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Damini Kulkarni

Biographic Data

ID4237668
NAMEDamini Kulkarni
GIVEN NAMESDamini
FAMILY NAMEKulkarni
SIGNATUREKULKARNI D
ORCID0000-0002-4679-864X
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Displacing difference, interrupting Indianness: Song sequences in digitally-released Indian-American films

    Damini Kulkarni•ARTICLE•Journal of Postcolonial Writing•2024•References: 18

    In their capacity to directly address audiences of varied nationalities, American-Indian films are important sites of cinema's negotiations with the idea of Indianness. When released on digital platforms, such films have the capacity to turn the idea of a national identity and, by extension, hyphenated identities, into modular and scalable constructs; bracketing, scaling down and slipping in various blocks of Indianness into its song-and-dance se…

  • History Into Myth

    Damini Kulkarni•CHAPTER•Historicizing Myths in…•2023

    Strategically selected discourses of history are routinely mobilised within the arena of popular culture as instruments that can mitigate the slipperiness of the present and volatility of its politics. On the other hand, films such as Uri: The Surgical Strike (2019), Batla House (2019), Mission Mangal (2019), Pad Man (2018), and Toilet: Ek Prem Katha (2017), which are based on relatively recent historical events, reconfigure the present moment in…

  • Beyond the Clouds and the Construction of Indian Slums in Hindi Cinema

    Damini Kulkarni•ARTICLE•Film International•2019

    Preview this article: Beyond the Clouds and the Construction of Indian Slums in Hindi Cinema, Page 1 of 1 /docserver/preview/fulltext/fint/17/1/fiin.17.1.89_1-1.gif

No prominent works on this page.

  • Beyond the Clouds and the Construction of Indian Slums in Hindi Cinema

    Damini Kulkarni•ARTICLE•Film International•2019

    Preview this article: Beyond the Clouds and the Construction of Indian Slums in Hindi Cinema, Page 1 of 1 /docserver/preview/fulltext/fint/17/1/fiin.17.1.89_1-1.gif

  • History Into Myth

    Damini Kulkarni•CHAPTER•Historicizing Myths in…•2023

    Strategically selected discourses of history are routinely mobilised within the arena of popular culture as instruments that can mitigate the slipperiness of the present and volatility of its politics. On the other hand, films such as Uri: The Surgical Strike (2019), Batla House (2019), Mission Mangal (2019), Pad Man (2018), and Toilet: Ek Prem Katha (2017), which are based on relatively recent historical events, reconfigure the present moment in…

  • Displacing difference, interrupting Indianness: Song sequences in digitally-released Indian-American films

    Damini Kulkarni•ARTICLE•Journal of Postcolonial Writing•2024•References: 18

    In their capacity to directly address audiences of varied nationalities, American-Indian films are important sites of cinema's negotiations with the idea of Indianness. When released on digital platforms, such films have the capacity to turn the idea of a national identity and, by extension, hyphenated identities, into modular and scalable constructs; bracketing, scaling down and slipping in various blocks of Indianness into its song-and-dance se…

Art (3 works) · South Asian Cinema and Culture (3 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Artificial Intelligence (1 works) · Business (1 works) · Cinema and Media Studies (1 works) · Classics (1 works)

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