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Sheelalipi Sahana

Biographic Data

ID4237523
NAMESheelalipi Sahana
GIVEN NAMESSheelalipi
FAMILY NAMESahana
SIGNATURESAHANA S
AFFILIATIONSUniversity of Edinburgh
ORCID0009-0007-5853-8427
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Architecture of Laila’s World in Attia Hosain’s Sunlight on a Broken Column

    Open Access•Sheelalipi Sahana•ARTICLE•South Asia Journal of South Asian…•2024

    Attia Hosain's Partition novel, Sunlight on a Broken Column (1961), offers possibilities for the physical structure of the home to be analysed through a spatial lens to decode architectural metaphors of the zenana (women's space). This paper explores how the women characters negotiate with the often dichotomised private and public spheres of the home and outside, to show their rising confluence in a mod­ernising nation. This paper grounds gendere…

  • Introduction

    Open Access•Fatima Zehra Naveed, Sheelalipi Sahana et al.•ARTICLE•South Asia Journal of South Asian…•2024

  • Object as subject

    Open Access•Sheelalipi Sahana•ARTICLE•Journal of Postcolonial Writing•2022•Cited by: 1•References: 12

    Ismat Chughtai was an Urdu-language writer in India whose affiliation with the Progressive Writers Movement sparked a lifelong tryst with socialism. This article examines the “material agency” found in household objects that help to co-create a society for women within their private gendered domains in which they hold power. The quilt and the diary – objects in Chughtai’s short stories “The Quilt” and “Chhoti Apa” respectively – serve as biograph…

  • Object as subject

    Open Access•Sheelalipi Sahana•ARTICLE•Journal of Postcolonial Writing•2022•Cited by: 1•References: 12

    Ismat Chughtai was an Urdu-language writer in India whose affiliation with the Progressive Writers Movement sparked a lifelong tryst with socialism. This article examines the “material agency” found in household objects that help to co-create a society for women within their private gendered domains in which they hold power. The quilt and the diary – objects in Chughtai’s short stories “The Quilt” and “Chhoti Apa” respectively – serve as biograph…

  • Object as subject

    Open Access•Sheelalipi Sahana•ARTICLE•Journal of Postcolonial Writing•2022•Cited by: 1•References: 12

    Ismat Chughtai was an Urdu-language writer in India whose affiliation with the Progressive Writers Movement sparked a lifelong tryst with socialism. This article examines the “material agency” found in household objects that help to co-create a society for women within their private gendered domains in which they hold power. The quilt and the diary – objects in Chughtai’s short stories “The Quilt” and “Chhoti Apa” respectively – serve as biograph…

  • The Architecture of Laila’s World in Attia Hosain’s Sunlight on a Broken Column

    Open Access•Sheelalipi Sahana•ARTICLE•South Asia Journal of South Asian…•2024

    Attia Hosain's Partition novel, Sunlight on a Broken Column (1961), offers possibilities for the physical structure of the home to be analysed through a spatial lens to decode architectural metaphors of the zenana (women's space). This paper explores how the women characters negotiate with the often dichotomised private and public spheres of the home and outside, to show their rising confluence in a mod­ernising nation. This paper grounds gendere…

  • Introduction

    Open Access•Fatima Zehra Naveed, Sheelalipi Sahana et al.•ARTICLE•South Asia Journal of South Asian…•2024

Gender Studies (2 works) · History (2 works) · History (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work) · Ancient history (1 work) · Archaeology (1 work) · Architecture (1 work)

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