Riley Llewellyn Hanick
Biographic Data
| ID | 4245938 |
|---|---|
| NAME | Riley Llewellyn Hanick |
| GIVEN NAMES | Riley Llewellyn |
| FAMILY NAME | Hanick |
| SIGNATURE | HANICK R L |
| AFFILIATIONS | University of Iowa |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Enfolding the Hand, Entrancing the Eye
This essay situates Erica Baum’s Dog Ear (Ugly Duckling Presse 2011) within the history of the artist’s book. It does so by introducing her ongoing series, begun over a decade ago, in which Baum makes the quotidian act of folding the corner of a book’s page into a sculptural intervention, reorienting and “reauthoring” source texts into works of concrete poetry. While photographs from this series have found a wide reception within the art world, t…
No prominent works on this page.
Enfolding the Hand, Entrancing the Eye
This essay situates Erica Baum’s Dog Ear (Ugly Duckling Presse 2011) within the history of the artist’s book. It does so by introducing her ongoing series, begun over a decade ago, in which Baum makes the quotidian act of folding the corner of a book’s page into a sculptural intervention, reorienting and “reauthoring” source texts into works of concrete poetry. While photographs from this series have found a wide reception within the art world, t…
Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Gesture (1 work) · Linguistics (1 work) · Literature (1 work) · Literature and Cultural Memory (1 work) · Philosophy (1 work) · Photography and Visual Culture (1 work) · Poetry (1 work)