Martijn Mulder
Biographic Data
| ID | 4226505 |
|---|---|
| NAME | Martijn Mulder |
| GIVEN NAMES | Martijn |
| FAMILY NAME | Mulder |
| SIGNATURE | MULDER M |
| AFFILIATIONS | Erasmus University Rotterdam |
| ORCID | 0000-0002-3749-752X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Dancing on a tightrope
In this study, we argue that organizers of live music have increasingly been confronted with uncertainty and risk in the pre-pandemic era and that the pandemic has clearly put them under further pressure. At the same time, live music venues and festivals have proven to be largely resilient to the extreme crisis of an ongoing industry lockdown. Also, the sector’s culture of carefully cultivated forms of active (emotive, interrelational) trust to c…
Constructing the Live Experience at Pop Music Concerts
The aim of this study is to better understand the individual construction of the experience of liveness at pop music concerts and to add knowledge to the field of measuring audience experience in performing arts. The study is based on a mixed-methods methodology, designed to overcome the common difficulties related to researching visitor experiences of live music, and consists of a three-phase interpretative phenomenological analysis (IPA), made …
Valuing value in urban live music ecologies
This paper seeks to understand the role of valuing in urban live music ecologies. It explains how multiple actors (e.g. directors of music venues, musicians, policy-makers, and real estate experts) in Dutch live music ecologies negotiate the different values of live music. To examine this dynamic, we use insights from literature on innovation ecosystems from the field of business, as well as research on live music ecologies from popular music stu…
The impact of festivalization on the Dutch live music action field
In the global pop music industries, revenue models have shifted from physical record sales to streaming services and live performances. At the same time, the supply of live music performances has changed as a result of festivalization. This study aims to understand the effects of festivalization on the strategic action field (SAF) of the Dutch live music ecology. This paper is grounded in a qualitative thematic analysis based on in-depth intervie…
Visiting pop concerts and festivals
To better understand the growing popularity of live music, this study analyses consumers’ motivations for live music attendance. In addition to existing literature, a generic approach to audience motivations contributes to our knowledge of the growing live music industry, where venues and festivals vie for the same artists and audience. Based on a survey among visitors of live music events (n = 1131), a principal component analysis was conducted …
Theorizing the production and consumption of live music
It has become a commonplace to observe that the economic and cultural significance of live music has increased, while the sales of recorded music have declined. With a sense of relief people observe that the physical experience of live music attendance remains vital under conditions of rapid digitalization. This observation runs the risk of neglecting the actual challenges faced by the live music sector. In fact, live music organizations are also…
Visiting pop concerts and festivals
To better understand the growing popularity of live music, this study analyses consumers’ motivations for live music attendance. In addition to existing literature, a generic approach to audience motivations contributes to our knowledge of the growing live music industry, where venues and festivals vie for the same artists and audience. Based on a survey among visitors of live music events (n = 1131), a principal component analysis was conducted …
Theorizing the production and consumption of live music
It has become a commonplace to observe that the economic and cultural significance of live music has increased, while the sales of recorded music have declined. With a sense of relief people observe that the physical experience of live music attendance remains vital under conditions of rapid digitalization. This observation runs the risk of neglecting the actual challenges faced by the live music sector. In fact, live music organizations are also…
The impact of festivalization on the Dutch live music action field
In the global pop music industries, revenue models have shifted from physical record sales to streaming services and live performances. At the same time, the supply of live music performances has changed as a result of festivalization. This study aims to understand the effects of festivalization on the strategic action field (SAF) of the Dutch live music ecology. This paper is grounded in a qualitative thematic analysis based on in-depth intervie…
Visiting pop concerts and festivals
To better understand the growing popularity of live music, this study analyses consumers’ motivations for live music attendance. In addition to existing literature, a generic approach to audience motivations contributes to our knowledge of the growing live music industry, where venues and festivals vie for the same artists and audience. Based on a survey among visitors of live music events (n = 1131), a principal component analysis was conducted …
Valuing value in urban live music ecologies
This paper seeks to understand the role of valuing in urban live music ecologies. It explains how multiple actors (e.g. directors of music venues, musicians, policy-makers, and real estate experts) in Dutch live music ecologies negotiate the different values of live music. To examine this dynamic, we use insights from literature on innovation ecosystems from the field of business, as well as research on live music ecologies from popular music stu…
Constructing the Live Experience at Pop Music Concerts
The aim of this study is to better understand the individual construction of the experience of liveness at pop music concerts and to add knowledge to the field of measuring audience experience in performing arts. The study is based on a mixed-methods methodology, designed to overcome the common difficulties related to researching visitor experiences of live music, and consists of a three-phase interpretative phenomenological analysis (IPA), made …
Dancing on a tightrope
In this study, we argue that organizers of live music have increasingly been confronted with uncertainty and risk in the pre-pandemic era and that the pandemic has clearly put them under further pressure. At the same time, live music venues and festivals have proven to be largely resilient to the extreme crisis of an ongoing industry lockdown. Also, the sector’s culture of carefully cultivated forms of active (emotive, interrelational) trust to c…
Visual arts (6 works) · Art (5 works) · Sociology (5 works) · Cultural Industries and Urban Development (4 works) · Business (3 works) · Computer Science (3 works) · Music festival (3 works) · Political science (3 works) · Psychology (3 works) · Social Psychology (3 works)