Penny Bicol Cartwright
Biographic Data
| ID | 4237561 |
|---|---|
| NAME | Penny Bicol Cartwright |
| GIVEN NAMES | Penny Bicol |
| FAMILY NAME | Cartwright |
| SIGNATURE | CARTWRIGHT P B |
| AFFILIATIONS | University of Oxford |
| ORCID | 0000-0001-6430-4976 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Introduction
This special issue, developed from papers originally presented at the “Cultural Enclosure and Literary Form” conference at the University of Oxford in September 2022, explores the phenomenon of “cultural enclosure”: the commodification of culture via tourism, ethnic marketing, cultural property patents, and other cultural industries. It does so by bringing together two distinct concepts of “enclosure”: the appropriation of the commons and the for…
Yahoo-yahoos and Twitter kweens
This article examines the representation of Internet technologies in two recent Nigerian comic novels, Adaobi Tricia Nwaubani's (2009) I Do Not Come to You by Chance and A. Igoni Barrett's (2015) Blackass. Departing from founding mythologies of the Internet as a space of global assimilation and extending beyond extant postcolonial concerns with technological exclusion or malfunction, the article demonstrates how Internet technologies facilitate f…
No prominent works on this page.
Yahoo-yahoos and Twitter kweens
This article examines the representation of Internet technologies in two recent Nigerian comic novels, Adaobi Tricia Nwaubani's (2009) I Do Not Come to You by Chance and A. Igoni Barrett's (2015) Blackass. Departing from founding mythologies of the Internet as a space of global assimilation and extending beyond extant postcolonial concerns with technological exclusion or malfunction, the article demonstrates how Internet technologies facilitate f…
Introduction
This special issue, developed from papers originally presented at the “Cultural Enclosure and Literary Form” conference at the University of Oxford in September 2022, explores the phenomenon of “cultural enclosure”: the commodification of culture via tourism, ethnic marketing, cultural property patents, and other cultural industries. It does so by bringing together two distinct concepts of “enclosure”: the appropriation of the commons and the for…
Comparative and World Literature (1 works) · Computer Science (1 works) · Digital Games and Media (1 works) · Enclosure (1 works) · Engineering (1 works) · Gender, Feminism, and Media (1 works) · Gothic Literature and Media Analysis (1 works) · Law (1 works) · Media studies (1 works) · Political science (1 works)