Mette Sandbye
Biographic Data
| ID | 4240123 |
|---|---|
| NAME | Mette Sandbye |
| GIVEN NAMES | Mette |
| FAMILY NAME | Sandbye |
| SIGNATURE | SANDBYE M |
| AFFILIATIONS | University of Copenhagen |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 52 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Mennesker og medier i samspil
Anmeldelse af: Jacob Lund og Ulrik Schmidt (red.) Medieæstetik – en introduktion Forlaget Samfundslitteratur, Frederiksberg, 2020
New Mixtures: Migration, war and cultural differences in contemporary art-documentary photography
Some have talked about a crisis in documentary photography since its inter- and post-war heydays. But more recently a new kind of art-documentary has developed with a self-reflexive approach towards the limits and the possibilities of photography. The spectrum between documentary and art provides photography with a specific opportunity to address difficult subject matter between the personal and the political. Leaving the discussion of “the polit…
The New Nordic? A critical examination
(Published: 8 November 2016) Citation: Journal of Aesthetics & Culture, Vol. 8, 2016 http://dx.doi.org/10.3402/jac.v8.33571
Looking at the family photo album: A resumed theoretical discussion of why and how
Having been the most widespread practice of photography since the late 19th century, it is only in the recent few decades that family photography has come into focus of academic attention. Scholars working with family albums have mainly come from anthropology, whereas scholars from the aesthetical fields, art history, photography studies, and cultural studies have been more hesitant about how to approach such a material. Using three family photo …
Når Man Vidner, Er Det Altid for Nogen
Anmeldelse af JACOB LUND Erindringens ÆstetikAarhus, 2011, 176 sider (Klim)
It has not been—it is. The signaletic transformation of photography
Inspired by the concept of “the signaletic,” this article proposes a new understanding of photography as a social and performative device related to everyday life, to communication, and to presence. Today photography is a ubiquitous, social activity to a much larger extent than before the digital revolution and the introduction of the Internet, creating relational situations and communication as well as new affective involvements between human bo…
Making Pictures Talk: The Re-opening of a ‘Dead City’ through Vernacular Photography as a Catalyst for the Performance of Memories
Re-Investing Authenticity: Tourism, Place and Emotions
Re-Investing Authenticity: Tourism, Place and Emotions
Looking at the family photo album: A resumed theoretical discussion of why and how
Having been the most widespread practice of photography since the late 19th century, it is only in the recent few decades that family photography has come into focus of academic attention. Scholars working with family albums have mainly come from anthropology, whereas scholars from the aesthetical fields, art history, photography studies, and cultural studies have been more hesitant about how to approach such a material. Using three family photo …
It has not been—it is. The signaletic transformation of photography
Inspired by the concept of “the signaletic,” this article proposes a new understanding of photography as a social and performative device related to everyday life, to communication, and to presence. Today photography is a ubiquitous, social activity to a much larger extent than before the digital revolution and the introduction of the Internet, creating relational situations and communication as well as new affective involvements between human bo…
Making Pictures Talk: The Re-opening of a ‘Dead City’ through Vernacular Photography as a Catalyst for the Performance of Memories
Re-Investing Authenticity: Tourism, Place and Emotions
Når Man Vidner, Er Det Altid for Nogen
Anmeldelse af JACOB LUND Erindringens ÆstetikAarhus, 2011, 176 sider (Klim)
It has not been—it is. The signaletic transformation of photography
Inspired by the concept of “the signaletic,” this article proposes a new understanding of photography as a social and performative device related to everyday life, to communication, and to presence. Today photography is a ubiquitous, social activity to a much larger extent than before the digital revolution and the introduction of the Internet, creating relational situations and communication as well as new affective involvements between human bo…
Looking at the family photo album: A resumed theoretical discussion of why and how
Having been the most widespread practice of photography since the late 19th century, it is only in the recent few decades that family photography has come into focus of academic attention. Scholars working with family albums have mainly come from anthropology, whereas scholars from the aesthetical fields, art history, photography studies, and cultural studies have been more hesitant about how to approach such a material. Using three family photo …
The New Nordic? A critical examination
(Published: 8 November 2016) Citation: Journal of Aesthetics & Culture, Vol. 8, 2016 http://dx.doi.org/10.3402/jac.v8.33571
New Mixtures: Migration, war and cultural differences in contemporary art-documentary photography
Some have talked about a crisis in documentary photography since its inter- and post-war heydays. But more recently a new kind of art-documentary has developed with a self-reflexive approach towards the limits and the possibilities of photography. The spectrum between documentary and art provides photography with a specific opportunity to address difficult subject matter between the personal and the political. Leaving the discussion of “the polit…
Mennesker og medier i samspil
Anmeldelse af: Jacob Lund og Ulrik Schmidt (red.) Medieæstetik – en introduktion Forlaget Samfundslitteratur, Frederiksberg, 2020
Art (5 works) · History (4 works) · History (4 works) · Visual Culture and Art Theory (4 works) · Computer Science (3 works) · Photography and Visual Culture (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Geography (2 works)