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Cameron Allan

Biographic Data

ID4239413
NAMECameron Allan
GIVEN NAMESCameron
FAMILY NAMEAllan
SIGNATUREALLAN C
AFFILIATIONSUniversity of Auckland
ORCID0000-0002-7105-5151
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS4
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Dimensions of the digital face

    Open Access•Cameron Allan•ARTICLE•Convergence The International…•2021

  • Time-lapse and the projected body

    Allan Cameron, Cameron Allan et al.•ARTICLE•Moving Image Review & Art Journal…•2014

    The technique of time-lapse, which has been applied to all manner of subjects from the cellular to the celestial, has an ambiguous relationship with the human body. Whereas slow motion typically accentuates the force and aesthetics of physical movement, time-lapse tends to decorporealize human figures, projecting bodies forward through time while turning them into phantasmal projections in space. This article examines a number of experimental fil…

  • Crash

    A Cameron, Cameron Allan•ARTICLE•Screen•2012

    Journal Article Crash: Cinema and the Politics of Speed and Stasis Get access Karen Beckman, Crash: Cinema and the Politics of Speed and Stasis. Durham, NC: Duke University Press, 2010, 305 pp. Allan Cameron Allan Cameron [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 53, Issue 1, Spring 2012, Pages 72–75, https://doi.org/10.1093/screen/hjr061 Published: 01 March 2012

  • The Locals and the global

    Allan Cameron, Cameron Allan•ARTICLE•Studies In Australasian Cinema•2010

    Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror's characteristic focus on questions of otherness to the otherness…

  • Influences on work/ non-work conflict

    Open Access•Cameron Allan, Rebecca Loudoun et al.•ARTICLE•Journal of Sociology•2007•Cited by: 4•References: 22

    Work/non-work conflict is important because it tells us about the well-being of individuals and more generally of a particular workplace or organization. Important progress has been made in research literature on the importance of structural policies designed to assist workers to meet competing demands to be at work and at home. More information is needed into organizational influences on the emotional aspects of work/non-work conflict. Based on …

  • The Idea of the Republic

    Norberto Bobbio, Maurizio Viroli et al.•BOOK•The Idea of the Republic•2003

    Introduction to the English Edition. 1 Virtue and the Republic. 2 Patriotism. 3 What Kind of Freedom? 4 Meekness and Intransigence. 5 Rights and Duties. 6 Fear of God and Love of God. 7 The Republic and its Problems. 8 Hidden Powers. 9 Can the Republic be Renewed? Notes

  • Doni's satirical utopia

    Open Access•Allan Cameron, Cameron Allan•ARTICLE•Renaissance Studies•1996

  • Influences on work/ non-work conflict

    Open Access•Cameron Allan, Rebecca Loudoun et al.•ARTICLE•Journal of Sociology•2007•Cited by: 4•References: 22

    Work/non-work conflict is important because it tells us about the well-being of individuals and more generally of a particular workplace or organization. Important progress has been made in research literature on the importance of structural policies designed to assist workers to meet competing demands to be at work and at home. More information is needed into organizational influences on the emotional aspects of work/non-work conflict. Based on …

  • Doni's satirical utopia

    Open Access•Allan Cameron, Cameron Allan•ARTICLE•Renaissance Studies•1996

  • The Idea of the Republic

    Norberto Bobbio, Maurizio Viroli et al.•BOOK•The Idea of the Republic•2003

    Introduction to the English Edition. 1 Virtue and the Republic. 2 Patriotism. 3 What Kind of Freedom? 4 Meekness and Intransigence. 5 Rights and Duties. 6 Fear of God and Love of God. 7 The Republic and its Problems. 8 Hidden Powers. 9 Can the Republic be Renewed? Notes

  • Influences on work/ non-work conflict

    Open Access•Cameron Allan, Rebecca Loudoun et al.•ARTICLE•Journal of Sociology•2007•Cited by: 4•References: 22

    Work/non-work conflict is important because it tells us about the well-being of individuals and more generally of a particular workplace or organization. Important progress has been made in research literature on the importance of structural policies designed to assist workers to meet competing demands to be at work and at home. More information is needed into organizational influences on the emotional aspects of work/non-work conflict. Based on …

  • The Locals and the global

    Allan Cameron, Cameron Allan•ARTICLE•Studies In Australasian Cinema•2010

    Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror's characteristic focus on questions of otherness to the otherness…

  • Crash

    A Cameron, Cameron Allan•ARTICLE•Screen•2012

    Journal Article Crash: Cinema and the Politics of Speed and Stasis Get access Karen Beckman, Crash: Cinema and the Politics of Speed and Stasis. Durham, NC: Duke University Press, 2010, 305 pp. Allan Cameron Allan Cameron [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 53, Issue 1, Spring 2012, Pages 72–75, https://doi.org/10.1093/screen/hjr061 Published: 01 March 2012

  • Time-lapse and the projected body

    Allan Cameron, Cameron Allan et al.•ARTICLE•Moving Image Review & Art Journal…•2014

    The technique of time-lapse, which has been applied to all manner of subjects from the cellular to the celestial, has an ambiguous relationship with the human body. Whereas slow motion typically accentuates the force and aesthetics of physical movement, time-lapse tends to decorporealize human figures, projecting bodies forward through time while turning them into phantasmal projections in space. This article examines a number of experimental fil…

  • Dimensions of the digital face

    Open Access•Cameron Allan•ARTICLE•Convergence The International…•2021

Art (4 works) · Computer Science (4 works) · Sociology (4 works) · Politics (3 works) · Aesthetics (2 works) · Art history (2 works) · Artificial Intelligence (2 works) · Cinema and Media Studies (2 works) · Computer vision (2 works) · History (2 works)

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