Anne Verplanck
Biographic Data
| ID | 4225409 |
|---|---|
| NAME | Anne Verplanck |
| GIVEN NAMES | Anne |
| FAMILY NAME | Verplanck |
| SIGNATURE | VERPLANCK A |
| AFFILIATIONS | Penn State Harrisburg, Middletown, Pennsylvania |
| ORCID | 0000-0002-1415-7864 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The Met: A History of a Museum and Its People
How We Might View Artists as Businesspeople
This essay suggests the roles artists and individuals in art-related businesses played as agents and actors in a capitalist society during the early national and antebellum period in America. Many artists and those in allied fields met and created demand for established and novel products, which depended, in part, on the introduction and timing of new methods and materials, and corresponding capital expenditures. Experimentation and innovation, c…
Nature's Nation: American Art and Environment
The Business of Daguerreotypy: Strategies for a New Medium
Daguerreotypes (cased photographic images), introduced in 1839, required different strategies for marketing, pricing, and securing patronage than other media did. The Philadelphia firm of T.P. and D.C. Collins incorporated knowledge from past pursuits, modeled some of their practices on those of other studios, and employed novel strategies to appeal to clients. To meet and create demand for a novel product, the Collinses depended in part on the i…
Picturing Power: Portraiture and Its Uses in the New York Chamber of Commerce
The Silhouette and Quaker Identity in Early National Philadelphia
In early national Philadelphia, portrait patronage and production were rooted in the meanings that portraits had for specific groups, meanings that were connected to social, economic, religious, and political conditions. Elite Philadelphia‐area Quakers used silhouettes to distinguish themselves from non‐Quakers; reinforce bonds of kinship, friendship, and community at a time of internal and external challenges (particularly the Orthodox‐Hicksite …
Silhouette
The Genius of Gilbert Stuart . Dorinda Evans
Portraiture . Richard Brilliant Meet Your Neighbors: New England Portraits, Painters, and Society, 1790-1850 . Jack Larkin , Elizabeth Mankin Kornhauser , David Jaffee
Portraiture . Richard Brilliant Meet Your Neighbors: New England Portraits, Painters, and Society, 1790-1850 . Jack Larkin , Elizabeth Mankin Kornhauser , David Jaffee
The Genius of Gilbert Stuart . Dorinda Evans
Silhouette
The Silhouette and Quaker Identity in Early National Philadelphia
In early national Philadelphia, portrait patronage and production were rooted in the meanings that portraits had for specific groups, meanings that were connected to social, economic, religious, and political conditions. Elite Philadelphia‐area Quakers used silhouettes to distinguish themselves from non‐Quakers; reinforce bonds of kinship, friendship, and community at a time of internal and external challenges (particularly the Orthodox‐Hicksite …
Picturing Power: Portraiture and Its Uses in the New York Chamber of Commerce
The Business of Daguerreotypy: Strategies for a New Medium
Daguerreotypes (cased photographic images), introduced in 1839, required different strategies for marketing, pricing, and securing patronage than other media did. The Philadelphia firm of T.P. and D.C. Collins incorporated knowledge from past pursuits, modeled some of their practices on those of other studios, and employed novel strategies to appeal to clients. To meet and create demand for a novel product, the Collinses depended in part on the i…
How We Might View Artists as Businesspeople
This essay suggests the roles artists and individuals in art-related businesses played as agents and actors in a capitalist society during the early national and antebellum period in America. Many artists and those in allied fields met and created demand for established and novel products, which depended, in part, on the introduction and timing of new methods and materials, and corresponding capital expenditures. Experimentation and innovation, c…
Nature's Nation: American Art and Environment
The Met: A History of a Museum and Its People
Art (7 works) · Art history (5 works) · History (5 works) · Political science (4 works) · Advertising (2 works) · Aesthetics (2 works) · Art History and Market Analysis (2 works) · Business (2 works) · Computer Science (2 works) · History (2 works)