Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Inka Rantakallio

Biographic Data

ID4226641
NAMEInka Rantakallio
GIVEN NAMESInka
FAMILY NAMERantakallio
SIGNATURERANTAKALLIO I
AFFILIATIONSUniversity of Helsinki
ORCID0000-0001-5409-7635
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Ethnography and Researcher Positionality

    Open Access•Inka Rantakallio, Andrea Dankić•ARTICLE•IASPM Journal•2025

    In our article, we reflect on our respective ethnographic projects in Sweden and Finland among feminist women, girls, and non-binary people who are hip hop practitioners and/or artists. We focus on the intersectional analysis of our situatedness as white women scholars, reflecting on how our various identities, backgrounds, and lived experiences, such as being a DJ or “hip hop head,” affected our work in these specific contexts and hence also our…

  • Stacks and sirens

    Open Access•Inka Rantakallio•ARTICLE•Feminist Media Studies•2025•References: 9

  • Thirteen Bloodlines Planning a Genocide

    Open Access•Inka Rantakallio•ARTICLE•Popular Music & Society•2024•Cited by: 1•References: 5

  • Politics of Race, Belonging and Community in Yeboyah's music video 'Elovena

    Open Access•Dragana Cvetanović, Inka Rantakallio et al.•ARTICLE•Journal of Extreme Anthropology•2024

    The Elovena maiden is, for some, one of the most important cultural symbols of the Finnish identity. This character has traditionally been portrayed as a blond, blue-eyed white woman and repeatedly used in artistic and commercial contexts. In this article, we explore how a Finnish-Ghanaian rapper Yeboyah's 'Elovena' music video, as part of the Elovena visual EP (2019), constructs and negotiates race, belonging, and community. Moreover, we investi…

  • Discursive Construction of African-American Identities and Spirituality

    Ari Poutiainen, Inka Rantakallio•ARTICLE•Popular Music & Society•2015•Cited by: 1•References: 3

    This article analyzes the discourse of social change and African-American spirituality and how these have become intertwined with music as discursive vehicles for identity construction. We first focus on Muslimhiphop.com, a website which features several African-American Muslim artists. Second, we relate the above to the jazz avant-garde of the early 1960s. Islamic hip hop can be considered an alternative to mainstream hip hop and a medium for ne…

  • Thirteen Bloodlines Planning a Genocide

    Open Access•Inka Rantakallio•ARTICLE•Popular Music & Society•2024•Cited by: 1•References: 5

  • Discursive Construction of African-American Identities and Spirituality

    Ari Poutiainen, Inka Rantakallio•ARTICLE•Popular Music & Society•2015•Cited by: 1•References: 3

    This article analyzes the discourse of social change and African-American spirituality and how these have become intertwined with music as discursive vehicles for identity construction. We first focus on Muslimhiphop.com, a website which features several African-American Muslim artists. Second, we relate the above to the jazz avant-garde of the early 1960s. Islamic hip hop can be considered an alternative to mainstream hip hop and a medium for ne…

  • Discursive Construction of African-American Identities and Spirituality

    Ari Poutiainen, Inka Rantakallio•ARTICLE•Popular Music & Society•2015•Cited by: 1•References: 3

    This article analyzes the discourse of social change and African-American spirituality and how these have become intertwined with music as discursive vehicles for identity construction. We first focus on Muslimhiphop.com, a website which features several African-American Muslim artists. Second, we relate the above to the jazz avant-garde of the early 1960s. Islamic hip hop can be considered an alternative to mainstream hip hop and a medium for ne…

  • Thirteen Bloodlines Planning a Genocide

    Open Access•Inka Rantakallio•ARTICLE•Popular Music & Society•2024•Cited by: 1•References: 5

  • Politics of Race, Belonging and Community in Yeboyah's music video 'Elovena

    Open Access•Dragana Cvetanović, Inka Rantakallio et al.•ARTICLE•Journal of Extreme Anthropology•2024

    The Elovena maiden is, for some, one of the most important cultural symbols of the Finnish identity. This character has traditionally been portrayed as a blond, blue-eyed white woman and repeatedly used in artistic and commercial contexts. In this article, we explore how a Finnish-Ghanaian rapper Yeboyah's 'Elovena' music video, as part of the Elovena visual EP (2019), constructs and negotiates race, belonging, and community. Moreover, we investi…

  • Ethnography and Researcher Positionality

    Open Access•Inka Rantakallio, Andrea Dankić•ARTICLE•IASPM Journal•2025

    In our article, we reflect on our respective ethnographic projects in Sweden and Finland among feminist women, girls, and non-binary people who are hip hop practitioners and/or artists. We focus on the intersectional analysis of our situatedness as white women scholars, reflecting on how our various identities, backgrounds, and lived experiences, such as being a DJ or “hip hop head,” affected our work in these specific contexts and hence also our…

  • Stacks and sirens

    Open Access•Inka Rantakallio•ARTICLE•Feminist Media Studies•2025•References: 9

Law (3 works) · Music History and Culture (3 works) · Political science (3 works) · Sociology (3 works) · Gender Studies (2 works) · History (2 works) · History (2 works) · Law (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae