Jennie Jordan
Biographic Data
| ID | 4226492 |
|---|---|
| NAME | Jennie Jordan |
| GIVEN NAMES | Jennie |
| FAMILY NAME | Jordan |
| SIGNATURE | JORDAN J |
| AFFILIATIONS | De Montfort University |
| ORCID | 0000-0002-3955-1913 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Mapping innovation in India’s creative industries
This paper reports on an ongoing research study funded by UKRI to map India’s creative industries. Using an ecosystem framework, it has focused on strategy/policy; tangible and intangible infrastructure; funding and investment to understand innovation drivers and barriers across nine sub-sector value chains. The research established there is no one creative industries policy. Responsibility is split across 16 government ministries and 28 states. …
Finding the sweet spot
This paper contributes to debates about how cities create resilient systems for making, re-making and maintaining representations of culture. Our case traces how collaborative festival production implicitly created an infrastructure founded on shared values. This was formalised into city cultural policy using an ecosystem framework, which institutionalised these values, and meant that the ecosystem became partial, excluding creative commercial an…
Cultural closure and social mobility
Festival producers used their professional cultural expertise to navigate tensions between local and national policies in order to access resources from different funding sources. They did this according to tacit values which defined ‘excellence’ in their artistic fields rather than local communities’ cultural interests. In exploring festival production this paper contributes a critical understanding of how festivals’ governance institutions beca…
Focus on World Festivals
A contemporary overview of festival activity from around the world based on over 30 case studies drawn from every continent. Through its case-study focus it examines different types and genres of festival across the world; considers in detail specific festivals in specific contexts; looks at management and organisational issues in festival provision, and illustrates debates and theories pertaining to festivals throughout the world.
Festivalisation of cultural production
This paper reasons that the growth in arts festivals that has taken place since the 1990s has changed the nature of the cultural market and, consequently, is a major cause of the growth in the production of particular sorts of artworks that suit festival settings. Based on interviews and discussions with festival directors and arts producers, participant observation as a producer and audience member, primarily in the UK, together with examples fr…
Focus On Festivals
A powerful and unique case-study focused, theoretically rigorous and pan-European approach to our most ubiquitous cultural phenomena - festivals
Negotiating values in the creative industries
How we establish the various values of cultural products is an issue of great debate amongst academics and policy makers at the moment, as the launch of the #CulturalValue Initiative (Belfiore, 201
Cultural closure and social mobility
Festival producers used their professional cultural expertise to navigate tensions between local and national policies in order to access resources from different funding sources. They did this according to tacit values which defined ‘excellence’ in their artistic fields rather than local communities’ cultural interests. In exploring festival production this paper contributes a critical understanding of how festivals’ governance institutions beca…
Negotiating values in the creative industries
How we establish the various values of cultural products is an issue of great debate amongst academics and policy makers at the moment, as the launch of the #CulturalValue Initiative (Belfiore, 201
Focus On Festivals
A powerful and unique case-study focused, theoretically rigorous and pan-European approach to our most ubiquitous cultural phenomena - festivals
Focus on World Festivals
A contemporary overview of festival activity from around the world based on over 30 case studies drawn from every continent. Through its case-study focus it examines different types and genres of festival across the world; considers in detail specific festivals in specific contexts; looks at management and organisational issues in festival provision, and illustrates debates and theories pertaining to festivals throughout the world.
Festivalisation of cultural production
This paper reasons that the growth in arts festivals that has taken place since the 1990s has changed the nature of the cultural market and, consequently, is a major cause of the growth in the production of particular sorts of artworks that suit festival settings. Based on interviews and discussions with festival directors and arts producers, participant observation as a producer and audience member, primarily in the UK, together with examples fr…
Cultural closure and social mobility
Festival producers used their professional cultural expertise to navigate tensions between local and national policies in order to access resources from different funding sources. They did this according to tacit values which defined ‘excellence’ in their artistic fields rather than local communities’ cultural interests. In exploring festival production this paper contributes a critical understanding of how festivals’ governance institutions beca…
Finding the sweet spot
This paper contributes to debates about how cities create resilient systems for making, re-making and maintaining representations of culture. Our case traces how collaborative festival production implicitly created an infrastructure founded on shared values. This was formalised into city cultural policy using an ecosystem framework, which institutionalised these values, and meant that the ecosystem became partial, excluding creative commercial an…
Mapping innovation in India’s creative industries
This paper reports on an ongoing research study funded by UKRI to map India’s creative industries. Using an ecosystem framework, it has focused on strategy/policy; tangible and intangible infrastructure; funding and investment to understand innovation drivers and barriers across nine sub-sector value chains. The research established there is no one creative industries policy. Responsibility is split across 16 government ministries and 28 states. …
Sociology (6 works) · Sport and Mega-Event Impacts (6 works) · Cultural Industries and Urban Development (5 works) · Political science (4 works) · Art (3 works) · Business (3 works) · Economics (3 works) · Public relations (3 works) · Creative industries (2 works) · Cultural policy (2 works)