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David E Ruth

Biographic Data

ID4225771
NAMEDavid E Ruth
GIVEN NAMESDavid E
FAMILY NAMERuth
SIGNATURERUTH D E
AFFILIATIONSAbington Memorial Hospital
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS9
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Bonnie and Clyde

    David E Ruth•ARTICLE•Journal of American History•2017

    John Maggio, the writer, director, and coproducer (with Lindsey Megrue) of the documentary Bonnie and Clyde, seems committed to avoiding the mythologizing that permeated Arthur Penn's 1967 classic of the same name. The absences of Warren Beatty, Faye Dunaway, and Earl Scruggs's banjo help considerably in that regard. Far from glamorous, Bonnie Parker and Clyde Barrow are shown as “two-bit Texas hoods” more likely to rob gas stations and grocery s…

  • Wanted

    David E Ruth•ARTICLE•Journal of American History•2011

    The communications scholar Rachel Hall samples images of outlaws over three centuries in an effort to track the development of what she calls the “vigilante viewer,” for whom spectatorship shaped attitudes about authority, class, gender roles, and social danger. Hall contends that portrayals of antebellum murderers, fugitive slaves, Pinkerton-sought robbers, Great War draft dodgers, those “most wanted” by the Federal Bureau of Investigation (FBI)…

  • Public Enemy #1

    David E Ruth, Ben Loeterman•ARTICLE•Journal of American History•2002

    John Dillinger, remarks a historian in this engaging film, was “one of the hugest stories of the 1930s.” In its retelling of that story, Public Enemy #1 focuses on the fourteen-month crime spree that brought Dillinger national notoriety in 1933 and 1934. Just released after nearly nine years' imprisonment for a bungled robbery, Dillinger held up a string of small-town banks, arranged the prison break of three confederates, himself escaped from pr…

  • War on Crime

    David E Ruth, Claire Bond Potter•ARTICLE•Journal of American History•1999•Cited by: 6

    War on Crime revises history of New Deal transformation and suggests a new model for political history--one which recognizes that cultural phenomena and political realm produce, between them, and idea of the state. The on was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation and perceptions of that emergent state in years of first New Deal. This st…

  • Inventing the Public Enemy

    Robert Sklar, David E Ruth•ARTICLE•Journal of American History•1997•Cited by: 3

    Journal Article Inventing the Public Enemy: The Gangster in American Culture, 1918–1934. By David E. Ruth. (Chicago: University of Chicago Press, 1996. x, 190 pp. Cloth, $42.50, ISBN 0-22673217-7. Paper, $15.95, ISBN 0-226-73218-5.) Get access Robert Sklar Robert Sklar New York University, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 1, June 1997, Pages 2…

  • War on Crime

    David E Ruth, Claire Bond Potter•ARTICLE•Journal of American History•1999•Cited by: 6

    War on Crime revises history of New Deal transformation and suggests a new model for political history--one which recognizes that cultural phenomena and political realm produce, between them, and idea of the state. The on was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation and perceptions of that emergent state in years of first New Deal. This st…

  • Inventing the Public Enemy

    Robert Sklar, David E Ruth•ARTICLE•Journal of American History•1997•Cited by: 3

    Journal Article Inventing the Public Enemy: The Gangster in American Culture, 1918–1934. By David E. Ruth. (Chicago: University of Chicago Press, 1996. x, 190 pp. Cloth, $42.50, ISBN 0-22673217-7. Paper, $15.95, ISBN 0-226-73218-5.) Get access Robert Sklar Robert Sklar New York University, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 1, June 1997, Pages 2…

  • Inventing the Public Enemy

    Robert Sklar, David E Ruth•ARTICLE•Journal of American History•1997•Cited by: 3

    Journal Article Inventing the Public Enemy: The Gangster in American Culture, 1918–1934. By David E. Ruth. (Chicago: University of Chicago Press, 1996. x, 190 pp. Cloth, $42.50, ISBN 0-22673217-7. Paper, $15.95, ISBN 0-226-73218-5.) Get access Robert Sklar Robert Sklar New York University, New York, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 1, June 1997, Pages 2…

  • War on Crime

    David E Ruth, Claire Bond Potter•ARTICLE•Journal of American History•1999•Cited by: 6

    War on Crime revises history of New Deal transformation and suggests a new model for political history--one which recognizes that cultural phenomena and political realm produce, between them, and idea of the state. The on was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation and perceptions of that emergent state in years of first New Deal. This st…

  • Public Enemy #1

    David E Ruth, Ben Loeterman•ARTICLE•Journal of American History•2002

    John Dillinger, remarks a historian in this engaging film, was “one of the hugest stories of the 1930s.” In its retelling of that story, Public Enemy #1 focuses on the fourteen-month crime spree that brought Dillinger national notoriety in 1933 and 1934. Just released after nearly nine years' imprisonment for a bungled robbery, Dillinger held up a string of small-town banks, arranged the prison break of three confederates, himself escaped from pr…

  • Wanted

    David E Ruth•ARTICLE•Journal of American History•2011

    The communications scholar Rachel Hall samples images of outlaws over three centuries in an effort to track the development of what she calls the “vigilante viewer,” for whom spectatorship shaped attitudes about authority, class, gender roles, and social danger. Hall contends that portrayals of antebellum murderers, fugitive slaves, Pinkerton-sought robbers, Great War draft dodgers, those “most wanted” by the Federal Bureau of Investigation (FBI)…

  • Bonnie and Clyde

    David E Ruth•ARTICLE•Journal of American History•2017

    John Maggio, the writer, director, and coproducer (with Lindsey Megrue) of the documentary Bonnie and Clyde, seems committed to avoiding the mythologizing that permeated Arthur Penn's 1967 classic of the same name. The absences of Warren Beatty, Faye Dunaway, and Earl Scruggs's banjo help considerably in that regard. Far from glamorous, Bonnie Parker and Clyde Barrow are shown as “two-bit Texas hoods” more likely to rob gas stations and grocery s…

History (5 works) · History (5 works) · Sociology (5 works) · Law (4 works) · Law (4 works) · Political science (4 works) · Art (3 works) · Criminology (3 works) · Politics (3 works) · Adversary (2 works)

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