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Alex J H Thomas

Biographic Data

ID4230181
NAMEAlex J H Thomas
GIVEN NAMESAlex J H
FAMILY NAMEThomas
SIGNATURETHOMAS A J H
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX0
  • The Deceived

    Alex J H Thomas•ARTICLE•Comparative Literature Studies•2024

    Lope de Rueda’s plays, among them Los engañados (The Deceived, 1558?), met great acclaim among contemporaneous audiences. Yet unlike the continued literary prestige enjoyed by the play’s Italian source, Gl’ingannati (The Deceived, 1532), Rueda’s work has been reduced to a sidenote in literary history. Such a decline in the author-actor’s critical fate speaks to the importance of physical performance to his popularity: performance that, this artic…

  • Teaching 'Aztec Classicism

    Alex J H Thomas•ARTICLE•Journal of Latin American…•2021•References: 20

    History has long been regarded a vital tool for emergent nation-states and subsequent nationalist regimes in unifying disparate groups around a common historical memory. And nowhere can such a memory be more effectively instilled in a population than in its schools, where the textbook gives state-approved narratives an unimpeachable authority in children’s minds. This essay traces the canonisation of a colonial, Classicised narrative portraying p…

No prominent works on this page.

  • Teaching 'Aztec Classicism

    Alex J H Thomas•ARTICLE•Journal of Latin American…•2021•References: 20

    History has long been regarded a vital tool for emergent nation-states and subsequent nationalist regimes in unifying disparate groups around a common historical memory. And nowhere can such a memory be more effectively instilled in a population than in its schools, where the textbook gives state-approved narratives an unimpeachable authority in children’s minds. This essay traces the canonisation of a colonial, Classicised narrative portraying p…

  • The Deceived

    Alex J H Thomas•ARTICLE•Comparative Literature Studies•2024

    Lope de Rueda’s plays, among them Los engañados (The Deceived, 1558?), met great acclaim among contemporaneous audiences. Yet unlike the continued literary prestige enjoyed by the play’s Italian source, Gl’ingannati (The Deceived, 1532), Rueda’s work has been reduced to a sidenote in literary history. Such a decline in the author-actor’s critical fate speaks to the importance of physical performance to his popularity: performance that, this artic…

Art (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Art history (1 works) · Classicism (1 works) · Classics (1 works) · Classics (1 works)

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