater and the Image of Utopia
No prominent works on this page.
Formlessness as Figure Guerrilla Theater and the Image of Utopia
Media and Revolt
Radical Theatrics
From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Rad…
The Democratic Surround
In his latest book, The Democratic Surround, the media historian Fred Turner asks not what Democracy might mean, as several political theorists have done in recent years, but just who the democratic citizen Americans envision might be and how their conception of that individual was formulated. Beginning in the late 1930s with a brief, fascinating account of Americans' distrust of the technologies of mass communication—a distrust sparked, in many …
Black Performance on the Outskirts of the Left
In Black Performance on the Outskirts of the Left the theater historian Malik Gaines argues that, when set against the more famous examples of 1960s political activism, the specific performances of blackness by several key figures embodied a type of “radical ambivalence,” a politics that resisted formulation in the “illusory” terms of racial or class revolution (p. 95). In the theatrical excesses of Nina Simone's live shows, in the works of the G…
The Black Arts Movement and the Black Panther Party in American Visual Culture
Art (5 works) · Aesthetics (4 works) · Law (3 works) · Political science (3 works) · Visual arts (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · History (2 works)