Connor S Kenaston
Biographic Data
| ID | 4225435 |
|---|---|
| NAME | Connor S Kenaston |
| GIVEN NAMES | Connor S |
| FAMILY NAME | Kenaston |
| SIGNATURE | KENASTON C S |
| AFFILIATIONS | Randolph College , Lynchburg, Virginia |
| ORCID | 0000-0002-4999-7177 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Coloring Sound
During the 1930s and 1940s, powerful national radio networks influenced how Americans imagined themselves and their communities. This article examines how racial and religious outsiders, such as Black Protestants and white Latter-day Saints, infiltrated networks’ exclusive programming lineups. It argues that outsiders used sacred music to carve out space for themselves on network radio, profoundly shaping how Americans heard race and religion in …
Dixie Heretic
Step by Step
The idea that friendship and dialogue are the first steps to making a better world has a history. During the first half of the twentieth century, American Protestants powered a national movement for dialogue and cooperation among people of different races. In the 1940s and 1950s, Black leaders in predominantly white ecumenical Protestant institutions created a series of workshops and dialogue guides that popularized the notion that interracial ex…
No prominent works on this page.
Step by Step
The idea that friendship and dialogue are the first steps to making a better world has a history. During the first half of the twentieth century, American Protestants powered a national movement for dialogue and cooperation among people of different races. In the 1940s and 1950s, Black leaders in predominantly white ecumenical Protestant institutions created a series of workshops and dialogue guides that popularized the notion that interracial ex…
Coloring Sound
During the 1930s and 1940s, powerful national radio networks influenced how Americans imagined themselves and their communities. This article examines how racial and religious outsiders, such as Black Protestants and white Latter-day Saints, infiltrated networks’ exclusive programming lineups. It argues that outsiders used sacred music to carve out space for themselves on network radio, profoundly shaping how Americans heard race and religion in …
Dixie Heretic
Race, History, and American Society (3 works) · American History and Culture (2 works) · Civil rights (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work) · American Political and Social Dynamics (1 work) · Art (1 work) · Black Power (1 work) · Collective action (1 work)