Guadalupe Gerardi
Biographic Data
| ID | 4230186 |
|---|---|
| NAME | Guadalupe Gerardi |
| GIVEN NAMES | Guadalupe |
| FAMILY NAME | Gerardi |
| SIGNATURE | GERARDI G |
| AFFILIATIONS | University of Oxford |
| ORCID | 0000-0002-1713-713X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Political Bodies inJosé María Arguedas’ El zorro de arriba y el zorro de abajo
Portrayals of Jews in Contemporary Argentine Cinema
Monsters of Inequality and Waste
This article examines the ways in which the work of the Argentine artist Antonio Berni (1905–1981) proposes renewed forms of realism engaged both with aesthetics and the socio-political order. Through the examination of Berni’s trajectory and with a special focus on Berni’s monsters made from reclaimed waste, this study draws on Jacques Rancière’s notion of dissensus to argue that art and politics come together in Berni’s monstrous constructions …
En retrospectiva
El presente artículo explora las formas en las que el género policial e ideas centrales de los movimientos de vanguardia son combinados en Estrella distante (1996) de Roberto Bolaño para re-evaluar el legado de la dictadura de Augusto Pinochet en Chile. La lectura propuesta expone que el trabajo con el género y motivos estéticos vinculados a ideas de novedad y participación son utilizados en la novela para re-elaborar nociones de responsabilidad …
No prominent works on this page.
En retrospectiva
El presente artículo explora las formas en las que el género policial e ideas centrales de los movimientos de vanguardia son combinados en Estrella distante (1996) de Roberto Bolaño para re-evaluar el legado de la dictadura de Augusto Pinochet en Chile. La lectura propuesta expone que el trabajo con el género y motivos estéticos vinculados a ideas de novedad y participación son utilizados en la novela para re-elaborar nociones de responsabilidad …
Monsters of Inequality and Waste
This article examines the ways in which the work of the Argentine artist Antonio Berni (1905–1981) proposes renewed forms of realism engaged both with aesthetics and the socio-political order. Through the examination of Berni’s trajectory and with a special focus on Berni’s monsters made from reclaimed waste, this study draws on Jacques Rancière’s notion of dissensus to argue that art and politics come together in Berni’s monstrous constructions …
Portrayals of Jews in Contemporary Argentine Cinema
Political Bodies inJosé María Arguedas’ El zorro de arriba y el zorro de abajo
Art (3 works) · Aesthetics (2 works) · Latin American Literature Studies (2 works) · Philosophy (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Borges, Kipling, and Jewish Identity (1 work)