Tayseer Abu Odeh
Biographic Data
| ID | 4237595 |
|---|---|
| NAME | Tayseer Abu Odeh |
| GIVEN NAMES | Tayseer Abu |
| FAMILY NAME | Odeh |
| SIGNATURE | ODEH T A |
| AFFILIATIONS | Al-Ahliyya Amman University |
| ORCID | 0000-0002-5782-8293 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Zionist Settler-Colonialism and the Logic of Genocide in Gaza: A Conversation with Professor Avi Shlaim
Amidst the ongoing Zionist settler-colonial genocide in Gaza and shortly after the 7 October Hamas attack on Israel, the interview with the prominent activist and historian Avi Shlaim was initially conducted on 24 October 2023, but has undergone subsequent revisions from May 2024 until September 2024 to reflect the unfolding genocide in Gaza. Professor Shlaim, a member of the ‘New Historians’, along with Benny Morris and Ilan Pappé, analyses the …
A conversation with Timothy Brennan
This interview was conducted in 2022 as part of a series of wide-ranging conversations via email with the prominent American public intellectual and activist Timothy Brennan, whose literary and cultural criticism, secular humanism, and critique of cosmopolitanism have from the late 1980s onwards influenced perceptions of postcolonial studies and “World Literature”. Preoccupied with the intellectual and philosophical praxis, dynamics, malignity, a…
The Politics of Yehuda Amichai's Aesthetic Camouflage: Jerusalem and the Settler-Colonial Gaze
Drawing on the notion of aesthetic camouflage the uses and abuses of memory and forgetfulness, this article seeks to examine and interrogate the ways in which Israel’s ‘national poet’ Yehuda Amichai (born ‘Ludwig Pfeuffer’, 1924–2000) relies heavily on the imperialist Zionist ideology to justify and legitimise the settler-colonial existence of Israel from a European and Zionist hegemonic perspective. The postcolonial image of Jerusalem, as mystif…
Wael B. Hallaq, Restating Orientalism: A Critique of Modern Knowledge
The intellectual resistance of Yusuf Al-Ani
Yusuf al-Ani’s intellectual character, Nouar, says in The Key, ‘Not all the doors are closed yet, not all the roads are blocked. We can start again’. So it was with al-Ani’s innovative people’s theatre – it never shied away from starting anew, introducing new themes and styles. This article focuses on the intellectual and artistic resistance embodied in al-Ani’s life and work, which, as is argued here, prominently exhibit the most important eleme…
The Pleasures and Pitfalls of Exile and Counterpoint in Farah's Maps
Taking as its starting point Edward Said's appropriation of the concept of counterpoint, late style, and exile in Culture and Imperialism and On Late Style , this essay examines the thematic and literary implications of Nuruddin Farah's counterpoint and exile, as manifested in Maps. More concretely, building on Said's secular and humanist examination of counterpoint, late style, and exile as embodying a form of musical, aesthetic and sociopolitic…
No prominent works on this page.
The Pleasures and Pitfalls of Exile and Counterpoint in Farah's Maps
Taking as its starting point Edward Said's appropriation of the concept of counterpoint, late style, and exile in Culture and Imperialism and On Late Style , this essay examines the thematic and literary implications of Nuruddin Farah's counterpoint and exile, as manifested in Maps. More concretely, building on Said's secular and humanist examination of counterpoint, late style, and exile as embodying a form of musical, aesthetic and sociopolitic…
The intellectual resistance of Yusuf Al-Ani
Yusuf al-Ani’s intellectual character, Nouar, says in The Key, ‘Not all the doors are closed yet, not all the roads are blocked. We can start again’. So it was with al-Ani’s innovative people’s theatre – it never shied away from starting anew, introducing new themes and styles. This article focuses on the intellectual and artistic resistance embodied in al-Ani’s life and work, which, as is argued here, prominently exhibit the most important eleme…
The Politics of Yehuda Amichai's Aesthetic Camouflage: Jerusalem and the Settler-Colonial Gaze
Drawing on the notion of aesthetic camouflage the uses and abuses of memory and forgetfulness, this article seeks to examine and interrogate the ways in which Israel’s ‘national poet’ Yehuda Amichai (born ‘Ludwig Pfeuffer’, 1924–2000) relies heavily on the imperialist Zionist ideology to justify and legitimise the settler-colonial existence of Israel from a European and Zionist hegemonic perspective. The postcolonial image of Jerusalem, as mystif…
Wael B. Hallaq, Restating Orientalism: A Critique of Modern Knowledge
A conversation with Timothy Brennan
This interview was conducted in 2022 as part of a series of wide-ranging conversations via email with the prominent American public intellectual and activist Timothy Brennan, whose literary and cultural criticism, secular humanism, and critique of cosmopolitanism have from the late 1980s onwards influenced perceptions of postcolonial studies and “World Literature”. Preoccupied with the intellectual and philosophical praxis, dynamics, malignity, a…
Zionist Settler-Colonialism and the Logic of Genocide in Gaza: A Conversation with Professor Avi Shlaim
Amidst the ongoing Zionist settler-colonial genocide in Gaza and shortly after the 7 October Hamas attack on Israel, the interview with the prominent activist and historian Avi Shlaim was initially conducted on 24 October 2023, but has undergone subsequent revisions from May 2024 until September 2024 to reflect the unfolding genocide in Gaza. Professor Shlaim, a member of the ‘New Historians’, along with Benny Morris and Ilan Pappé, analyses the …
Political science (5 works) · Sociology (5 works) · Aesthetics (4 works) · Art (4 works) · History (4 works) · Law (4 works) · Literature (4 works) · Colonialism (3 works) · Criticism (3 works) · Epistemology (3 works)