Florence Brachet Champsaur
Biographic Data
| ID | 4240548 |
|---|---|
| NAME | Florence Brachet Champsaur |
| GIVEN NAMES | Florence Brachet |
| FAMILY NAME | Champsaur |
| SIGNATURE | CHAMPSAUR F B |
| AFFILIATIONS | École des hautes études en sciences sociales |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Le Festival de la création française » (1954)
Précis Le lien entre mode et grands magasins reste encore un chantier inexploré dans l'historiographie de la distribution. L'histoire des Galeries Lafayette montre que les fonctions du grand magasin ne peuvent se résumer à acheter et vendre des marchandises. La distribution n'est pas à la périphérie, elle est plus que le chaînon manquant entre le producteur et le consommateur, elle est au cœur de la création de mode. A partir des archives inédite…
Transport och mobilitet på Galeries Lafayette
This article tells the history of luggage with the starting point in the sales catalogs from Galeries Lafayette’s archives, where not least Louis Vuitton is one of the famous producers. Travel was expanding at a time when crinolines were the height of fashion. Such garments must be carefully folded and packed in a suitcase. The many accessories that represented the feminine clothing were packed in special containers for gloves, shoes and hats. Th…
Madeleine Vionnet and Galeries Lafayette
In the past, fashion history has traditionally produced monographs on talented designers emphasising the creativity of the luxury couture business and the tastes of its elite clientele. This case study, based on the unpublished records of Galeries Lafayette, offers a balanced and decompartmentalised interpretation of relationships among the players in the fashion system. Fashion designer Madeleine Vionnet never considered herself an artist and wa…
Madeleine Vionnet and Galeries Lafayette
In the past, fashion history has traditionally produced monographs on talented designers emphasising the creativity of the luxury couture business and the tastes of its elite clientele. This case study, based on the unpublished records of Galeries Lafayette, offers a balanced and decompartmentalised interpretation of relationships among the players in the fashion system. Fashion designer Madeleine Vionnet never considered herself an artist and wa…
Le Festival de la création française » (1954)
Précis Le lien entre mode et grands magasins reste encore un chantier inexploré dans l'historiographie de la distribution. L'histoire des Galeries Lafayette montre que les fonctions du grand magasin ne peuvent se résumer à acheter et vendre des marchandises. La distribution n'est pas à la périphérie, elle est plus que le chaînon manquant entre le producteur et le consommateur, elle est au cœur de la création de mode. A partir des archives inédite…
Madeleine Vionnet and Galeries Lafayette
In the past, fashion history has traditionally produced monographs on talented designers emphasising the creativity of the luxury couture business and the tastes of its elite clientele. This case study, based on the unpublished records of Galeries Lafayette, offers a balanced and decompartmentalised interpretation of relationships among the players in the fashion system. Fashion designer Madeleine Vionnet never considered herself an artist and wa…
Transport och mobilitet på Galeries Lafayette
This article tells the history of luggage with the starting point in the sales catalogs from Galeries Lafayette’s archives, where not least Louis Vuitton is one of the famous producers. Travel was expanding at a time when crinolines were the height of fashion. Such garments must be carefully folded and packed in a suitcase. The many accessories that represented the feminine clothing were packed in special containers for gloves, shoes and hats. Th…
Le Festival de la création française » (1954)
Précis Le lien entre mode et grands magasins reste encore un chantier inexploré dans l'historiographie de la distribution. L'histoire des Galeries Lafayette montre que les fonctions du grand magasin ne peuvent se résumer à acheter et vendre des marchandises. La distribution n'est pas à la périphérie, elle est plus que le chaînon manquant entre le producteur et le consommateur, elle est au cœur de la création de mode. A partir des archives inédite…
Art (2 works) · Fashion and Cultural Textiles (2 works) · Political science (2 works) · Advertising (1 work) · Architecture and Computational Design (1 work) · Art, Politics, and Modernism (1 work) · Business (1 work) · Business history (1 work) · Computer Science (1 work) · Crafts, Textile, and Design (1 work)