Danielle Simon
Biographic Data
| ID | 4252080 |
|---|---|
| NAME | Danielle Simon |
| GIVEN NAMES | Danielle |
| FAMILY NAME | Simon |
| SIGNATURE | SIMON D |
| AFFILIATIONS | Dartmouth College |
| ORCID | 0000-0001-5722-1435 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
“La voce del Padrone”
L’articolo analizza l’opera radiofonica sperimentale In Linea di Livio Castiglioni e Renato Castellani del 1934. Si tratta di un collage sonoro, che propone una combinazione astratta di musica e rumore, pur offrendo agli ascoltatori una metafora chiarissima dell’educazione politica fascista. Le tre sezioni dell’opera procedono da un caos oscuro e rumoroso, all’interno del quale sorge una folla ansiosa e bellicosa che può essere calmata solo da un…
Lanciando la voce’
This article contends that ventriloquism provides a powerful model for radio’s particular brand of acousmatic sound. In Italy, where early radio was devoted primarily to the dissemination of Italian identity through broadcasting Italian opera, the possibility of re-animating voices from the past was central to the medium’s political and cultural promise. Opera broadcasts therefore became stages for thinking through and exploiting the medium’s pot…
From Radio to Radio-visione
This article investigates a series of experimental television broadcasts undertaken by Italian Fascism's national broadcasting entity, the Ente Italiano per le Audizioni Radiofoniche, in the years leading up to the Second World War. It explores both the official autarchical policies and the technological limitations that shaped the radio network's early experiments with television to show that producers' attitudes regarding medium specificity sha…
No prominent works on this page.
From Radio to Radio-visione
This article investigates a series of experimental television broadcasts undertaken by Italian Fascism's national broadcasting entity, the Ente Italiano per le Audizioni Radiofoniche, in the years leading up to the Second World War. It explores both the official autarchical policies and the technological limitations that shaped the radio network's early experiments with television to show that producers' attitudes regarding medium specificity sha…
Lanciando la voce’
This article contends that ventriloquism provides a powerful model for radio’s particular brand of acousmatic sound. In Italy, where early radio was devoted primarily to the dissemination of Italian identity through broadcasting Italian opera, the possibility of re-animating voices from the past was central to the medium’s political and cultural promise. Opera broadcasts therefore became stages for thinking through and exploiting the medium’s pot…
“La voce del Padrone”
L’articolo analizza l’opera radiofonica sperimentale In Linea di Livio Castiglioni e Renato Castellani del 1934. Si tratta di un collage sonoro, che propone una combinazione astratta di musica e rumore, pur offrendo agli ascoltatori una metafora chiarissima dell’educazione politica fascista. Le tre sezioni dell’opera procedono da un caos oscuro e rumoroso, all’interno del quale sorge una folla ansiosa e bellicosa che può essere calmata solo da un…
Italian Fascism and Post-war Society (3 works) · Art (2 works) · Humanities (2 works) · Advertising (1 work) · Astrophysics (1 work) · Business (1 work) · Cinema and Media Studies (1 work) · Commercial broadcasting (1 work) · Computer Science (1 work) · Engineering (1 work)